840 research outputs found
"I' ll tell you a story that will make you believe" in narratives: the role of metafiction in the novel and in the film Life of Pi
Get PDFDissertação (mestrado) - Universidade Federal de Santa Catarina, Centro de Comunicação e Expressão, Programa de Pós-Graduação em Inglês: Estudos Linguísticos e Literários, Florianópolis, 2015.Recentes estudos propõem que adaptações cinematográficas sejam entendidas como fonte de criação, os quais refletem contextos e interpretações diferentes do texto em que são baseadas. Nessa dissertação, propõe-se uma análise comparativa do romance Life of Pi (2001), de Yann Martel e do filme homônimo dirigido por Ang Lee (2012). A análise tem como objetivo identificar a presença e o modo em que a metaficção é construída no romance e no filme, e quais são alguns significados produzidos por ela em ambos os textos, tanto o literário quanto o fílmico. A concepção de metafição se baseia nas definições de Linda Hutcheon e Patricia Waugh. Por metaficção, entende-se a ficção consciente de si, que expõe o processo de escrita ao leitor e o convida a ter um papel ativo na construção do significado. Após uma análise comparativa dos dois textos, conclui-se que a metaficção está presente em ambos, tanto tematicamente como estruturalmente. As reflexões sobre narrativas apresentadas pelos personagens, o uso de vários níveis narrativos e de intertextualidade revelam diferentes usos da metafição em ambos. A diferença mais importante entre o romance e o filme Life of Pi está no uso dos níveis narrativos. Enquanto o romance possui um ?autor? sem nome que apresenta a história aos leitores, o filme possui um diretor implícito que deixa pistas de qual versão da história de Pi é ?real? no contexto da narrativa. Essa diferença dá ao romance um final aberto, em que o leitor deve escolher qual versão da história ele acredita, enquanto o filme possui uma resolução para essa questão. O filme, então, pode ser entendido como um testemunho, uma narrativa de trauma de um sobrevivente de um naufrágio e da experiência de migração, enquanto o livro não apresenta uma decisão em relação às versões da história, deixando o leitor aberto a qualquer possibilidade.Abstract : Recent studies propose that Film Adaptations should be understood as sources of creation, which also reflect a different context and interpretation from the text upon which they were based. In this thesis, I propose a comparative analysis of the novel Life of Pi (2001), by Yann Martel, and the homonymous film directed by Ang Lee (2012). The analysis has the objective of identifying the presence and the way in which metafiction is constructed in the novel and in the film, and what are some of the meanings produced by it in both texts, the filmic and the literary. The concept of metafiction was based on the definitions by Linda Hutcheon and Patricia Waugh. It is understood as the self-conscious fictional text, which exposes the writing process to the readers and invites them to have an active role in the construction of meaning. In the comparative analyses of the two texts, I have proved that metafiction is present in the two texts, both thematically and structurally. The reflections of the characters on narrative itself as well as the use of different narrative levels and intertextual references reveal different uses of metanarrative in both film and novel. The most important difference between the novel and the film Life of Pi is in their uses of different narrative levels. While the novel has an unnamed =author? who presents the story to the readers, the film has an implicit director who leaves =clues? of which version of Pi?s story is ?real? in the context of the narrative. This difference gives to the novel an open end, facein which the readers must choose which version of the story they believe in, while the film presents a resolution to this question. The film, thus, can be understood as a testimony narrative, a narrative of the trauma of a survivor from a shipwreck and from the experience of migration, while the novel does not decide for one of the versions of the story, enabling a more inconclusive reading
Cold war theology: a controversial religious image of King James VI & I in England and on the Continent in 1603
No full textA former student of James Cameron’s, Ian Hazlett contributes a paper very much in the spirit of his teacher. It considers the afterlife of the King’s (or Negative) Confession, commissioned by James VI of Scotland in 1581 as a clear statement of his Calvinist credentials. By the time he gained the crown of England in 1603 however, his evolving religious views meant it had become a document he sought to distance himself from. Both Protestant and Catholic propagandists and publishers, keen to give a particular picture of the theological sympathies of the new English king, subsequently produced a surprisingly varied selection of versions of the Confession. These sources and what they can tell us about the theology and politics of the day are considered here for the first time in a scholarly study.Publisher PD
The species analyzed, their collectors/donors, collection locality and vial ID number.
