128 research outputs found
Grant Cardone International Sales Expert, Author & Coach
No full textGrant Cardone International Sales Expert, Author & Coach
Le aree lagunari di Lesina e Varano. Frequentazioni e sfruttamento in età medievale e moderna
No full textAnalisi storico-archeologica del paesaggio lagunare garganico, ambiente fragile, profondamente soggetto a trasformazioni di particolare rilevanza insediativa per le risorse naturale, e lo sfruttamento economic
Il successo di EGA presso gli studiosi italiani / EGA’s success amongst Italian academics,
No full text[EN] Since a long time I have been convinced that EGA is the best architectural representation magazine – or maybe of all graphic representation ones – and it’s not a mistery. It is obvious that not everyone will share this oppinion and someone could get angry when I say it, but it is meditated oppinion, supported by irrefutable data, released from my personal relationship with the magazine and the colleagues who participate in it.[IT] Da molti anni sono convinto che EGA sia la migliore rivista di rappresentazione dell’architettura – se non addirittura di tutte quelle che si interessano di rappresentazione grafica – e non ne faccio mistero. È ovvio che non tutti condividono e qualcuno si arrabbia quando lo affermo, ma si tratta di opinione meditata, suffragata da dati inoppugnabili, svincolati dal mio personale rapporto con la rivista e i colleghi che la curano.Cardone, V. (2018). Il successo di EGA presso gli studiosi italiani. EGA. Revista de Expresión Gráfica Arquitectónica. 23(34):206-211. https://doi.org/10.4995/ega.2018.10852SWORD2062112334AMORUSO, G., 2018. El espacio ilusorio barroco en las perspectivas arquitectónicas de Girolamo Curti y Angelo Michele Colonna en el Palacio de la Ciudad de Bolonia, EGA Expresión Gráfica Arquitectónica, 33, pp. 78-89. https://doi.org/10.4995/ega.2018.10389Barba, S., Messina, B. (in charge of), 2005. Il disegno dei viaggiatori. Salerno: CUES.Bartolomei, C., Ippolito, A., 2015. Faros italianos entre geometría y simbolismo, EGA Expresión Gráfica Arquitectónica, 25, pp. 192-199. https://doi.org/10.4995/ega.2015.3679Borja Molero, A., Barba, S., Álvaro Tordesillas, A., 2016., Documentación del patrimonio cultural. Método basado en la fusión de técnicas fotogramétricas y de escaneado óptico de triangulación, EGA Expresión Gráfica Arquitectónica, 28, pp. 236-245. https://doi.org/10.4995/ega.2016.6308Cabezos Bernal, P., Rossi, A., 2017. Técnicas de musealización virtual. Los capiteles del Monasterio de San Cugat, EGA Expresión Gráfica Arquitectónica, 29, pp. 48-57. https://doi.org/10.4995/ega.2017.7340Calisi, D., Cianci, M.G., 2018. De lo virtual a lo real. Un modelo de madera para la reconstrucción filológica del barrio Alessandrino en la zona arqueológica central de Roma, EGA Expresión Gráfica Arquitectónica, 33, pp. 90-102. https://doi.org/10.4995/ega.2018.8924Capone, M., Nigro, E., 2017. Desde la geometría hasta la representación generativa. La búsqueda de una solución optimizada en el proyecto del Club Táchira (Caracas, 1955), E GA Expresión Gráfica Arquitectónica, 31, pp. 172-183.Cardone, V., 2002. Pedro Luis Escrivá: forma e funzione nel disegno delle fortificazioni, EGA Expresión Gráfica Arquitectónica, 7, pp. 36-47.Cardone, V., 2003. Pedro Luis Escrivá, ingegnere militare del Regno di Napoli. Salerno: CUES.Cardone, V., 2005. A proposito di nome, contenuti, programmi e prospettive per la nostra area culturale, EGA Expresión Gráfica Arquitectónica, 10, pp. 48-57. https://doi.org/10.4995/ega.2005.10329Cardone, V., 2017. Editoriale, diségno, n.1, luglio-dicembre 2017, pp. 5-8.Cipriani, L., Fantini, F., Bertacchi, S., 2015. El color en las piedras y en los mosaicos de Rávena: nuevas imágenes de los monumentos antiguos a través de la fotogrametría no convencional de última generación, EGA Expresión Gráfica Arquitectónica, 26, pp. 190-201. https://doi.org/10.4995/ega.2015.4052De Sanctis, A., Fortunato, G., Zappani, A.A., 2017. Nuevos levantamientos y