5,769 research outputs found
Plínio Salgado: o discurso integralista, a revolução espiritual e a ressurreição da nação
No full textDissertação (mestrado) - Universidade Federal de Santa Catarina, Centro de Filosofia e Ciências Humanas. Programa de Pós-Graduação em História.Neste estudo, discutiremos como Plínio Salgado, durante a Ação Integralista Brasileira (1932-1937), buscou legitimação de seu discurso político no discurso religioso, num pensamento centrado no espiritualismo cristão, onde proclama uma doutrina de redenção, uma "revolução espiritual" onde o lema: "Deus, Pátria e Família" passa a constituir o cotidiano dos "Camisas-verdes"
El Tlacuache Núm. 536 (2012). 536 Año 13 (2012) septiembre. El Tlacuache
No full textY los mexicanos alzaron la voz. Cómo lo lograron? Reflexiones en torno a la Guerra de Independencia por Israel Lazcarro Salgado. -La Tríada de Pantitlán por Giselle Canto Aguilar, Ana Emma Peña Rodríguez
Manuel Salgado interviewed by Ana Tostões
No full textOn August 2016, Ana Tostões interviewed the architect Manuel Salgado, councilor of the Municipality of Lisbon since 2007, in order to discuss the main policies undertaken and his ideas on urban planning in its connection to mobility infrastructures, public space and the continuous reconstruction of park and green areas, in Lisbon.
Manuel Salgado was born in 1944, Lisbon, and studied architecture at the Lisbon School of Fine Art (1968). From 1971 to 1982, he was the technical responsible for the architectural office CIPRO and in 1984 he became manager of the architectural office Risco. From 2002 to 2008, he was architecture professor, at Instituto Superior Técnico. He has participated in conferences worldwide and widely published, on urban planning, and has designed major urban projects and buildings in Portugal: the Belém Cultural Centre (with Vittorio Gregotti), the Lisbon Theatre and Film School, the Polytechnic Institute of Setúbal, the Expo’98 public areas, the FC Porto Dragão Stadium, the Lisbon Luz Hospital, etc. His architectural and public space projects received several awards: the Valmor Award (1980, 1998), the International Award Architecture in Stone (1993), the AICA Award (1998); the Portuguese National Design Award (1999) and the Brick in Architecture Award (2003). Within the Municipality of Lisbon, he took the position of councilor of the Urbanism and Strategic Planning Department in 2007, which accumulates, from 2009 to 2013, with the Municipality Vice-Presidency. Currently, as councilor, heads the Department of Planning, Urbanism, Urban Rehabilitation, Public Space and Construction of the Municipality of Lisbon
El Tlacuache Núm. 687 (2015). 687 Año 13 (2015) agosto. El Tlacuache
No full textPreservar, investigar... y destruir. Esquizofrenia de nuestros tiempos por Israel Lazcarro Salgado
Foreword to the NeoTerm 2025 Proceedings
No full textThe European Network on Lexical Innovation (ENEOLI, COST Action 22126)1 organized the first edition
of the International Workshop on Terminological Neologism Management (NeoTerm 2025)2, held on
June 18th, 2025, in Thessaloniki, Greece. The event took place at the Aristotle University Research
Dissemination Center and was co-located with the 4th International Conference on Multilingual Digital
Terminology Today (MDTT 2025)3, which followed on June 19-20. The workshop brought together
researchers and professionals from a wide range of disciplines – terminology, linguistics, artificial
intelligence, and information science – fostering an interdisciplinary dialogue around one of the most
dynamic aspects of language: the creation and management of new terms. The central aim of NeoTerm
2025 was to explore the challenges and opportunities involved in collecting, describing, processing, and
representing newly coined terms in language resources. The workshop welcomed a number of different
perspectives, encouraging contributions that addressed both practical applications and theoretical
reflections on neolog
El Tlacuache Núm. 662 (2015). 662 Año 13 (2015) febrero. El Tlacuache
No full textCanibalismo azteca: controversias desde una mirada amazonista por Israel Lazcarro Salgado. - Polémicas en torno al canibalismo azteca: una mirada amazonista por Israel Lazcarro Salgad
El Tlacuache Núm. 490 (2011). 490 Año 11 (2011) octubre. El Tlacuache
No full textLa Pasión de Yecapixtla: En la ruta de la cecina por Israel Lazcarro Salgado. -1,2,3, por las mujeres del PET-Tepozteco
El Tlacuache Núm. 522 (2012). 522 Año 13 (2012) junio. El Tlacuache
No full textEl último sobreviviente. A diez años de El Tlacuache por Gerardo Ochoa. -Mesoamérica no fue politeísta. Reflexiones en torno a la multiplicidad de dioses por Israel Lazcarro Salgado
El Tlacuache Núm. 544 (2012). 544 Año 13 (2012) noviembre. El Tlacuache
No full text¿Cuántas Revoluciones Mexicanas habremos de celebrar? Un balance de nuestra Historia por Israel Lazcarro Salgado. -Si el comal y la olla hablaran. Cambios y continuidades de la cerámica arqueológica por Ivonne E. Giles Flores
Poéticas del malestar. Lectura y escritura intervenidas en María Salgado y Ana Inés López
No full textWe propose a critical reading about the artistic productions of María Salgado and Ana Inés López. These can be defined as an art of poetry of discomfort, as they question and problematize the concept of “literature”, both from the Poiesis (way of doing) and the Aisthesis (way of being). In this way, both construct a differentiated artistic practice, based on certain unease and discomfort that is manifested in different modes of intervention of the poetic object and its supposed intrinsic “specificity”. In the case of María Salgado, the proposal is achieved by means of experimentation with music and its performative dimension; as for Ana Inés López, she works her poetic writing through platforms linked to the Internet. The central idea of both poets is to alter the textual forms by virtue of different types of media and support, which generates textual objects that undermine the “static” and the “finished” of the poem and the support of the book.Se propone una lectura crítica sobre las producciones artísticas de María Salgado y de Ana Inés López. Estas pueden definirse como poéticas del malestar, en tanto ponen en cuestión y problematizan el concepto de “literatura”, tanto desde la poiesis (forma de hacer) como de las aisthesis (forma de ser). De este modo, ambas construyen una práctica artística diferenciada a partir cierta desazón e incomodidad que se manifiesta en distintos modos de intervención del objeto poético y su especificidad. En el caso de María Salgado, la propuesta se logra a partir de la experimentación musical junto a una dimensión performática. Por su parte, Ana Inés López elabora una escritura poética a través del vínculo con diversas plataformas vinculadas a Internet. Es posible advertir en ambas poetas la alteración de formas textuales a partir de distintos medios y soportes, lo cual genera objetos textuales que socavan lo “estático” y “acabado” del poema en el soporte del libro
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