No full text<p>Each vial contained workers from a single colony. The species are in alphabetical order. Abbreviations: WRT, the author; RAJ, Robert A. Johnson; JPP, James P. Pitts; JCT, James C. Trager; KLH, Kevin L. Haight; SDP, Sanford D. Porter.</p
His Majesty's advocate : Sir James Stewart of Goodtrees (1635-1713) and Covenanter resistance theory under the Restoration monarchy
No full textThis thesis is the first to explore the life and political thought of Sir James
Stewart of Goodtrees (1635-1713). The first part reviews the life of his father, Sir
James Stewart of Kirk field (1608-1681) to 1661, and Goodtrees' own life from birth
to his admission to the Scots bar in 1661. This provides the backdrop of history
necessary to appreciate his contributions as both writer and radical activist.
Particular attention focuses on the conflict between Charles I and Charles II, on the
one hand, and the Church of Scotland, on the other; the National Covenant (1638)
and the Solemn League and Covenant of(1643); the British wars of religion; and
the upheavals following the Restoration in the 1660s, culminating in the Pentland
Rising of 1666.
The next part develops Goodtrees' political philosophy from his two most
important writings. Chapter 3 reviews and interprets Naphtali (1667), a defence of
those who rose at Pentland. Chapter 4 reviews Andrew Honyman's Survey of
Naphtali (1668, 1669), a rebuttal of Naphtali and standard Anglican case for royal
absolutism. Chapter 5 reviews and interprets Goodtrees' Jus Populi Vindicatum, or
The People's Right, to defend themselves and their Covenanted Religion, vindicated
(1669), his rejoinder to Honyman. His Calvinist, covenantal constitutionalism is
shown to be an important link between earlier resistance theorists like John Knox
and Samuel Rutherford and the later Whigs, represented preeminently by John
Locke.
The third part (chapters 6-7) reviews Goodtrees' life and minor writings as radical critic of the Restoration monarchy; a participant in plots among British
exiles in Holland to overthrow it; a member briefly of James's Scottish government
before the Revolution; and lord advocate and churchman pursuing political, legal,
and ecclesiastical reforms afterwards
(The) man, his body, and his society: masculinity and the male experience in English and Scottish medicine c.1640-c.1780.
Get PDFThis thesis examines the relationship(s) between medicine, the body and societal codes of masculinity in England and Scotland between c.1640 and c.1780. It responds to the way in which the men in histories of post-1660 masculinity are often disembodied, and to the comparative absence of men’s gendered experiences from the history of medicine. Its findings show that in both centuries the experience of being a man with a body that was the site of health and sickness was an open, candid, and often communal, one, inside and outside of the formal medical encounter. Thus, and on both sides of 1700, ill men had full freedom in the pursuit and acceptance of medical, familial and social assistance, while their physical suffering, and associated emotional distress, was met with sympathy. With their sick bodies the sites of honest self-examination and open discussion, it was in part this very public nature of their sicknesses that allowed men, as a gender and as individuals, independence and agency in their non-commercial health care. Indeed, later-seventeenth- and eighteenth-century men suffered no constraints in their ability to respond to the vulnerabilities of their bodies, even where this involved behaviours or attributes allegedly associated with women and femininity, or inconsistent with ideals of active, independent, masculinity.
