6,907 research outputs found
Dissemination of innovative teaching and learning practice : the global studio
No full textThis project aims to disseminate teaching and learning resources from an innovative programme called the Global Studio to the ADM-HEA community. The area of innovation developed in the Global Studio was to link student teams across the globe in ‘designer’ and ‘client’ roles in order to undertake a product development project. This built on and extended the learning philosophy of learning in and through doing provided in a more traditional design studio. Throughout the project students worked in geographically distributed work groups in order to provide them with experience in using skills that would enable them to work successfully in distributed design teams
Studio 217 : Students of Kristin Tatarchuck and Andre Garcia-Nuthmann
No full textGiovanni PergolesiGiovanni LegrenziErnest ChaussonGabriel FaureRalph Vaughan WilliamsFranz SchubertOld Irish airKurt WeillLucy SimonClaude-Michel SchonbergGeorge GershwinStephen SondheimDigital audio of these performances is not yet available. You may submit a request for these recordings to be digitized and made available at this site within 10 work days at http://lib.asu.edu/music/services/perfdigitizeform?identifier=1996/12-7D&title=Studio+217+%3A+Students+of+Kristin+Tatarchuck+and+Andre+Garcia-Nuthman
Sister M. Rosalia Flaherty, RSM.
No full textPhotograph of Sister M. Rosalia Flaherty.Back of the photograph: Rosalia Flaherty, RSM, Academic Dean: 1957- 1967, Board of Trustees: 1973, Andre Studio, 765 Broad St. Central Falls, R.I. In grateful recognition of her visionary leadership and inspirational service--Plaque, Flaherty Suite, McAuley Hall. Sister M. Rosalia was Academic Dean 1957-1967 and Trustee 1973-2003. The Flahery Academic Suite was dedicated May 8, 1997.Black and white photograph. 12x18 cm. (5x7 inch).https://digitalcommons.salve.edu/heritage/1003/thumbnail.jp
The Creative Studio Practice of Contemporary Dance Music Sampling Composers
No full textThis article seeks to investigate some of the considerations that inform and help to determine the creative studio practice of contemporary sampling composers. Collaborative writing and production, specifically the co-opted collaboration implicit in using samples, will be assessed to consider those aspects of the production process which the participants consider to be authorial. These considerations include acts of listening, selecting and editing. In examining these matters this paper places emphasis on how sampling composers actively constrain their options in order to promote a creative relationship with their musical material. Techniques such as, firstly, traditional sample manipulation, secondly, the use of a sample as an initial building block for a composition from which the sample is then removed and, finally, live performance in the studio which is subsequently cut up and treated as a sample, will be discussed. Case studies, in the form of semi-structured interviews with sampling composers, will be drawn upon to assess approaches to and views about these forms of studio compositio
Designing 21st Century Standard Ware: The Cultural Heritage of Leach and the Potential Applications of Digital Technologies
No full textThis practice-based research investigates the potential applications of digital manufacturing technologies in the design and production of hand-made tableware at the Leach Pottery. The methodology for the research establishes an approach grounded in my previous experience as a maker that is informed by an open, experimental, emergent, and responsive framework based on Naturalistic Inquiry.
A critical contextual review describes the cultural heritage of Leach which, for the purposes of the research, is developed through the Leach Pottery as a significant site, the historical production of the iconic Leach Standard Ware and the contemporary production of Leach Tableware. This is followed by an examination of Potter’s Tools in the Leach production environment, and a review of makers’ digital ceramic practice.
The contextual review is followed by an explication of ‘standards’ presented through visual lineages of Standard Ware and Leach Tableware to define ‘standard’ at a design (macro) level, followed by an examination of how ‘standard’ operates at a making (micro level) level. This chapter presents new knowledge in relation to defining the visual field of Leach Pottery tableware production and its standards of design.
A chapter focussed on practice presents the outcomes and analysis of my engagement with digital manufacturing technologies which resulted in the development of new tools to support Leach Tableware production and the interrogation of Leach forms, in different mediums, which led to the creation of Digital-Analogue Leach forms. The practice culminated in the design and development of new 21st century Standard Ware: a range of 9 forms, called Echo of Leach, that were developed by myself using digital and analogue methods: the designs were realised by myself, the Leach Studio, and a further four makers. The outcomes of the research were presented in a three month exhibition at the Leach Pottery in 2013.
