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The dichotomy between dreams and reality in Hüseyin Rahmi Gürpınar's novels İffet and Son Arzu
No full textİffet (1896) ve Son Arzu (1918), Hüseyin Rahmi Gürpınar’ın sonları facia ile biten iki romanıdır.Romanlar; ana karakterleri devirlerine göre eğitimli ve erdemli iki genç kızın, İffet veNuruyezdan’ın ölümüyle sona erer. Her iki eser de gerçek hayat hikâyelerine dayanmaktadır.Hüseyin Rahmi Gürpınar, İffet romanında olayın kahramanlarından biri olduğunu eserinönsözünde açıklar. Son Arzu’nun hikâyesi ise Nuruyezdan’ın eşi tarafından kendisine aktarılmıştır.Yazarın bu romanlarla öncelikle dönemin toplumsal yapısını gözler önüne sermek istediğianlaşılmaktadır. Toplumun ahlak anlayışı ise sorgulanan diğer bir kavram olarak ortaya çıkar. İffetromanı özelinde romantizm ile realizmin irdelendiği görülür. Son Arzu özelinde ise eski devrindüşünce biçiminin, durağanlığının eleştirisi yapılır. Kadın hakları ve kadın erkek ilişkileri diğereleştiri konularıdır. Tüm bu tartışmaların odak noktasını oluşturan asıl temaysa hayal ile hakikatarasındaki karşıtlıkla şekillenir. Her iki romanda da iyi örnek olarak gösterilebilecek çok az kişivarken, erdem sahibi iki kadın toplumun gözünde ahlaksız konumuna düşmüşlerdir. HüseyinRahmi Gürpınar’ın İffet ve Son Arzu romanları gerçekçilikle ilgili zayıf noktalarına rağmen evin içiile sokak arasında kurduğu simgesel zıtlıklarla dikkat çeker. Buna göre evin içi, gerçek hayattankopukluğu ile “hayal”in, sokak ise “hakikat”in temsilidir. Evdeki diyaloglarda, mektuplarda görülendil ne kadar erdemli ise, sokağın dili o kadar gayriahlakidir. Ev, eski düzeni ifade ederken ne kadaryıpranmış ya da yüzeyselse, sokakta akan hayat o kadar gerçektir. Kahramanların evlerindekurguladıkları aşk ne kadar yüce ise, dışarıda karşılaşılan duygu sadece cinsellik üzerinedir. Yazarınbüyük başarısı, hayal ve hakikat temi çevresinde oluşturduğu bu zıtlığı ustalıkla eserlerine aktarmışolmasıdır.İffet (1896) and Son Arzu (1918) are two novels of Hüseyin Rahmi Gürpınar, whose ends withtragedy. The novels end with the death of two young girls, İffet and Nuruyezdan, whose maincharacters are educated and virtuous according to their times. Both works are based on real lifestories. Hüseyin Rahmi Gürpınar explains in the preface of the work that he is one of the heroes ofthe event in his novel İffet. The story of the Son Arzu was conveyed to him by Nuruyezdan's wife. Itis understood that the author wanted to reveal the social structure of the era with these novels. Theethics of the society emerges as another questioned concept. It is seen that romance and realism areexamined in the novel of İffet. In the case of the Son Arzu, the way of thinking and the stagnation ofthe old age is criticized. Women's rights and women-men relations are other criticisms. The maintheme, which is the focus of all these discussions, is shaped by the opposition between imaginationand truth. While there are very few who can be set as good examples in both novels, two virtuouswomen have become immoral in the eyes of society. Despite their weaknesses in realism, HüseyinRahmi Gürpınar's novels Son Arzu and İffet attract attention with the symbolic contrasts theyestablish between the interior of the house and the street. According to this, the interior of thehouse is the representation of “dream” with its disconnection from real life, and the street is therepresentation of “truth”. The more virtuous the language seen in the dialogues and letters at home,the more immoral the language of the street. Home; the worn or superficial it is in expressing theold order, the more real is the life flowing on the street. No matter how sublime the love the heroesset up in their homes, the emotion encountered outside is only about sexuality. The great success ofthe author is that he skillfully transferred this contrast he created around the theme of dreams andreality to his works.</p
Going Beyond Counting First Authors in Author Co-citation Analysis
Get PDFThe present study examines one of the fundamental aspects of author co-citation analysis (ACA) - the way co-citation
counts are defined. Co-citation counting provides the data on which all subsequent statistical analyses and mappings
are based, and we compare ACA results based on two different types of co-citation counting - the traditional type that
only counts the first one among a cited work's authors on the one hand and a non-traditional type that takes into
account the first 5 authors of a cited work on the other hand. Results indicate that the picture produced through this non-traditional author co-citation counting contains more coherent author groups and is therefore considerably clearer. However, this picture represents fewer specialties in the research field being studied than that produced through the traditional first-author co-citation counting when the same number of top-ranked authors is selected and analyzed. Reasons for these effects are discussed
Variations on the Author
Get PDF“Variations on the Author” discusses two of Eduardo Coutinho’s recent films (Um Dia na Vida, from 2010, and Últimas Conversas, posthumously released in 2015) and their contribution to the general question of documentary authorship. The director’s filmography is characterized by a consistent yet self-effacing form of authorial self-inscription: Coutinho often features as an interviewer that rather than express opinions propels discourses; an interviewer that is good at listening. This mode of self-inscription characterizes him as an author who is not expressive but who is nonetheless markedly present on the screen. In Um Dia na Vida, however, Coutinho is completely absent form the image, while Últimas Conversas, on the contrary, includes a confessional prologue that moves the director from the margins to the center of his films. This article examines the ways in which these works stand out in the filmography of a director who offers new insights into the notion of cinematic authorship
