132,589 research outputs found
Marien Walzer ; Victoria Galopp ; u[nd] Louisen Polka Mazurka / componirt und leicht arrangirt für Piano von H. Andersen
No full textTitre uniforme : Andersen, H. (18..-18..? ; compositeur). Compositeur. [Marie vals. Piano]Titre uniforme : Andersen, H. (18..-18..? ; compositeur). Compositeur. [Victoria galopp. Piano]Titre uniforme : Andersen, H. (18..-18..? ; compositeur). Compositeur. [Louise polka mazurka. Piano]Comprend : Victoria galopp ; Louise polka-mazurkaPolkas-mazurkas (piano) -- +* 1800......- 1899......+:19e siècle:Valses (piano) -- +* 1800......- 1899......+:19e siècle:Galops (piano) -- +* 1800......- 1899......+:19e siècle
Teaching College Math
No full textThis site, created by Maria Andersen of Muskegon Community College, has a great deal of information for math instructors. Its purpose is to create and support the community of teachers by provide a space for them to share ideas and resources, prepare courses, understand how students learn, and overall become better educators. Visitors will find professional development sources such as conference information, publications, and workshops and courses. There are also a number of online demos for classroom use in arithmetic, geometry, algebra, trigonometry, calculus, statistics, and chemistry
AUDIT FIRM REPUTATION, AUDITOR SWITCHES, AND CLIENT STOCK PRICE REACTIONS: THE ANDERSEN EXPERIENCE
No full textThe financial scandal surrounding the collapse of Enron caused erosion in the reputation of its auditor, Andersen, leading to concerns about Andersen’s ability to continue in existence and ultimately its demise. In this paper we investigate the timing of switch by former Andersen’s clients. We find that the timing of the switch is related to variables hypothesized to be associated with the cost of switch. Specifically these are client size, auditor industry specialization, provision of non-audit services, auditor tenure, quality of earnings and financial distress In addition we find that clients with the greatest market losses attributable to disclosures pertaining to Andersen’s audit of Enron, and strongest corporate governance were more likely to switch early, while those with the strongest ties to Andersen were more likely to delay switching. We also find that clients switching from Andersen experienced positive abnormal returns during the three-day window surrounding the announcement. Importantly we find this positive return to be greater for clients with greater prior losses.Auditor Reputation, Auditor Change, Arthur Andersen, Enron
H. C. Andersen´s ausgewählte Märchen
No full textH. C. ANDERSEN´S AUSGEWÄHLTE MÄRCHEN
H. C. Andersen´s ausgewählte Märchen ([1])
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Title page ([1])
Inhalt. ([3])
Der Tannenbaum. (5)
Däumelinchen. (18)
Der Schweinehirt. (33)
Die Prinzessin auf der Erbse. (40)
Der Buchweizen. (42)
Das häßliche junge Entlein. (45)
Die Störche. (58)
Der Engel. (67)
Die Blumen der kleinen Ida. (73)
Das alte Haus. (83)
Der Reisekamerad. (93)
Die Nachtigall. (118)
Die wilden Schwäne. (131)
Der Flachs. (152)
Die roten Schuhe. (158)
Der Rosenelf. (166)
Das kleine Mädchen mit den Schwefelhölzern. (173)
Der böse Fürst. (177)
Die Geschichte von einer Mutter. (181)
Der Halskragen. (189)
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The Hans Christian Andersen Pop-up Collection
No full textHere is an extremely simple version of the Andersen story of the proud emperor. It has only three scenes. In the first, the two swindlers present cloth that "can be seen only by those who are very smart!" In the second, the emperor visits their workshop and praises the non-existent cloth. In the third, the emperor walks in his underwear. When a child says that he is not wearing any clothes, this emperor blushes and says "Why, the child is right! I've been swindled!" Though short, this is an effective and sensible telling of the story.This is a hardbound book (hard cover)Hans Christian Andersen; Retold by Charlie Katz
H. C. Andersen, Literature, and Ethics:New Perspectives on Old Stories
No full textWe all know H. C. Andersen as the writer of wonderful and enchanting stories. Many people have also pointed to H. C. Andersen as a writer that touches on ethical issues, such as the critique of hypocrisy and blind allegiance to authority in The Emperor’s New Clothes (Kejserens nye Klæder). In this article, we want to pick up on this last point and argue that ethical reflection is an integrated part of many of H. C. Andersen’s stories, and that this reflection often takes a form that is directed at moral education and development. This article has two major parts. In the first, we open with an argument for the role of literature in moral development, and then move on to argue for the special status of H. C. Andersen’s stories within this field. In the second part, we present new readings of three well-known fairy tales, The Shepherdess and the Chimney-Sweep (Hyrdinden og Skorstensfejeren), The Swineherd (Svinedrengen), and The Little Match Girl (Den lille Pige med Svovlstikkerne) with the aim of showing how reading these stories from an ethical perspective opens up new dimensions of H. C. Andersen’s magic work
