40,145 research outputs found
Alvarez Suarez, Jose Ma
No full textCentro Asturiano membership record of Jose Ma. Alvarez Suarez; Socio Number: 140865.https://digitalcommons.usf.edu/asturiano_membership/1174/thumbnail.jp
Menendez Alvarez, Jose Ma
No full textCentro Asturiano membership record of Jose Ma. Menendez Alvarez; Socio Number: 134138.https://digitalcommons.usf.edu/asturiano_membership/4397/thumbnail.jp
Grupo Zoe : Ma. Luisa Bermúdez, Ana Ma. Delgado, Alicia Faure, Felisa Gómez, Isabel Lorenzo y Amparo Segura, Ciencias Naturales, Método científico en el aula
No full textAlvarez Fernández Manuel. Grupo Zoe : Ma. Luisa Bermúdez, Ana Ma. Delgado, Alicia Faure, Felisa Gómez, Isabel Lorenzo y Amparo Segura, Ciencias Naturales, Método científico en el aula. In: Cahiers du monde hispanique et luso-brésilien, n°48, 1987. Musiques populaires et identités en Amérique latine. p. 226
Grupo Zoe : Ma. Luisa Bermúdez, Ana Ma. Delgado, Alicia Faure, Felisa Gómez, Isabel Lorenzo y Amparo Segura, Ciencias Naturales, Método científico en el aula
No full textAlvarez Fernández Manuel. Grupo Zoe : Ma. Luisa Bermúdez, Ana Ma. Delgado, Alicia Faure, Felisa Gómez, Isabel Lorenzo y Amparo Segura, Ciencias Naturales, Método científico en el aula. In: Cahiers du monde hispanique et luso-brésilien, n°48, 1987. Musiques populaires et identités en Amérique latine. p. 226
Mosaic Atlas: Interview with Anjee Helstrup-Alvarez
No full textInterview with Anjee Helstrup-Alvarez is the Executive Director of MACLA, Movimiento de Arte y Cultural Americana, an artistic hub for Latinx cultural arts. Anjee’s educational background is a BFA in Pictorial Studies from San José State University and an MA in Visual Criticism from the California College of the Arts. She identifies with her European heritage, and Japanese-American and Latino extended family. The organization supports a broad range of artistic forms including visual, performance, especially multidisciplinary theater, and music. The organization is inclusive, broadly defining Latinx to include a range of North American, South American, and Caribbean immigrants and ethnically Latinx-identifying people. The organization hosts events and educational efforts directed primarily to the local downtown area. MACLA collaborates with a number of other organizations, including San José State University, the Institute for Contemporary Art, the San Jose Museum of Quilts and Textiles, and San Jose Jazz, as well as a number of other arts and public organizations
Variations on the Author
No full text“Variations on the Author” discusses two of Eduardo Coutinho’s recent films (Um Dia na Vida, from 2010, and Últimas Conversas, posthumously released in 2015) and their contribution to the general question of documentary authorship. The director’s filmography is characterized by a consistent yet self-effacing form of authorial self-inscription: Coutinho often features as an interviewer that rather than express opinions propels discourses; an interviewer that is good at listening. This mode of self-inscription characterizes him as an author who is not expressive but who is nonetheless markedly present on the screen. In Um Dia na Vida, however, Coutinho is completely absent form the image, while Últimas Conversas, on the contrary, includes a confessional prologue that moves the director from the margins to the center of his films. This article examines the ways in which these works stand out in the filmography of a director who offers new insights into the notion of cinematic authorship
Manuel Alvarez Ortega traductor de la "Antologia poetica" de O. V. de Milosz
No full textIl contributo si propone di studiare l'ampiezza dell'opera critico-traduttiva di Manuel Alvarez Ortega (1923-2014) relativa alla poesia francese moderna e contemporanea, con particolare riferimento al lavoro di traduzione delle poesie francesi dello scrittore e filosofo d'origine lituana Oskar Wladyslaw Milosz (1877-1939), cugino del poeta polacco Premio Nobel 1980 Czeslaw Milosz (1911-2004). Dopo una prima parte dedicata agli interessi e contributi francesistici di M. A. Ortega, la seconda parte si sofferma sulle sue traduzioni di alcuni testi di O. V. de Milosz al fine di mostrare l'approccio traduttivo di Alvarez Ortega, fedele ma mai letteralistico alle modalità ritmiche dell'originale, fino a evidenziare l'influenza tematico-stilistico-filosofica della poesia del lituano sulla poesia del suo traduttore spagnolo
