1,720,956 research outputs found
The socio-digital dynamics of the subtitling field in the Kingdom of Saudi Arabia: The rise of social media fansubbing and its digital paratexts on Twitter
Full text linkThis thesis documents the subtitling practice in the Kingdom of Saudi Arabia (KSA) through the investigation of the eco-political, socio-cultural and tecno-logical developments since the 1950s. Considering the impacts of digital advances on the digital culture in KSA, this research traces the emergence of social media fansubbing (SMF) on Twitter. Inspired by the lack of research on subtitling’s history and SMF’s dynamics in KSA, this research adopts a Bourdieusean framework along with insights from digital sociology and media studies. It analyses the structures of the field of subtitling and subfield of SMF and examines the habitus and capital of the agents of these field/subfields. The analysis of theses dynamics was elicited from archival resources, online data, Twitter metadata, observation notes and a questionnaire. The outcomes of this research emphasise five primary aspects. First, the utilisation of Bourdieu’ sociology could be expanded and modified to include the digital fields. Second, the evolution of the subtitling field from the 1950s till 2015 was (re)shaped by the audiovisual production in KSA and the field of power. The field of religion played a critical role into inspired the doxa of the field. Third, the emergence of SMF was promoted by the arrival of Internet, video-sharing platforms and social media. Fourth, the fansubbers involved with SMF on Twitter illustrated their multiple position-takings which were adopted to seek capital and secure central position in the subfield of SMF. Emotional, digital and social (media) capital were the most obvious forms. Fifth, the use of Twitter for SMF demonstrated significant digital paratexts which the fansubbers harnessed as means of competition and position-takins. The paratexts were marks of distinction and tools for capital accumulation. Finally, the findings deepen the understanding of the various socio-cultural and technological factors influencing the trajectory of the subtitling field in KSA. The particular significance of this thesis lies in the examination of the emergence and evolution of the subfield of SMF on Twitter and its interconnectedness with Saudi Vision 2030. The analysed data demonstrated valuable findings regarding the Saudi fansubbers’ digital habitus, social media capital and digital paratexts
The socio-digital manifestations of subtitling COVID-19-related clips on social media platforms in Saudi Arabia: The case of social media (fan)subtitling on Twitter.
Full text linkThis paper examines how digital users in the Kingdom of Saudi Arabia responded to the COVID-19 pandemic via engaging with crisis translation by subtitling COVID-19-related
videos. It explores two aspects: (1) how did social media during the pandemic encourage subtitled videos? and (2) how were these clips distributed and received by social media
users? It is argued that during the pandemic, social media facilitated the production and circulation of user-generated content by both individuals and institutions to subtitle global news and other genres. To understand the socio-digital dynamics of (fan)subtitling, this article analyses the subtitled clips posted on Twitter by the Saudi Ministry of Health (MoH) and 17 fansubbers during 2020. Subtitling is considered crucial in spreading accurate information to KSA people in time for them to take precautions against the pandemic in 2020. Another relevant factor is the developed technological infrastructure in KSA and the
increased digital practice of Saudi Arabians using social media. Following the analysis of 175 clips from the 17 chosen fansubbers and 255 clips from the MoH, it was discovered that social media increased the visibility of COVID-19 clips with subtitles. There was an apparent
competition among the fansubbers to accumulate social capital (social media capital), which gave rise to social media fansubbing, a form of non-professional subtitling produced by social media users. The subtitled clips were accompanied by various digital parataxis that supports the analysis and examination of social media fansubbing and crisis transition on Twitter1
Going Beyond Counting First Authors in Author Co-citation Analysis
Full text linkThe present study examines one of the fundamental aspects of author co-citation analysis (ACA) - the way co-citation
counts are defined. Co-citation counting provides the data on which all subsequent statistical analyses and mappings
are based, and we compare ACA results based on two different types of co-citation counting - the traditional type that
only counts the first one among a cited work's authors on the one hand and a non-traditional type that takes into
account the first 5 authors of a cited work on the other hand. Results indicate that the picture produced through this non-traditional author co-citation counting contains more coherent author groups and is therefore considerably clearer. However, this picture represents fewer specialties in the research field being studied than that produced through the traditional first-author co-citation counting when the same number of top-ranked authors is selected and analyzed. Reasons for these effects are discussed
Variations on the Author
