1,721,022 research outputs found
La distribución por campaña de impacto como alternativa para el cine latinoamericano
Full text linkTribunal: Rosario Radakovich, Federico Beltramelli, Esteban Zunino.La distribución, encargada de llevar las películas al público, se presenta
actualmente como uno de los principales desafíos para el cine latinoamericano. El
mecanismo comercial, guiado por las reglas del mercado, ha sido incapaz de hacer frente
a la industria de Hollywood y abrir espacio para producciones locales independientes. En
paralelo, en los últimos años, un nuevo modelo de distribución basado en campañas de
impacto social está tomando forma y ganando terreno en América Latina. Este modelo
implica el diseño de circuitos alternativos de exhibición, orientados a públicos
específicos, con el objetivo de generar cambios sociales a partir del visionado de la
película.
Esta investigación describe y caracteriza este nuevo modelo, con el objetivo de
compararlo con el mecanismo hegemónico de distribución comercial y contestar a la
siguiente pregunta: ¿frente a un mercado tan inhóspito, las estrategias de distribución por
campañas de impacto pueden ser alternativas más eficientes para el cine latinoamericano?
Se utiliza el método comparativo para llegar a la respuesta, desglosando los dos
mecanismos en categorías de análisis para luego compararlos. Los análisis cualitativos
parten de conceptos de los estudios culturales y, en particular, de la economía política de
la comunicación y la cultura, que hacen hincapié en la problemática de la sujeción de la
cultura a las lógicas del capital. Se toma, además, al alcance de público como indicador
cuantitativo, a través de comparación de estudios de caso, para aportar datos objetivos.
Se contó con revisión bibliográfica y entrevistas con especialistas.
Se evidenció un mayor alcance de públicos tanto en volumen como en diversidad
a través de la distribución por campaña de impacto. Asimismo, se identificaron logros
intangibles que acercan al cine a su función sociocultural. Sin embargo, el nuevo modelo,
así como el tradicional, carecen aún de autosostenibilidad económica.Distribution, responsible for bringing films to the audience, currently poses a significant
challenge for Latin American cinema. The commercial mechanism, guided by market rules, has
been unable to compete with Hollywood and create space for independent local productions.
Concurrently, in recent years, a new distribution model based on social impact campaigns is
emerging and gaining ground in Latin America. This model involves designing alternative
exhibition circuits, targeting specific audiences with the aim of generating social changes through
film viewing.
This research describes and characterizes this new model, intending to compare it with
the hegemonic commercial distribution mechanism and answer the following question: in the face
of such a challenging market, can distribution strategies through impact campaigns be more
efficient alternatives for Latin American cinema? The comparative method is employed to get to
the answer, breaking down both mechanisms into categories of analysis and subsequently
comparing them. Qualitative analyses draw from concepts in the realms of cultural studies and,
particularly, political economy of communication and culture, emphasizing the issue of culture's
subjugation to capitalist logics. Additionally, audience reach is considered a quantitative indicator
through a comparison of case studies to provide objective data. The research incorporates
literature reviews and interviews with specialists.
The results show a broader audience reach in both volume and diversity through impact
campaign distribution. Intangible achievements that bring cinema closer to its sociocultural
function were also identified. However, both the new and traditional models still lack economic
sustainability.ANII_POS_NAC_M_2020_1_16440
Going Beyond Counting First Authors in Author Co-citation Analysis
Full text linkThe present study examines one of the fundamental aspects of author co-citation analysis (ACA) - the way co-citation
counts are defined. Co-citation counting provides the data on which all subsequent statistical analyses and mappings
are based, and we compare ACA results based on two different types of co-citation counting - the traditional type that
only counts the first one among a cited work's authors on the one hand and a non-traditional type that takes into
account the first 5 authors of a cited work on the other hand. Results indicate that the picture produced through this non-traditional author co-citation counting contains more coherent author groups and is therefore considerably clearer. However, this picture represents fewer specialties in the research field being studied than that produced through the traditional first-author co-citation counting when the same number of top-ranked authors is selected and analyzed. Reasons for these effects are discussed
Variations on the Author
Full text link“Variations on the Author” discusses two of Eduardo Coutinho’s recent films (Um Dia na Vida, from 2010, and Últimas Conversas, posthumously released in 2015) and their contribution to the general question of documentary authorship. The director’s filmography is characterized by a consistent yet self-effacing form of authorial self-inscription: Coutinho often features as an interviewer that rather than express opinions propels discourses; an interviewer that is good at listening. This mode of self-inscription characterizes him as an author who is not expressive but who is nonetheless markedly present on the screen. In Um Dia na Vida, however, Coutinho is completely absent form the image, while Últimas Conversas, on the contrary, includes a confessional prologue that moves the director from the margins to the center of his films. This article examines the ways in which these works stand out in the filmography of a director who offers new insights into the notion of cinematic authorship
Appropriate Similarity Measures for Author Cocitation Analysis
