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ROBERTO CAPUCCI EXAMPLE IN THE CONTEXT OF FASHION AND ART AND WEARABLE ART
No full textMODA VE SANAT BAĞLAMINDA ROBERTO CAPUCCİ ÖRNEĞİ VE GİYİLEBİLİR SANAT
Özet Bu çalışma İtalyan moda tasarımcısı Roberto Capucci’nin 1950’li yıllarda ve sonrasındaki kırk yıl boyunca moda, Haute Couture ve Giyilebilir Sanat alanındaki çalışmalarına ve Capucci’nin diğer tasarımcılara, moda takipçilerine ve moda sektörüne etkilerine değinmektedir. Roberto Capucci’ nin kendinden sonraki dönemlerde Giyilebilir Sanat ve Haute Couture alanında bir ilham kaynağına dönüşmesi araştırılacaktır. Roberto Capucci, 1930 yılında Roma’da doğmuş ve II. Dünya Savaşı'ndan sonra ortaya çıkan modern İtalyan moda endüstrisi tarihinin başlangıcı içinde doğan bir tasarımcı olmuştur. 1951 yılında yirmi bir yaşındayken, Floransa’da kendi modaevini açmış ve kendi koleksiyonlarını hazırlamaya başlamıştır. Moda konusunda geniş hayran ve müşteri kitlesine sahip olan Capucci, halen Roma’da yaşamaktadır. Renk, materyal ve form konusundaki devrimsel tasarımlarıyla kendi döneminde bilinen sınırları değiştirmiştir. Tasarımcı özel yenilikleri, zaferleri ve kaygıları arasında dolaşarak yaratımlarda bulunmuştur. Tasarımlarında doğa, mimari ve çağdaş sanattan ilham almış ve etkilenmiştir. Dünya gezileri düzenlemiş ve İtalya’ya döndüğünde önemli çağdaş tasarımlara imza atmıştır. Dünyanın çeşitli sanat müzelerinin koleksiyonlarında yer alan; deneysel gelişmiş heykelsi ve doğa etkileşimli sanatsal çağdaş giysi tasarımları ve müzelerde sergilenen Giyilebilir Sanat anlayışındaki tasarımları ile tanınmaktadır. Tasarımlarından oluşan koleksiyonları önemli sanat müzelerinin süreli sergileri olarak da yer almaya devam etmektedir. Çalışmada sanatçının giysi tasarım alanına getirdiği farklı bakış açısı, moda tasarım kavramına ve moda eğilimlerine yaklaşımı ve bahsi geçen tasarım koleksiyonları, sanatsal ve teknik açıdan incelenecektir. Anahtar Kelimeler: Moda, Haute Couture, Giyilebilir Sanat, tasarımcı.
Anahtar Kelimeler: Anahtar Kelimeler: Moda, haute couture, giyilebilir sanat, tasarımcı.
ROBERTO CAPUCCI EXAMPLE IN THE CONTEXT OF FASHION AND ART AND WEARABLE ART
ROBERTO CAPUCCI EXAMPLE IN THE CONTEXT OF FASHION AND ART AND WEARABLE ART Abstract This study is about Italian fashion designer Roberto Capucci's works during the 1950s and after 1950's, fashion, Haute Couture and Wearable Art and also the effects of Capucci on other designers, fashion followers and the fashion industry. It will be explored as a source of inspiration in art and Haute Couture. Roberto Capucci will be investigated as a source of inspiration in Wearable Art and Haute Couture. Roberto Capucci was born in Rome in 1930; Born in the beginning of the history of the modern Italian fashion industry that emerged after World War II. After World War II, in 1951, at the age of twenty-one, he opened his own fashion house in Florence and began to design his own collections. He has great number of customers and admires. He still lives in Rome Italy. He has changed the boundaries of garment design with his revolutionary designs in terms of color, material and form. The designer made his contributions by traveling through special innovations, victories and concerns. He was inspired and influenced by nature, architecture and art in his designs. He organized world trips and when he returned to Italy, he put his signature under important contemporary designs. In the collections of various art museums of the world; He is well-known for his designs in experimentally sculptural and natural interactive artistic contemporary clothing designs and wearable art concepts exhibited in museums. The collections of his designs continue to take place as permanent exhibitions of important art museums. In this paper, his experimental, advanced, sculptural nature influenced and revolutionary high fashion designs and collections, which are among the collections of world museums are examined by their artistical and technical qualities. Key Words: Fashion, Haute Couture, art, designer.
