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Endless Buttonings
No full textSaturday, Act I. Andrea Beckham Collaborative Dance is grateful to acknowledge assistance from the Hartwright Foundation (Count to Twelve). Choreography: Carolyn Pavlik (Lady-boy, Endless Buttonings), Andrea Beckham Collaborative Dance (Count to Twelve), Sean Curran (Alone in the Metal Garden), Michael Foley (The Sky Is Falling). Dance Company: Sharir+Bustamante Danceworks. Dancers: Carolyn Pavlik (Lady-Boy); Jessica Goulding, Andrea Beckham (Count to Twelve); Mary Williford-Shade (Alone in the Metal Garden); Theresa Hardy, Andee Scott (The Sky Is Falling); Dawn Darelik, Carolyn Pavlik, Karen Sorenson, Roxanne Saenz Gage, Lisa Voorhies (Endless Buttonings) Sound: Jeff Curtis (Lady-boy, Endless Buttonings); Sean Perry and Timothy Harold, Wonder Twins AudioVisuals, Inc. (Count to Twelve). Videography: Lisa Voorhies and Heather Mitchell (Lady-boy); Lisa Voorhies (Endless Buttonings); Jose Luis Bustamante (The Circular Ruins). Costumes: Carolyn Pavlik (Lady-boy); Laura Cannon (Count to Twelve); Marketa Fantova (Alone in the Metal Garden). Music: La Java des Bombes Atomiques by Etron Fou LeLoublan (Lady-boy); Ryah M. Christensen (Count to Twelve); Tigger Benford (Alone in the Metal Garden); Arvo Part (The Sky Is Falling); "Weeping Willow Blues," Bessie Smith (Endless Buttonings). Concept: Tre Arenz (Count to Twelve). Lighting: Monique R. Norman (Count to Twelve). Text: "Untitled," by Pablo Neruda, translated by W.S. Merwin (Count to Twelve).Performance at the McCullough Theatre, UT-Austin.Theatre and Danc
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A Few Questions About Eurydice
No full textPerformance at the McCullough Theatre, UT-Austin. Friday, Act I. Through the Mountain: thick is the darkness, there is no light; he can see neither behind him nor ahead of him. Andrea Beckham Collaborative Dance is greateful to acknowledge assistance from the Friends of Gilgamesh Foundation, Inc. / A Few Questions about Eurydice: Please note: This piece is for mature audiences only as it contains images of violence against women. Viewer discretion is advised. Members of the audience will be given the opportunity to leave the theatre before the performance of this piece. Choreography: Andrea Beckham (Through the Mountain); Theresa Hardy (Compassionate Resolution); Andee Scott (A Few Questions About Eurydice) Dance Company: Sharir+Bustamante Danceworks; Andrea Beckham Collaborative Dance (Through the Mountain). Dancers: Laura Cannon, Shonna Walden, Jillian Ardoin (Through the Mountain); Jose Luis Bustamante, Laura Cannon, Theresa Hardy, Allison Orr (Compassionate Resolution); Andee Scott (A Few Questions about Eurydice) Music: Billy Wolfe (Through the Mountain); Rooms by Jim Fredley, The Gash by the The Flaming Lips (Compassionate Resolution). Costumes: Laura Cannon (Through the Mountain); Theresa Hardy (Compassionate Resolution). Lighting: Jessica LaBaugh Rapier (Though the Mountain, Compassionate Resolution); Gordon W. Olson (A Few Questions About Euridyce). Text: Gilgamesh, translated from SIn-leqi-unninnI version by John Gardner and John Maiser, Random House Vintage Books, 1984 (Through the Mountain); excerpts from Bulfinch's Mythology (A Few Questions about Eurydice) Video: Theresa Hardy (Compassionate Resolution); Deb Norris (A Few Questions about Eurydice). Narrator: Abe Louise Young (A Few Questions about Eurydice).Performance at the McCullough Theatre, UT-Austin.Theatre and Danc
Going Beyond Counting First Authors in Author Co-citation Analysis
Get PDFThe present study examines one of the fundamental aspects of author co-citation analysis (ACA) - the way co-citation
counts are defined. Co-citation counting provides the data on which all subsequent statistical analyses and mappings
are based, and we compare ACA results based on two different types of co-citation counting - the traditional type that
only counts the first one among a cited work's authors on the one hand and a non-traditional type that takes into
account the first 5 authors of a cited work on the other hand. Results indicate that the picture produced through this non-traditional author co-citation counting contains more coherent author groups and is therefore considerably clearer. However, this picture represents fewer specialties in the research field being studied than that produced through the traditional first-author co-citation counting when the same number of top-ranked authors is selected and analyzed. Reasons for these effects are discussed
Variations on the Author
Get PDF“Variations on the Author” discusses two of Eduardo Coutinho’s recent films (Um Dia na Vida, from 2010, and Últimas Conversas, posthumously released in 2015) and their contribution to the general question of documentary authorship. The director’s filmography is characterized by a consistent yet self-effacing form of authorial self-inscription: Coutinho often features as an interviewer that rather than express opinions propels discourses; an interviewer that is good at listening. This mode of self-inscription characterizes him as an author who is not expressive but who is nonetheless markedly present on the screen. In Um Dia na Vida, however, Coutinho is completely absent form the image, while Últimas Conversas, on the contrary, includes a confessional prologue that moves the director from the margins to the center of his films. This article examines the ways in which these works stand out in the filmography of a director who offers new insights into the notion of cinematic authorship
Appropriate Similarity Measures for Author Cocitation Analysis
Get PDFWe provide a number of new insights into the methodological discussion about author cocitation analysis. We first argue that the use of the Pearson correlation for measuring the similarity between authors’ cocitation profiles is not very satisfactory. We then discuss what kind of similarity measures may be used as an alternative to the Pearson correlation. We consider three similarity measures in particular. One is the well-known cosine. The other two similarity measures have not been used before in the bibliometric literature. Finally, we show by means of an example that our findings have a high practical relevance.information science;Pearson correlation;cosine;similarity measure;author cocitation analysis
Dispelling the Myths Behind First-author Citation Counts
Get PDFWe conducted a full-scale evaluative citation analysis study of scholars in the XML research field to explore just how different from each other author rankings resulting from different citation counting methods actually are, and to demonstrate the capability of emerging data and tools on the Web in supporting more realistic citation counting methods. Our results contest some common arguments for the continued
use of first-author citation counts in the evaluation of scholars, such as high correlations between author rankings by first-author citation counts and other citation
counting methods, and high costs of using more realistic citation counting methods that are not well-supported by the ISI databases. It is argued that increasingly available digital full text research papers make it possible for citation analysis studies to go beyond what the ISI databases have directly supported and to employ more
sophisticated methods
koamabayili/VECTRON-author-checklist: VECTRON author checklist
No full textWe have done our best to complete the author checklist relating to the use of animals in the hut study. Note that the objective for the hut study was to evaluate the IRS treatment applications for residual efficacy against Anopheles mosquitoes, including the local An. coluzzii mosquito population. Cows were only used to attract mosquitoes into the huts and no tests were carried out directly on the cows. The author checklist is intended for use with studies where experiments are carried out on animals, which is why we have had such difficulty in completing this for the hut study, as many of the questions do not relate to how the cows were used
Author-wise bibliometric analysis based on entropy.
No full textAuthor-wise bibliometric analysis based on entropy.</p
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