Full text linkWe provide a number of new insights into the methodological discussion about author cocitation analysis. We first argue that the use of the Pearson correlation for measuring the similarity between authors’ cocitation profiles is not very satisfactory. We then discuss what kind of similarity measures may be used as an alternative to the Pearson correlation. We consider three similarity measures in particular. One is the well-known cosine. The other two similarity measures have not been used before in the bibliometric literature. Finally, we show by means of an example that our findings have a high practical relevance.information science;Pearson correlation;cosine;similarity measure;author cocitation analysis
Dispelling the Myths Behind First-author Citation Counts
Full text linkWe conducted a full-scale evaluative citation analysis study of scholars in the XML research field to explore just how different from each other author rankings resulting from different citation counting methods actually are, and to demonstrate the capability of emerging data and tools on the Web in supporting more realistic citation counting methods. Our results contest some common arguments for the continued
use of first-author citation counts in the evaluation of scholars, such as high correlations between author rankings by first-author citation counts and other citation
counting methods, and high costs of using more realistic citation counting methods that are not well-supported by the ISI databases. It is argued that increasingly available digital full text research papers make it possible for citation analysis studies to go beyond what the ISI databases have directly supported and to employ more
sophisticated methods
koamabayili/VECTRON-author-checklist: VECTRON author checklist
No full textWe have done our best to complete the author checklist relating to the use of animals in the hut study. Note that the objective for the hut study was to evaluate the IRS treatment applications for residual efficacy against Anopheles mosquitoes, including the local An. coluzzii mosquito population. Cows were only used to attract mosquitoes into the huts and no tests were carried out directly on the cows. The author checklist is intended for use with studies where experiments are carried out on animals, which is why we have had such difficulty in completing this for the hut study, as many of the questions do not relate to how the cows were used
Author-wise bibliometric analysis based on entropy.
No full textAuthor-wise bibliometric analysis based on entropy.</p
Author Under Sail The Imagination of Jack London, 1893-1902
No full textIn Author Under Sail, Jay Williams offers the first complete literary biography of Jack London as a professional writer engaged in the labor of writing. It examines the authorial imagination in London's work, the use of imagination in both his fiction and nonfiction, and the ways he defined imagination in the creative process in his business dealings with his publishers, editors, and agents. In this first volume of a two-volume biography, Williams traverses the years 1893 to 1902, from London's "Story of a Typhoon" to The People of the Abyss. The Jack London who emerges in the pages of Author Under Sail is a writer whose partnership with publishers, most notably his productive alliance with George Brett of Macmillan, was one of the most formative in American literary history. London pioneered many author models during the heyday of realism and naturalism, blurring the boundaries of these popular genres by focusing on absorption and theatricality and the representation of the seen and unseen. London created an impassioned, sincere, and extremely personal realism unlike that of other American writers of the time. Author Under Sail is a literary tour de force that reveals the full range of London as writer, creative citizen, and entrepreneur at the same time it sheds light on the maverick side of machine-age literature.Intro -- Title Page -- Copyright Page -- Dedication -- Contents -- Acknowledgments -- Introduction -- 1. Spirit Truth -- 2. From Absorption to Theatricality and Back Again -- 3. "I Will Build a New Present" -- 4. Sons as Authors -- 5. Fathers as Publishers -- 6. The Daughter as Author -- 7. Lovers as Authors -- 8. At Sea with the Family -- 9. Yellow News, Yellow Stories -- 10. The Return Home -- Notes -- Bibliography -- Index -- About Jay WilliamsIn Author Under Sail, Jay Williams offers the first complete literary biography of Jack London as a professional writer engaged in the labor of writing. It examines the authorial imagination in London's work, the use of imagination in both his fiction and nonfiction, and the ways he defined imagination in the creative process in his business dealings with his publishers, editors, and agents. In this first volume of a two-volume biography, Williams traverses the years 1893 to 1902, from London's "Story of a Typhoon" to The People of the Abyss. The Jack London who emerges in the pages of Author Under Sail is a writer whose partnership with publishers, most notably his productive alliance with George Brett of Macmillan, was one of the most formative in American literary history. London pioneered many author models during the heyday of realism and naturalism, blurring the boundaries of these popular genres by focusing on absorption and theatricality and the representation of the seen and unseen. London created an impassioned, sincere, and extremely personal realism unlike that of other American writers of the time. Author Under Sail is a literary tour de force that reveals the full range of London as writer, creative citizen, and entrepreneur at the same time it sheds light on the maverick side of machine-age literature.Description based on publisher supplied metadata and other sources.Electronic reproduction. Ann Arbor, Michigan : ProQuest Ebook Central, YYYY. Available via World Wide Web. Access may be limited to ProQuest Ebook Central affiliated libraries
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