Keywords: Key Words: Fashion, haute couture, art, designer
Formation of hats according to social events in Europe from 17th century to the end of the 20th century
No full textBu çalışmada, Antik çağlardan başlayarak şapka?nın, 17. Yüzyıldan 20. Yüzyıl sonuna kadar Avrupa?da toplumsal süreçlerin şapka biçimlerine etkisi incelenmiştir. İlk bölümde, Şapka?nın genel tanımına ve tarihine genel bir bakış aşamasına değinilmiştir. Sonraki bölümde ise, Ortaçağ ve Rönesans döneminin şapka formları ve Kraliçe Elizabeth döneminde kullanılan baş aksesuarları ve toplumsal olayların, şapka?nın farklı konum, meslek, hatta siyasi bağlılığının göstergesi olarak bilinen uzun geçmişi incelenmiştir. Üçüncü bölümde ise, çalışmanın temel ana amacı olan, 17. Yüzyıl döneminin kadın ve erkek şapka formlarındaki biçimleri, Avrupa?daki toplumsal olay ve barok dönemin nasıl yön verdiği ile ilgili örnekler verilmiştir. Dördüncü ve beşinci bölümde, 18. Yüzyıl toplum ve teknolojinin gelişmesindeki etkiler, kadın ve erkek şapka formlarının rokoko stilindeki etkisi incelenecektir. 19. Yüzyıl imparatorluk dönemi ve toplumsal süreçte şapka stillerinin değişimi, romantik döneme geçişte şapka formları incelenecektir. Altıncı ve yedinci bölümde, 19. Yüzyılda sanayileşen, Romantik dönem ve Victoria dönemindeki etkisi incelenecektir. Avrupa?da oluşan, toplumsal sınıflardaki etkinin sanayileşmiş sınıflara yansımasındaki nedenler açıklanacaktır. Sanayileşmenin toplumsal sınıftaki değişimi ve demokratikleşmenin şapkalar üzerindeki etkisine değinilecektir. Romantik dönemin, erkek şapka formlarındaki etkisi ve Victoria İngiltere?si şapka stilleri genel olarak incelenecektir. Son üç bölümde, 20. Yüzyıl şapka biçimleri ve döneme genel bakış anlatılacaktır. Sanayileşme toplumunun sosyal değişimi değerlendirilecektir. 20. Yüzyılda dönemsel olarak şapka formları incelenecektir. Bu dönemde temel değişim, 1960 sonrası, şapka biçimlerinin 1970-1999 yılları arasında sosyal, kültürel, politik açıdan etkileri incelenecektir.Thepurpose of thisstudy is toexamineformation of hats according to development and historical from ancientages until 20th Century, in Europe. In the first part, the general definition of the hat, an overview of thehistory of thestagewill be discussed.In the following section, the period of the Middle Age sand the Renaissance hat form sand head accessories used during Queen Elizabeth and social events the hats a different location, accupation, and even as an indicator of political commitment to the long history of known is investigated. In the third section, the main objective of the present study, 17th Century era hat forms, forms of men and women in Europe, the social events and directions influenced by the baroque style. The fourth and fifth chapter, 18th Century affect the development of society and technology, examined the effect of women?s and men?s hat style rococo forms. 19th Century imperial period and romantic period of social change in the transition process hat forms, hat styles will be examined. The sixth and seventh chapter, 19th Century industrialization, will be examined the effect to the romantic era and the Victoria era. In Europe, consisting of there a sons will be described in the reflectance classes industrialized effect social classes. Romantic era, men?s hat forms, effect of hat styles will be examined in Victoria?s England. The last three chapter, 20th Century forms at the hat, and an over view of the period will be described. Industrialization of social change in society will be evaluated. 20th Century, hat form speriodically will be examined. Fundamental change in this period, in 1960, between they ears of 1970 to 1999 hat forms of social, cultural and political aspects will be analyzed. Key words: Hat, Community, History of Fashion, European culture
Going Beyond Counting First Authors in Author Co-citation Analysis
Get PDFThe present study examines one of the fundamental aspects of author co-citation analysis (ACA) - the way co-citation
counts are defined. Co-citation counting provides the data on which all subsequent statistical analyses and mappings
are based, and we compare ACA results based on two different types of co-citation counting - the traditional type that