Full text link“Variations on the Author” discusses two of Eduardo Coutinho’s recent films (Um Dia na Vida, from 2010, and Últimas Conversas, posthumously released in 2015) and their contribution to the general question of documentary authorship. The director’s filmography is characterized by a consistent yet self-effacing form of authorial self-inscription: Coutinho often features as an interviewer that rather than express opinions propels discourses; an interviewer that is good at listening. This mode of self-inscription characterizes him as an author who is not expressive but who is nonetheless markedly present on the screen. In Um Dia na Vida, however, Coutinho is completely absent form the image, while Últimas Conversas, on the contrary, includes a confessional prologue that moves the director from the margins to the center of his films. This article examines the ways in which these works stand out in the filmography of a director who offers new insights into the notion of cinematic authorship
Appropriate Similarity Measures for Author Cocitation Analysis
Full text linkWe provide a number of new insights into the methodological discussion about author cocitation analysis. We first argue that the use of the Pearson correlation for measuring the similarity between authors’ cocitation profiles is not very satisfactory. We then discuss what kind of similarity measures may be used as an alternative to the Pearson correlation. We consider three similarity measures in particular. One is the well-known cosine. The other two similarity measures have not been used before in the bibliometric literature. Finally, we show by means of an example that our findings have a high practical relevance.information science;Pearson correlation;cosine;similarity measure;author cocitation analysis
Dispelling the Myths Behind First-author Citation Counts
Full text linkWe conducted a full-scale evaluative citation analysis study of scholars in the XML research field to explore just how different from each other author rankings resulting from different citation counting methods actually are, and to demonstrate the capability of emerging data and tools on the Web in supporting more realistic citation counting methods. Our results contest some common arguments for the continued
use of first-author citation counts in the evaluation of scholars, such as high correlations between author rankings by first-author citation counts and other citation
counting methods, and high costs of using more realistic citation counting methods that are not well-supported by the ISI databases. It is argued that increasingly available digital full text research papers make it possible for citation analysis studies to go beyond what the ISI databases have directly supported and to employ more
sophisticated methods
Mapping Subtitling in KSA in Relation to Saudi Vision 2030: A Sociological and Historical Analysis
Full text linkThe production and consumption of subtitled content in the Kingdom of Saudi Arabia (KSA) have undergone various developments, experiencing periods of both progress and decline. However, this topic is largely ignored and insufficiently researched. Consequently, this paper addresses this lack of detailed socio-historical research into the cultural production of subtitling in KSA. It therefore traces the trajectories of subtitling as a social practice, examining the external and internal factors that (re) shape its dynamics since the 1950s. Inspired by technological and socio-cultural developments, subtitling is analysed in this paper as a social field, inhabited by various agents who deploy different strategies to accumulate capital. Adopting a qualitative approach and building on the sociology of Pierre Bourdieu, this paper analysed the subtitling field according to three historical periods. Following this thematic and periodisation analysis, each period documents the external factors influencing the development of the field and identifies the main agents along with their motivations and position-takings. To ensure the reliability and validity of research, triangulation of data sources and methods is adopted. Data are collected from archival sources, observation, published reports, audiovisual content and previous studies. The application of this sociological analysis provides an in-depth understanding of the evolving nature of the subtitling field concerning the concept of power. More importantly, the study of this social field assesses the influence of Saudi Vision 2030 (SV2030) on the cultural production in KSA, including subtitling. This paper concludes that the socio-cultural developments promoted by SV2030 have been crucial in restructuring the field’s dynamics, leading to significant changes in audiovisual production and consumption. The analysis suggests that 2016 marked a distinctive era for subtitling in KSA, compared to previous periods and developments. The paper contributes to the ongoing discussion on sociological approaches in translation studies by focusing on the application of Bourdieu’s theory to audiovisual translation. It extends the application of this theory to the digital forms of translation, emphasising the usefulness of Bourdieu’s sociology to digital fields
koamabayili/VECTRON-author-checklist: VECTRON author checklist
No full textWe have done our best to complete the author checklist relating to the use of animals in the hut study. Note that the objective for the hut study was to evaluate the IRS treatment applications for residual efficacy against Anopheles mosquitoes, including the local An. coluzzii mosquito population. Cows were only used to attract mosquitoes into the huts and no tests were carried out directly on the cows. The author checklist is intended for use with studies where experiments are carried out on animals, which is why we have had such difficulty in completing this for the hut study, as many of the questions do not relate to how the cows were used
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