H. C. Andersen, Literature, and Ethics:New Perspectives on Old Stories
No full textWe all know H. C. Andersen as the writer of wonderful and enchanting stories. Many people have also pointed to H. C. Andersen as a writer that touches on ethical issues, such as the critique of hypocrisy and blind allegiance to authority in The Emperor’s New Clothes (Kejserens nye Klæder). In this article, we want to pick up on this last point and argue that ethical reflection is an integrated part of many of H. C. Andersen’s stories, and that this reflection often takes a form that is directed at moral education and development. This article has two major parts. In the first, we open with an argument for the role of literature in moral development, and then move on to argue for the special status of H. C. Andersen’s stories within this field. In the second part, we present new readings of three well-known fairy tales, The Shepherdess and the Chimney-Sweep (Hyrdinden og Skorstensfejeren), The Swineherd (Svinedrengen), and The Little Match Girl (Den lille Pige med Svovlstikkerne) with the aim of showing how reading these stories from an ethical perspective opens up new dimensions of H. C. Andersen’s magic work
H. C. Andersen, Literature, and Ethics:New Perspectives on Old Stories
No full textWe all know H. C. Andersen as the writer of wonderful and enchanting stories. Many people have also pointed to H. C. Andersen as a writer that touches on ethical issues, such as the critique of hypocrisy and blind allegiance to authority in The Emperor’s New Clothes (Kejserens nye Klæder). In this article, we want to pick up on this last point and argue that ethical reflection is an integrated part of many of H. C. Andersen’s stories, and that this reflection often takes a form that is directed at moral education and development. This article has two major parts. In the first, we open with an argument for the role of literature in moral development, and then move on to argue for the special status of H. C. Andersen’s stories within this field. In the second part, we present new readings of three well-known fairy tales, The Shepherdess and the Chimney-Sweep (Hyrdinden og Skorstensfejeren), The Swineherd (Svinedrengen), and The Little Match Girl (Den lille Pige med Svovlstikkerne) with the aim of showing how reading these stories from an ethical perspective opens up new dimensions of H. C. Andersen’s magic work
TRAVELING COMPANIONS: BICENTENARY LITERARY ADAPTATIONS OF H. C. ANDERSEN TALES
No full textAdaptation is broadly defined, encompassing the re-working of virtually any
kind of text into virtually any other kind of text. Moreover, it frequently involves
the re-mediation of texts into entirely new forms. Even so, seemingly simple text-totext
adaptation of texts already frequently subject to adaptation can challenge both
traditional and theoretical concepts of adaptation. Such was the case with a major
Danish literary project undertaken in 2005.
Danish State Railways, Dansk statsbaner (DSB) commissioned a series of
adaptations of Hans Christian Andersen tales to be published in the DSB onboard
magazine Ud & Se [Out & See] to commemorate the two-hundredth anniversary of
H. C. Andersen’s birth. Resulting from the project were twelve original stories by twelve
Danish authors: Pia Juul, Jan Sonnergaard, Ib Michael, Iselin Hermann, Preben Major
Sørensen, Suzanne Brøgger, Bent Vinn Nielsen, Peter Laugesen, Kristian Ditlev Jensen,
Lars Frost, Erling Jepsen, and Naja Marie Aidt. Each author adapted a different Andersen
work, ranging from classics including “Den grimme ælling” [The Ugly Duckling], “Den
lille havfrue” [The Little Mermaid], and “Kejserens nye klæder” [The Emperor’s New
Clothes], to more obscure works such as “Dandse, dandse dukke min!” [Dance, Dance,
My Doll!]. Issued in book form as Reisekammeraten og andre H. C. Andersen-historier
i nye klæder [The Traveling Companion and Other H. C. Andersen Tales in New
Clothes] (Copenhagen, 2005), the collection demonstrates a wide range of approaches
to adaptation that seem to stretch the definition of adaptation to its limits
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