These findings indicate, therefore, great continuity across the period 1640-1780, and not only in masculine ideals of and involving the male corporeality. There seems to have been significant consistency across time in men’s social and medical experiences of both sickness and their pre-emptive preparation for it, and in an apparent collective self-confidence concerning their corporeal masculinity, their sex, and, possibly, even their sexual potential. Indeed, these sources suggest that seventeenth- and eighteenth-century men had a resilient sense of self-identity (and personal masculinity), conceptually separable from the corporeal body and its known fragilities
Continuous metadata flows for distributed multimedia
No full textThe practical use of temporal multimedia has increased markedly in recent years as enabling technologies for the distribution and streaming of media have become available. As a part of this trend, hypermedia systems and models have adapted accordingly to incorporate such distributed multimedia for presentation. Structured interpretation of information has long been a fundamental feature of both open hypermedia systems and knowledge systems. Metadata, in its many forms, has become the cornerstone for providing this structured knowledge above and beyond basic data and information. This thesis presents the rationale and requirements for continuous metadata, which supports the metadata accompanying distributed multimedia throughout the lifecycle of streamed media, from generation, through distribution, to presentation. Throughout this process it is the temporal and continuous nature of the metadata which is paramount. A conceptual framework for continuous metadata is proposed to encapsulate these principles and ideas. Continuous metadata and the associated framework enable the development, in particular, of real-time, collaborative, semantically enriched distributed multimedia applications. Experience building one such system using continuous metadata is evaluated within the framework. An ontology is developed for the system to enable the collation, distribution, and presentation of structure aiding navigation of multimedia, and it is shown how continuous metadata utilising the ontology can be distributed using multicas
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James Madison and the making of America /
No full textThis is the first full-length biography, in over a decade, of James Madison, our fourth President and icon of the conservative movement. In it, the author, a historian looks beyond Madison's traditional moniker, "The Father of the Constitution", to find a more complex and realistic portrait of this influential Founding Father. Instead of an idealized portrait of Madison, the author treats readers to the story of a man who often performed his founding deeds in spite of himself: Madison's fame rests on his participation in the writing of The Federalist Papers and his role in drafting the Bill of Rights and Constitution. Yet, he thought that the Bill of Rights was unnecessary and insisted that it not be included in the unamended Constitution which, he lamented, was entirely inadequate and, likely, would soon fail. Madison helped to create the first American political party, the first party to call itself "Republican", but only after he had argued that political parties, in general, were harmful. Madison served as Secretary of State and, then, as President during the early years of the United States and the War of 1812; however, the American foreign policy he implemented in 1801-1817 ultimately resulted in the British burning down the Capitol and the White House. Virtually all of his great accomplishments, such as his contributions to The Federalist Papers, are now misunderstood. His greatest legacy, the disestablishment of Virginia's state church and adoption of the libertarian Virginia Statute for Religious Freedom, is often omitted from discussion of his career
The Irish plays of James Shirley, 1636-1640
Get PDFAlthough he was a prominent and influential playwright during his theatrical career,
the work of James Shirley (1596-1666) has been neglected since Dryden's description
of him in 'MacFlecknoe' as a mere 'type...of tautology'. Shirley holds a unique place
amongst Caroline dramatists as, at the height of his career, he left London to become
resident playwright of the first purpose-built theatre in Ireland, the Werburgh Street
Theatre. This seminal event has received fairly little attention from scholars, and the
plays of this Irish period (The Royal Master, The Doubtful Heir, The Gentleman of
Venice, The Politician and St. Patrick for Ireland) have not previously been examined
as a whole.
This thesis examines Shirley's Irish period in its entirety, from the
circumstances surrounding his move to Dublin in 1636, through an exploration of his
relationship with the Werburgh Street Theatre and what influenced his Irish plays, to
the factors which resulted in his return to England in 1640. The thesis historicises the
production of these plays in their socio-political context. The chapters
(chronologically arranged by play) provide close textual studies and contextual
material relating the texts to their patrons, performance spaces, audiences, print history
and Irish politics. This research reveals that during this four year period, Shirley
gradually adapted his writing style in a targeted attempt to appeal to the tastes of the
Dublin audience. Shirley managed the theatre with John Ogilby, who was appointed
Master of the Revels in Ireland by Lord Deputy Wentworth. An analysis of the
relationship between these three key figures has contributed to a comprehensive
picture of the socio-political conditions of Shirley‘s writing. Through the investigation
of Shirley's work and professional position during this time, this thesis builds on
recent critical recovery work (including that by Hadfield/Maley, Rankin, Dutton) on
the literary-political circumstances of Stuart Ireland
Bibliography
No full textBarry, Kevin, ed., James Joyce: Occasional, Critical, and Political Writing (Oxford World’s Classics) (Oxford: Oxford University Press, 2000). Barthes, Roland, ‘The Death of the Author’ [1967], in Image Music Text, essays selected and translated by Stephen Heath (London: Fontana Press, 1977), pp. 142–48. https://grrrr.org/data/edu/20110509-cascone/Barthes-image_music_text.pdf Battestin, Martin C. and Fredson Bowers, eds., Henry Fielding: The History of Tom Jones, A Foundling (Oxford: Clarendo..
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