1,721,000 research outputs found
Recommended from our members
[Andreea Popa holding plaque]
No full textPhotograph of Andreea Popa, one of the recipients of the Greater Texas Foundation Scholarship, holding up her award plaque for a picture. By her sides are Kalynne Tweedie and Chad Dozier. Dozier is holding a plate with food on it
Recommended from our members
[Andreea Popa with TNT Co-Directors]
No full textPhotograph of Andreea Popa, one of the 2009 recipients of the Greater Texas Foundation Scholarship, standing between Dr. Mary Harris and Dr. John Quintanilla, the co-directors of the Teach North Texas program. They are standing in front of plaques and Popa is holding a smaller one with her name on it
Recommended from our members
[Andreea Popa shaking Dr. John Quintanilla's hand]
No full textPhotograph of Andreea Popa, one of the 2009 recipients of the Greater Texas Foundation Scholarship, shaking the hand of Dr. John Quintanilla, the co-director of the Teach North Texas program. They are standing by the refreshments table and two other attendees are behind Nichols
Recommended from our members
[Scholarship recipients behind table]
No full textPhotograph of the Greater Texas Foundation Scholarship recipients in 2010 standing behind the refreshments table with their cookie arrangements. They are Kalynne Tweedie, Karon Boyd, Danielli Costa, and Andreea Popa
Recommended from our members
[Scholarship recipients with faculty]
No full textPhotograph of the recipients of the Greater Texas Foundation Scholarship, standing, or sitting between Jerry Thomas, dean of the College of Education, and Warren Burggren, Provost and Vice President of Academic Affairs. The recipients are Danielli Costa, Andreea Popa, Chad Dozier, Kalynne Tweedie, Matt Wolodzko, Karon Boyd, and Blair Probst
Going Beyond Counting First Authors in Author Co-citation Analysis
Full text linkThe present study examines one of the fundamental aspects of author co-citation analysis (ACA) - the way co-citation
counts are defined. Co-citation counting provides the data on which all subsequent statistical analyses and mappings
are based, and we compare ACA results based on two different types of co-citation counting - the traditional type that
only counts the first one among a cited work's authors on the one hand and a non-traditional type that takes into
account the first 5 authors of a cited work on the other hand. Results indicate that the picture produced through this non-traditional author co-citation counting contains more coherent author groups and is therefore considerably clearer. However, this picture represents fewer specialties in the research field being studied than that produced through the traditional first-author co-citation counting when the same number of top-ranked authors is selected and analyzed. Reasons for these effects are discussed
Recommended from our members
[Recipients showing cookies]
No full textPhotograph of the recipients of the Greater Texas Foundation Scholarship standing in a line and showing decorated sugar cookies that read "GTF" and "NOYCE". The recipients are Chad Dozier, Blair Probst, Andreea Popa, Karon Boyd, Danielli Costa, Kalynne Tweedie, and Matt Wolodzko
Recommended from our members
[Recipients holding cookies]
No full textPhotograph of the recipients of the Greater Texas Foundation Scholarship standing in a line and holding up decorated sugar cookies that read "GTF" and "NOYCE". The recipients are Chad Dozier, Blair Probst, Andreea Popa, Karon Boyd, Danielli Costa, Kalynne Tweedie, and Matt Wolodzko
Variations on the Author
Full text link“Variations on the Author” discusses two of Eduardo Coutinho’s recent films (Um Dia na Vida, from 2010, and Últimas Conversas, posthumously released in 2015) and their contribution to the general question of documentary authorship. The director’s filmography is characterized by a consistent yet self-effacing form of authorial self-inscription: Coutinho often features as an interviewer that rather than express opinions propels discourses; an interviewer that is good at listening. This mode of self-inscription characterizes him as an author who is not expressive but who is nonetheless markedly present on the screen. In Um Dia na Vida, however, Coutinho is completely absent form the image, while Últimas Conversas, on the contrary, includes a confessional prologue that moves the director from the margins to the center of his films. This article examines the ways in which these works stand out in the filmography of a director who offers new insights into the notion of cinematic authorship
- …