documentos de archivo para el conocimiento de los bienes arquitectónicos: la construcción en el siglo xvii de un nuevo vestíbulo en el Convento- Santuario de San Francisco de Paula (Paula- Italia), EGA Expresión Gráfica Arquitectónica, 30, pp. 118-129. https://doi.org/10.4995/ega.2017.7835Fantini, F., 2012. Modelos con nivel de detalle variable realizados mediante un levantamiento digital aplicados a la arqueología, EGA Expresión Gráfica Arquitectónica, 19, pp. 306-317. https://doi.org/10.4995/ega.2012.1383Gombrich, E.H., 1993. Historia del arte y psicología en Viena, hace cincuenta años, EGA Expresión Gráfica Arquitectónica, 1, pp. 38-41.Leserri, M., Rossi, G., 2013. Arquitecturas de piedra seca, un levantamiento problemático, EGA Expresión Gráfica Arquitectónica, 22, pp. 184-195. https://doi.org/10.4995/ega.2013.1532Maestri, D., 1993. Axonometría, dibujo y arquitectura, EGA Expresión Gráfica Arquitectónica, 1, pp. 99-108.Rossi, A., Palmero, L., DeGregorio, S., 2018. El análisis de la forma en el diseño arquitectónico: desde el proyecto a la ejecución, EGA Expresión Gráfica Arquitectónica, 32, pp. 186-197. https://doi.org/10.4995/ega.2018.894
Spazio urbano e relazioni territoriali di un insediamento della Puglia medievale: applicazioni digitali nell’indagine archeologica in corso a Montecorvino
No full textAnalisi spaziali e di archeologia diagnostica suln sito archeologico fi montecorvin
Il sito rupestre di Ognissanti (Monte Sant’Angelo, FG): ricerche in corso sull’insediamento e sul contesto territoriale
No full textIl laterizio nei cantieri della Puglia centro-settentrionale tardoantica e medievale tra reimpieghi e nuove costruzioni
No full textThe brick in late antique and medieval central and northern Apulia between reuse and new productions
In Roman times, in central and northern Apulia, the use of clay in construction was not intensive, but reserved for specific functions. Production seems to be concentrated in the internal areas and linked to the major urban and rural settlements. The crisis in the sector takes place in the Late Antiquity, with different times among the various sites; in the towns production stopped between the 3rd and 4th centuries AD, except for Canosa, where in the 5th and 6th centuries an exceptional manufacturing of bricks for the building, managed by the Church, flourishes. In some rural contexts workshops of specific clay artefacts are also activated in the restructuring phases between the 4th and 5th centuries AD, to integrate reused bricks and tiles.
With the exception of Faragola, production seems to have stopped in the early Middle Ages. In the advanced 11th and in 12th century when tiles reappear in the stratigraphies, but perhaps also new constructions employ bricks (Serracapriola), the manufacturing restarted.
From the 13th century the use of newly made terracotta elements becomes more evident in various contexts, culminating in the construction of the Lucera fortress, undertaken by the Angevin rulers in the last quarter of the century, built largely with modular bricks, molded in the workshops planted on site and in the surrounding area.
The elaboration of a mensiochronological curve of bricks for Lucera from the 14th to the 19th century made it possible to outline interesting and peculiar dynamics of the brick industry over the long term
Fitting the Luminosity Data from Type Ia Supernovae in the Frame of the Cosmic Defect Theory
No full textThe cosmic defect (CD) theory is reviewed and used to fit the data for the accelerated expansion of the universe, obtained from the apparent luminosity of 192 SnIa’s. The fit from the CD theory is compared with the one obtained by means of ΛCDM. The results from the two theories are in good agreement and the fits are satisfactory. The correspondence between the two approaches is discussed and interpreted
Il laterizio nei cantieri della Puglia centro-settentrionale tardoantica e medievale tra reimpieghi e nuove produzioni
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