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Espaço para o recomeço, com Eros
Get PDFTexto crítico de Ana Pais sobre o teatro com violência, erotismo e ex
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Get PDFAnálise de Ana Pais da segunda edição da bienal PERFORMA, em 2007, Nova Iorqu
Correction: Ana Pais. “Re-Affecting the Stage: Affective Resonance as the Function of the Audience.” Humanities 5 (2016): 79
No full textThe author wishes to make the following correction to the paper published in Humanities [1].[...
Leitura, apropriação, protesto e conversação: expressões sonoras no espaço público
No full textNeste testo, pretendo examinar outras maneiras de pensar a criação sonora que partem da temporalidade e da análise crítica em relação ao conceito de espaço nos territórios urbanos. Um espaço que – como afirma Doreen Massey – se pode conceptualizar como produto das práticas, das relações e das desconexões, mas também como a dimensão de multiplicidade e, por último, como uma produção que está sempre em curso. Nesta abordagem, aparecem ainda outros aspectos que são centrais. O primeiro é o alcance destas propostas, que vai além do meio sonoro e, portanto, nalguns casos, da própria disciplina da arte sonora. Este facto faz com que, por distanciamento com outras práticas como as anteriormente assinaladas, as obras que trabalham nesta linha possam ficar à margem dos estúdios sonoros. O segundo tema gira em torno da formalização destas obras, que habitualmente se concretizam como acções ou performances no espaço público. Estes dois temas encontram abrigo na expressão «Art in the public interest» (arte no interesse público) que Arlene Raven associou a um conjunto de práticas socialmente comprometidas que tiveram lugar nos anos 80 . Contudo, a actualidade deste conceito traduz-se hoje em práticas que tornam manifesta uma das vertentes sobre as quais a revista Aural focou a sua atenção neste número: as práticas ligadas ao território que têm implícita uma reflexão crítica sobre a relação dos cidadãos com a paisagem urbana.Depto. de Diseño e ImagenFac. de Bellas ArtesFALSEpu
Going Beyond Counting First Authors in Author Co-citation Analysis
Get PDFThe present study examines one of the fundamental aspects of author co-citation analysis (ACA) - the way co-citation
counts are defined. Co-citation counting provides the data on which all subsequent statistical analyses and mappings
are based, and we compare ACA results based on two different types of co-citation counting - the traditional type that
only counts the first one among a cited work's authors on the one hand and a non-traditional type that takes into
account the first 5 authors of a cited work on the other hand. Results indicate that the picture produced through this non-traditional author co-citation counting contains more coherent author groups and is therefore considerably clearer. However, this picture represents fewer specialties in the research field being studied than that produced through the traditional first-author co-citation counting when the same number of top-ranked authors is selected and analyzed. Reasons for these effects are discussed
Variations on the Author
Get PDF“Variations on the Author” discusses two of Eduardo Coutinho’s recent films (Um Dia na Vida, from 2010, and Últimas Conversas, posthumously released in 2015) and their contribution to the general question of documentary authorship. The director’s filmography is characterized by a consistent yet self-effacing form of authorial self-inscription: Coutinho often features as an interviewer that rather than express opinions propels discourses; an interviewer that is good at listening. This mode of self-inscription characterizes him as an author who is not expressive but who is nonetheless markedly present on the screen. In Um Dia na Vida, however, Coutinho is completely absent form the image, while Últimas Conversas, on the contrary, includes a confessional prologue that moves the director from the margins to the center of his films. This article examines the ways in which these works stand out in the filmography of a director who offers new insights into the notion of cinematic authorship
Appropriate Similarity Measures for Author Cocitation Analysis
Get PDFWe provide a number of new insights into the methodological discussion about author cocitation analysis. We first argue that the use of the Pearson correlation for measuring the similarity between authors’ cocitation profiles is not very satisfactory. We then discuss what kind of similarity measures may be used as an alternative to the Pearson correlation. We consider three similarity measures in particular. One is the well-known cosine. The other two similarity measures have not been used before in the bibliometric literature. Finally, we show by means of an example that our findings have a high practical relevance.information science;Pearson correlation;cosine;similarity measure;author cocitation analysis
Dispelling the Myths Behind First-author Citation Counts
Get PDFWe conducted a full-scale evaluative citation analysis study of scholars in the XML research field to explore just how different from each other author rankings resulting from different citation counting methods actually are, and to demonstrate the capability of emerging data and tools on the Web in supporting more realistic citation counting methods. Our results contest some common arguments for the continued
use of first-author citation counts in the evaluation of scholars, such as high correlations between author rankings by first-author citation counts and other citation
counting methods, and high costs of using more realistic citation counting methods that are not well-supported by the ISI databases. It is argued that increasingly available digital full text research papers make it possible for citation analysis studies to go beyond what the ISI databases have directly supported and to employ more
sophisticated methods
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