21,494 research outputs found
Andrew Lloyd Webber\u27s Song & Dance
No full textPoster for the 2004 production of Andrew Lloyd Webber\u27s Song & Dancehttps://digitalcommons.daemen.edu/musicalfare_posters/1039/thumbnail.jp
A Journey Through Song James- Andrew Britton
No full textJames-Andrew Hearn and Hteemu Dee in a delightful recital titled “A Journey Through Song”.https://digitalcommons.andrews.edu/seniors-2018-2019/1016/thumbnail.jp
Song Of Loves, A | 21-20248
No full textA Song of Loves
Part Number: 21-20248
Previous Part Number: HL-248
Price: $1.90
Voicing: SSA
Lyrics By: Song of Solomon
Music By: Andrew E. Simpsonhttps://digitalcommons.butler.edu/jca_scores/1545/thumbnail.jp
George MacLeod’s open-air preaching: performance and counter-performance
No full textStuart Blythe uses the methodology of performance to analyse George MacLeod’s open-air preaching. He points out that MacLeod’s preaching was derived from a theology of the incarnation, and an understanding of the paradoxes and dichotomies of common human life. This preaching, Blythe suggests, was also a counter-performance in the context of outlooks and ideologies inimical to the gospel. The paper raises interesting issues related to preaching as performance, and the further question as to whether or not the life and work of the Church as a whole might now be better understood as a counter-performance.Publisher PD
Song To The Stars | 20-96780
No full textSong To The Stars
Part Number: 20-96780
Price: $1.95
Voicing: SA
Music By: Andrew Earle Simpsonhttps://digitalcommons.butler.edu/jca_scores/1548/thumbnail.jp
In the navy now [music] : song /
No full textFor voice and piano.; Port. of Andrew Higginson on cover.; Also available online http://nla.gov.au/nla.mus-an4969201; Mus: N, Snell
Author Identification from Song Lyrics
No full textMachine Learning (ML) tools have been used extensively in a wide variety of domains
recently. Due the enormous amount of data being produced, machine learning techniques
are being heavily used to make sense of data & derive meaningful results. Using machine
learning tools, we can turn the data into knowledge.
Music is one of the truest forms of art. Bangladesh has a great history of music with a
great tradition of song writing over centuries. Authorship attribution is the way of
identifying the author from a linguistic corpus.
This paper demonstrates a guideline to identify the author of a Bengali song from the
lyrics of that song using machine learning. This research work presents the first work on
machine learning approach for author attribution from the lyrics of a song. Here six
methods of machine learning are used for the author identification and high accuracies
have been achieved from these methods. It is observed that Naïve Bayes method provides
higher accuracy in comparison with the other methods
The Song of Songs in late Elizabethan, Jacobean and Caroline poetry
No full textThis thesis is about reading. Working on the understanding that all texts read other texts, it aims to uncover something of how English poets from 1590-1650 read the Song of Songs, by analyzing when and how they use it in their poetry. By looking at poetic readings, rather than theological ones, it also explores the connections and distinctions between reading literature and reading Scripture. As both Scripture and lyric love poetry, the Song of Songs has participated in theological and literary discourse over a long period. The Introduction gives background on both kinds of reading, and how they have been applied to the Song of Songs. It also sets out the structure of the thesis. Chapter 2 surveys theological writing about the Song of Songs produced during the period. The material includes sermons, commentaries, household advice books, hymns and translations, including poetic translations. There is a stable core of interpretation, which reads the Song as primarily about the relationship between Christ and the Church, or the individual soul, or both. Within this stable core, however, there is a wide variety of interpretations. Chapters 3-5 are themed, and look at how poets handle the three topics of the feminine voice, beauty and desire when they read the Song of Songs. The first poet considered in each chapter is Aemilia Lanyer, who provides a plumb-line for the exposition. As a poet seeking elite patronage, Lanyer is typical of her age in many important respects; but she also challenges expectations about poets of the period. The other poets considered are Shakespeare, Southwell, Mary Sidney, Countess of Pembroke, Spenser, Donne and Crashaw. The Conclusion considers what light these poetic readings shed on the relationship between Scripture and literature
Translating French Song as a Language Learning Activity
No full textKelly Andrew B. Translating French Song as a Language Learning Activity. In: Équivalences, 22e année-n°1-2 ; 23e année-n°1, 1992. Traduire et interpréter Georges Brassens, sous la direction de Martine Bracops. pp. 91-112
"Solomon's Salacious Song": Foucault's Author Function and the Early Christian Interpretation of the Canticum Canticorum
No full textThe transformation of the erotic Song of Songs into a mystical tract on the soul's love for Christ was surely one of the great exegetical feats of late ancient Christianity. Recent work on the politics of meaning leads us to interrogate more closely the processes by which early Christian exegetes achieved that feat, and how their interpretations encoded and produced particular forms of socially mediated power and knowledge. Michel Foucault has proposed for modern literary criticism the interpretive mode of the "author function," by which literary critics can domesticate or reject a text that is potentially transgressive. This "author function" supplied one method by which difficult canonical texts, like the Song of Songs, were tamed, and furthermore produced authoritative (and authorial) meaning that mediated contested boundaries of Christian cultural identity
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