Supplemental Material - Applicability of the Zwolle score for selection of very high-risk ST-elevation myocardial infarction patients treated with primary angioplasty
No full textSupplemental Material for Applicability of the Zwolle score for selection of very high-risk ST-elevation myocardial infarction patients treated with primary angioplasty by Alberto Cordero, Belén Cid-Alvarez, Pedro Monteiro, Jose Ma García-Acuña, Fernando Gonçalves, David Escribano, Ramiro Trillo, Belén Alvarez-Alvarez, Lino Gonçalves, Vicente Bertomeu-Gonzalez, and José R González-Juanatey in Angiology</p
Exploring Emptiness: An Investigation of MA and MU in My Sonic Composition Practice
No full textThe commentary investigates Japanese aesthetics of space, silence and emptiness - ma and mu - that informed my compositional practice during the research period 2012 - 2015. The portfolio comprises text compositions and sound installations in which forms of micro events and sustained events are employed. Throughout, the emphasis is on my personal engagement with, and manifestation of emptiness that concerns a particular model of listening and perception.
Chapter 1 discusses six primary research areas: ma and mu, material, text, form, listening and perception. Firstly, I introduce ma and mu by examining noh culture and Zeami's teaching of senu hima (where there is no-action) in the context of my personal approaches to music. The following subjects are then used to contextualise my PhD practice by means of examples from various composers and visual artists. Here, these particular and enigmatic concepts are explored through Japanese art as well as Western contemporary works by Alvin Lucier, Eliane Radigue and those of the Wandelweiser collective.
Part 2 provides contextual commentaries on selected compositions from the portfolio that mostly articulate my aesthetics in relation to the topics covered in Chapter 1. koso koso addresses my methodologies to investigate the essence of senu hima, followed by treow that discusses my approach to materials and the importance of space. I move on to grade two and grade two extended in order to examine text scores, and then, look into Espèces d'espaces 03 and 04 as examples of musical forms that I employ.
Finally, listening and perception are investigated through the compositions gnome and con.de.structuring. Throughout, I describe how my works explore emptiness as a result of my particular emphasis on listening over composing
The construction of Karen Karnak: The multi-author-function
No full textThis thesis is situated within the comparatively recent developments of Web 2.0 and the emergence of interactive WikiMedia, and explores the mode of authorship within a Read/Write culture compared to that of a Read/Only tradition. The hypothesis of this study is that the role of the audience has become merged with the author, and as such, represents new functions and attributes, distinct from a more conventional concept of authorship, in which the roles of audience and author are more separate. Read/Write and participatory culture, as defined by this study, is focused on collaboration, and includes the influences of D.I.Y. culture, Open-Source practices and the production of text by multiple authors. Multi-authorship presents a re-thinking of several concepts which support the notion of the individual author, since the focus of multi-authorship is not on attribution and ownership of a finished text, but on the continued malleability of a text. Modes of multi-authorship, demonstrated in the use of the pseudonyms Alan Smithee and Karen Eliot, represent declarative authors whose names signify multiple origins, whilst concurrently indicating a distinct body of work. The function of these names form an important context to this study, since primary research involves the construction of an experimental mode of multi-authorship utilising WikiMedia technology and the interaction of thirty nine participants, who are invited to create a body of work under the collective pseudonym Karen Karnak. The data generated by this experiment is analysed using aspects of Michel Foucault's author-function to identify and determine power structures inherent in the WikiMedia context. The interplay of power structures, including concepts such as identity, ownership and the body of work, affect the resulting mode of authorship and contribute to the construction of Karen Karnak, suggesting further areas of research into the emerging multi-author
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