The conclusions of the research draw on the key points raised in the analysis of the practice and relate these to the approaches to making pottery that are highlighted in the cultural heritage of Leach in the contextual review. These are also discussed in relation to ways in which these findings could be taken forward into development of knowledge about Standard Ware, especially in a broader studio pottery context
PENGARUH KUALITAS PELAYANAN, HARGA, DAN CITRA MEREK TERHADAP LOYALITAS PELANGGAN DI ANDRE FOTO STUDIO PALEMBANG
No full textPenelitian ini bertujuan untuk mengetahui pengaruh Kualitas Pelayanan, Harga Dan Citra Merek Terhadap Loyalitas Pelanggan. Populasi dalam penelitian ini adalah pelanggan yang pernah menggunakan jasa di Andre Foto Studio Palembang, sedangkan sampel yang digunakan adalah 97 responden yang telah memenuhi kriteria. Data yang digunakan merupakan data primer yang didapat langsung dari penyebaran kuisioner dengan metode purpose sampling di Andre Foto Studio. Penelitian ini menggunakan penelitian deskriptif dengan pendekatan kuantitatif. Hasil dari penelitian ini secara simultan bahwa Kualitas Pelayanan, Harga, dan Citra Merek berpengaruh terhadap Loyalitas Pelanggan dengan nilai F hitung sebesar 17,019. Hasil penelitian secara parsial variabel Kualitas Pelayanan berpengaruh negatif dan tidak signifikan terhadap Loyalitas Pelanggan dengan t hitung sebesar 1,333 dan nilai sig 0,186. Variabel Harga berpengaruh positif dan signifikan terhadap Loyalitas Pelanggan dengan t hitung sebesar 3,757 dan nilai sig 0,000, dan variabel Citra Merek berpengaruh positif dan signifikan terhadap Loyalitas Pelanggan dengan t hitung sebesar 3,692 dengan nilai sig 0.00
PENGARUH SERVICE QUALITY (TANGIBLE, RELIABILITY, RESPONSIVENESS, ASSURANCE, EMPATHY) TERHADAP CUSTOMER RETENTION (Studi Kasus Andre Foto Studio Palembang)
No full textTujuan penelitian ini adalah untuk menganalisis pengaruh Service Quality meliputi (Tangibles, Reliability, Ressponsiveness, Assurance, Empathy) terhadap Customer Retention di Andre Foto Studio Palembang. Populasi dalam penelitian ini adalah pelanggan Andre Foto Studio Palembang. Jumlah sampel dalam penelitian ini sebanyak 372 sampel dari data pelanggan selama tahun 2017. Pengumpulan data dilakukan melalui kuisioner. Metode analisis data yang digunakan pada penelitian ini adalah analisis regresi linear berganda, uji t, uji F dan koefisien determinasi. Berdasarkan hasil penelitian secara parsial dan simultan Service Quality (Tangibles, Reliability, Ressponsiveness, Assurance, Empathy) berpengaruh positif dan signifikan terhadap Customer Retention
Postcard, Spinning Brass into Gold, at Studio@620 in St. Petersburg, Florida
No full textA promotional postcard for Spinning Brass into Gold, an intimate evening with renowned author Michael Connelly, held at Studio@620 on November 19, 2008. The event served as a benefit for the studio\u27s educational initiatives, offering attendees access to one of the greatest mystery writers of the time and including a copy of his newly released thriller, The Brass Verdict.https://digitalcommons.usf.edu/bdj_studioat620_postcards/1352/thumbnail.jp
Postcard, Project Unspeakable at Studio@620 in St. Petersburg, Florida
No full textA promotional postcard for Project Unspeakable, a staged reading directed by Bonnie Agan, with a discussion featuring author James W. Douglass about his book JFK and the Unspeakable: How He Died and Why It Matters. The event, held at Studio@620, delves into the role of Unspeakable by Thomas Merton in the assassinations of John F. Kennedy, Malcolm X, Martin Luther King, Jr., and Robert Kennedy.https://digitalcommons.usf.edu/bdj_studioat620_postcards/1123/thumbnail.jp
Studio photograph of Andre Boland
No full textStudio photograph of André Boland, SAM First Superior.https://digitalcommons.whitworth.edu/album15/1088/thumbnail.jp
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