1,720,954 research outputs found
The Namibian political landscape: A semiological analysis of Dudley's selected political cartoons in The Namibian newspaper, from 2016-2017
A THESIS SUBMITTED IN PARTIAL FULFILLMENT OF THE REQUIREMENTS FOR THE MASTERS OF ENGLISH AND APPLIED LINGUISTICS. SUPERVISOR: PROF. R. MAKAMANI
Co-Supervisor: Dr N. MPOFUPolitical cartoons are a powerful communicative weapon. They can distract and express a joke and yet they can also provide social commentaries on key aspects of reality. This thesis carried out a semiological analysis of Dudley’s political cartoons, found in The Namibian newspaper. The analysis of the selected political cartoons was done from the Barthesian semiology perspective with the main objective being to interpret the meaning of the selected political cartoons at the connotative and denotative levels and also to present how the Namibian political landscape is depicted through Dudley’s cartoons. A qualitative research design was used to gain an in-depth understanding and a clear description of the characteristics of the political cartoons used in this study. The study employed a purposive sampling strategy, specifically critical case sampling. Critical case sampling was used to select a small number of important cases to yield the most relevant information with the greatest impact on the development of knowledge. The analysis yields a contextually embedded text or set of images that can be subjected to multiple interpretations and discursive analysis. In brief, the study found that Dudley’s political cartoons depict and portray the Namibian political landscape by divulging the political aspects of the country. Among the aspects portrayed through the studied political cartoons are corruption, unequal distribution of resources and poor service delivery in the public sector. The study concluded that political cartoons serve as an open mirror used by the media, specifically to generate public attention, reorient people and initiate social and political reform in Namibia. This study therefore recommends further exploration of the field of Namibian cartoons to unearth this rich segment and broaden knowledge as well as increase readership awareness of the importance of understanding this rich and interesting branch of the media
The oppression of women in selected narratives by Namibian female authors.
The oppression of women, especially in African narratives, has been attributed to many factors, culture being the dominant amongst others. Culture and tradition have a variety of notable aspects to offer and there is much to appreciate, cherish and preserve. There are, however, some cultural practices and beliefs that are harmful. They disrespect, devalue, suppress and destroy human dignity. Harmful gender practices such as widow cleansing, girls’ initiation and others that marginalize women, are the focus of this study. This paper examines various cultural practices that oppress women as they are reflected in selected narratives of Namibian female writers. After gaining its independence in 1990, Namibia passed laws protecting the rights of women against
various forms of oppression. With its history traced and rooted in the old and strong patriarchal norms, beliefs and practices, the notion that men are superior to women still affects women in the modern world. Cultural practices which marginalize women are still in existence, enforced by some of those that feel that they are important and superior. Through different women organizations, Namibian women demand and take the right to speak about those practices. Some have voiced them in writing or speaking out and breaking through the debilitating silencing. In the more formalized political and social field, this can be seen in women’s networking through women’s movements and solidarity groups, which are working towards equality in civil societies. It is therefore against this background that this study looks at female oppression; on how cultural
practices enhanced or fuelled women oppression as well as various forms of oppression as highlighted in the selected narratives by Namibian female authors. They are from the book entitled, We must choose life (2008), compiled by Elizabeth !Khaxas, a Namibian feminist. These narratives are a testimony of the courage of Namibian women who express their agony and suffering in their own words
Going Beyond Counting First Authors in Author Co-citation Analysis
The present study examines one of the fundamental aspects of author co-citation analysis (ACA) - the way co-citation
counts are defined. Co-citation counting provides the data on which all subsequent statistical analyses and mappings
are based, and we compare ACA results based on two different types of co-citation counting - the traditional type that
only counts the first one among a cited work's authors on the one hand and a non-traditional type that takes into
account the first 5 authors of a cited work on the other hand. Results indicate that the picture produced through this non-traditional author co-citation counting contains more coherent author groups and is therefore considerably clearer. However, this picture represents fewer specialties in the research field being studied than that produced through the traditional first-author co-citation counting when the same number of top-ranked authors is selected and analyzed. Reasons for these effects are discussed
Variations on the Author
“Variations on the Author” discusses two of Eduardo Coutinho’s recent films (Um Dia na Vida, from 2010, and Últimas Conversas, posthumously released in 2015) and their contribution to the general question of documentary authorship. The director’s filmography is characterized by a consistent yet self-effacing form of authorial self-inscription: Coutinho often features as an interviewer that rather than express opinions propels discourses; an interviewer that is good at listening. This mode of self-inscription characterizes him as an author who is not expressive but who is nonetheless markedly present on the screen. In Um Dia na Vida, however, Coutinho is completely absent form the image, while Últimas Conversas, on the contrary, includes a confessional prologue that moves the director from the margins to the center of his films. This article examines the ways in which these works stand out in the filmography of a director who offers new insights into the notion of cinematic authorship
Appropriate Similarity Measures for Author Cocitation Analysis
We provide a number of new insights into the methodological discussion about author cocitation analysis. We first argue that the use of the Pearson correlation for measuring the similarity between authors’ cocitation profiles is not very satisfactory. We then discuss what kind of similarity measures may be used as an alternative to the Pearson correlation. We consider three similarity measures in particular. One is the well-known cosine. The other two similarity measures have not been used before in the bibliometric literature. Finally, we show by means of an example that our findings have a high practical relevance.information science;Pearson correlation;cosine;similarity measure;author cocitation analysis
Dispelling the Myths Behind First-author Citation Counts
We conducted a full-scale evaluative citation analysis study of scholars in the XML research field to explore just how different from each other author rankings resulting from different citation counting methods actually are, and to demonstrate the capability of emerging data and tools on the Web in supporting more realistic citation counting methods. Our results contest some common arguments for the continued
use of first-author citation counts in the evaluation of scholars, such as high correlations between author rankings by first-author citation counts and other citation
counting methods, and high costs of using more realistic citation counting methods that are not well-supported by the ISI databases. It is argued that increasingly available digital full text research papers make it possible for citation analysis studies to go beyond what the ISI databases have directly supported and to employ more
sophisticated methods
koamabayili/VECTRON-author-checklist: VECTRON author checklist
We have done our best to complete the author checklist relating to the use of animals in the hut study. Note that the objective for the hut study was to evaluate the IRS treatment applications for residual efficacy against Anopheles mosquitoes, including the local An. coluzzii mosquito population. Cows were only used to attract mosquitoes into the huts and no tests were carried out directly on the cows. The author checklist is intended for use with studies where experiments are carried out on animals, which is why we have had such difficulty in completing this for the hut study, as many of the questions do not relate to how the cows were used
Author-wise bibliometric analysis based on entropy.
Author-wise bibliometric analysis based on entropy.</p
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