551 research outputs found
Un incubo di guerra, tra Virgilio e Pascoli: la chiusa del Pueri ludentes di Camillo Morelli (1915)
No full textCamillo Morelli (1885-1916), philologist and teacher of Latin Literature at the Military College of Rome, was poet and soldier, died fighting during the Great War. One of his Latin poems, the Pueri ludentes, written at the end of 1914 and awarded with the magna laus at the certamen Hoeufftianum 1915, shows Morelli’s skills in adapting the classical hexametric forms (especially of Vergil) to the representation of social and political passions of his age. Looking at Pascoli’s Latin Poetry as a model too, the writer reveals, especially in the final verses (vv. 182-217), the brutality of the conflict, showing a feeling of dislike and distrust towards Men, destined once again to succumb to their most violent instincts through the War
L'uno e il molteplice: su Catull. 5
No full textIn Catull. 5, the author cleverly works out two ancient topoi (‘let’s love, because the night/death is coming’; ‘kisses are the joy of lovers’), gaining a well balanced structure of the poem. In comparison with contemporary Graeco-Roman poetry (erotic epigrams – such as Philod. AP 9, 570 –, the Epitaph of Bion), both themes are handled with a remarkable taste for originality, especially in their ‘numerical’ aspects, in order to put special emphasis on the basic contrast between nox una and basia mille
Il nuovo volto delle intercettazioni: procedimento selettivo e riservatezza dei dialoghi intercettati
No full textNella materia delle intercettazioni, il contributo esamina il procedimento selettivo dei dialoghi intercettati, modificato dalla l. 23 giugno 2017, n. 103, soprattutto nell'ottica della efficienza investigativa, del diritto di difesa e della tutela della riservatezza dei soggetti intercettati
Il carme “Quinque sorores” di Camillo Morelli nel centenario della pubblicazione (1918-2018)
No full textCamillo Morelli (1885-1916), filologo e professore di lettere latine presso il Collegio militare di Roma, fu poeta e Alpino, caduto eroicamente durante la prima Guerra Mondiale. Autore di tre carmi in latino, premiati con la 'magna laus' al 'certamen Hoeufftianum' (1911 'Pascua montium', 1914 'Inquilinus Urbis', 1915 'Pueri ludentes'), Morelli diede forse la sua prova migliore nel poemetto in esametri 'Quinque sorores' che, bocciato al concorso del 1916, vide la luce postumo per le cure di Ermenegildo Pistelli. In occasione del centenario della pubblicazione (1918-2018), il carme è qui commentato alla luce degli interessanti spunti virgiliani e pascoliani attraverso i quali Morelli, profetizzando lucidamente la sua morte, stigmatizza l'atrocità del conflitto e consegna ai posteri un messaggio di universale fratellanza
Misurare e gestire le performance : strumenti e modelli per monitorare i risultati
No full textNo abstract availabl
Juan Bautista Morelli en san antonio de los portugueses de Madrid (1668)
No full textFrom 1650, art in the Court of Philip IV experienced a great evolution. After Velázquez's second trip to Italy, these Roman influences seem fundamental to it. The presence in Madrid of Agostrino Mitelli, Angelo Maria Colonna and sculptor Juan Bautista Morelli is clear evidece of his. The works undertaken by Morelli in Spain have their firt model in those of Velázquez, though he will continue to work in the Court and specially for Queen Mariana of Austria after de painter's death. In 1668 he agreed to carry out some reliefs and others tasks at San Antonio de los Portugueses as a complement to the painted dome by Rizi and Carreño de Miranda. The conditions of this contract can be analyzed to establish a similarity with the sculpture decorations by Algardi and his assistants at S. Ignazio in Rome.Después de 1650 el arte de la corte de Felipe IV experimentó una gran evolución en la que fueron fundamentales los contactos con Roma tras el segundo viaje de Velázquez a Italia. La presencia en Madrid de Agostino Mitelli y Angelo María Colonna, así como la del escultor Juan Bautista Morelli, son una prueba de ello. Las obras realizadas por Morelli en España tienen en Velázquez su primera referencia, aunque siguió trabajando para la Corte, y especialmente para la reina Mariana de Austria, después de muerto el pintor. En 1668 contrató siete relieves y otras obras en San Antonio de los Portugueses, como complemento de la cúpula pintada por Rizi y Carreño de Miranda. El análisis de las condiciones del contrato permiten establecer una semejanza con las decoraciones escultóricas de Algardi y sus ayudantes en S. Ignazio de Roma
How the Biography of Giovanni Morelli has been read. Come e stata letta la Biografia di Giovanni Morelli
No full textAn account by a first time biographer/author of the experience of writing a biography of a nineteenth century Italian, Giovanni Morelli. The text is both in Italian and English and presents the author's motivation for writing the biography as a different kind of art history
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