only counts the first one among a cited work's authors on the one hand and a non-traditional type that takes into
account the first 5 authors of a cited work on the other hand. Results indicate that the picture produced through this non-traditional author co-citation counting contains more coherent author groups and is therefore considerably clearer. However, this picture represents fewer specialties in the research field being studied than that produced through the traditional first-author co-citation counting when the same number of top-ranked authors is selected and analyzed. Reasons for these effects are discussed
Variations on the Author
Get PDF“Variations on the Author” discusses two of Eduardo Coutinho’s recent films (Um Dia na Vida, from 2010, and Últimas Conversas, posthumously released in 2015) and their contribution to the general question of documentary authorship. The director’s filmography is characterized by a consistent yet self-effacing form of authorial self-inscription: Coutinho often features as an interviewer that rather than express opinions propels discourses; an interviewer that is good at listening. This mode of self-inscription characterizes him as an author who is not expressive but who is nonetheless markedly present on the screen. In Um Dia na Vida, however, Coutinho is completely absent form the image, while Últimas Conversas, on the contrary, includes a confessional prologue that moves the director from the margins to the center of his films. This article examines the ways in which these works stand out in the filmography of a director who offers new insights into the notion of cinematic authorship
Appropriate Similarity Measures for Author Cocitation Analysis
Get PDFWe provide a number of new insights into the methodological discussion about author cocitation analysis. We first argue that the use of the Pearson correlation for measuring the similarity between authors’ cocitation profiles is not very satisfactory. We then discuss what kind of similarity measures may be used as an alternative to the Pearson correlation. We consider three similarity measures in particular. One is the well-known cosine. The other two similarity measures have not been used before in the bibliometric literature. Finally, we show by means of an example that our findings have a high practical relevance.information science;Pearson correlation;cosine;similarity measure;author cocitation analysis
Dispelling the Myths Behind First-author Citation Counts
Get PDFWe conducted a full-scale evaluative citation analysis study of scholars in the XML research field to explore just how different from each other author rankings resulting from different citation counting methods actually are, and to demonstrate the capability of emerging data and tools on the Web in supporting more realistic citation counting methods. Our results contest some common arguments for the continued
use of first-author citation counts in the evaluation of scholars, such as high correlations between author rankings by first-author citation counts and other citation
counting methods, and high costs of using more realistic citation counting methods that are not well-supported by the ISI databases. It is argued that increasingly available digital full text research papers make it possible for citation analysis studies to go beyond what the ISI databases have directly supported and to employ more
sophisticated methods
koamabayili/VECTRON-author-checklist: VECTRON author checklist
No full textWe have done our best to complete the author checklist relating to the use of animals in the hut study. Note that the objective for the hut study was to evaluate the IRS treatment applications for residual efficacy against Anopheles mosquitoes, including the local An. coluzzii mosquito population. Cows were only used to attract mosquitoes into the huts and no tests were carried out directly on the cows. The author checklist is intended for use with studies where experiments are carried out on animals, which is why we have had such difficulty in completing this for the hut study, as many of the questions do not relate to how the cows were used
Author-wise bibliometric analysis based on entropy.
No full textAuthor-wise bibliometric analysis based on entropy.</p
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