Appropriate Similarity Measures for Author Cocitation Analysis
Get PDFWe provide a number of new insights into the methodological discussion about author cocitation analysis. We first argue that the use of the Pearson correlation for measuring the similarity between authors’ cocitation profiles is not very satisfactory. We then discuss what kind of similarity measures may be used as an alternative to the Pearson correlation. We consider three similarity measures in particular. One is the well-known cosine. The other two similarity measures have not been used before in the bibliometric literature. Finally, we show by means of an example that our findings have a high practical relevance.information science;Pearson correlation;cosine;similarity measure;author cocitation analysis
Dispelling the Myths Behind First-author Citation Counts
Get PDFWe conducted a full-scale evaluative citation analysis study of scholars in the XML research field to explore just how different from each other author rankings resulting from different citation counting methods actually are, and to demonstrate the capability of emerging data and tools on the Web in supporting more realistic citation counting methods. Our results contest some common arguments for the continued
use of first-author citation counts in the evaluation of scholars, such as high correlations between author rankings by first-author citation counts and other citation
counting methods, and high costs of using more realistic citation counting methods that are not well-supported by the ISI databases. It is argued that increasingly available digital full text research papers make it possible for citation analysis studies to go beyond what the ISI databases have directly supported and to employ more
sophisticated methods
koamabayili/VECTRON-author-checklist: VECTRON author checklist
No full textWe have done our best to complete the author checklist relating to the use of animals in the hut study. Note that the objective for the hut study was to evaluate the IRS treatment applications for residual efficacy against Anopheles mosquitoes, including the local An. coluzzii mosquito population. Cows were only used to attract mosquitoes into the huts and no tests were carried out directly on the cows. The author checklist is intended for use with studies where experiments are carried out on animals, which is why we have had such difficulty in completing this for the hut study, as many of the questions do not relate to how the cows were used
Gypsy Beliefs in Turkish and Western Literature / Türk ve Batı Edebiyatında Çingene İnançları
No full textGypsies have been the target of prejudiced approaches in real life and literary works
for centuries. The most important of these is their being irreligious and believing in
nothing. In the spread of negative opinions about Gypsies in Turkish and Western
literature, the share of legends and stories derived from them is at the top. Another
reason for the spreading of the bad reputation of Gypsies is that their lifestyle is not
seen as suitable for the general structure of the society. There is a widespread perception
that they are wild, or rather a threat to civilization, because they do not fit into the city
system. Whether they are nomadic or not, Gypsies living in closed groups have been
marginalized by the general public and this situation is reflected in the works in the
same direction. Although they are depicted with prejudices on issues such as morality,
belief, cleanliness and theft in Turkish and Western literature, there are a considerable
number of works that look at Gypsies from within. When all these works are examined,
it is understood that Gypsies have a belief system with strict rules and a deep-rooted
tradition, contrary to the common opinion. Marhime beliefs about cleanliness, male and
female relationships and taboos about sexuality point to the exact opposite of negative
views about them. The belief systems of Gypsies become more comprehensible when
their view of life, their perception of time, their attitudes towards death, the importance
they give to the family and their use of language are collectively evaluated in the works
dealing with Gypsies
Ercüment Ekrem Talu - Teravihten Sahura
No full textTanzimat edebiyatının en önemli isimlerinden Recaizade MahmutEkrem’in oğlu ve döneminin ünlü gazeteci-yazarlarından olan ErcümentEkrem Talu’nun, henüz Osmanlıcadan bugünkü alfabeye aktarılmamışnitelikli eserlerinden biri Teravihten Sahura (1923) adlı hikâye kitabıdır.Kitap, cumhuriyetin kuruluş aşamasında devrin sosyal ve politikhavasının ince ayrıntılarla, hiciv ve mübalağa ile gözler önüne serildiğiönemli eserlerdendir.Teravihten Sahura’yı oluşturan hikâyeler birkaç farklı temaçevresinde ilerler. Bunlardan ilki, Batı’dan gelen, bir anlamdamedeniyetin sembolü olan icat ya da yaşam tarzının, belki de ahlâkanlayışının insanları düşürdüğü zor/komik durumlardır.Çapkınlık merkezli hikâyelerde yapılan şey de benzer şekilde Batıahlâkının ve alafrangalığın eleştirisidir. Yazar eserin yanlışlıklar üzerinekurarak eleştirmek istediği noktayı üst perdeden konuşmadan tespit ederyalnızca. Bu da ona mesaj vermeye çalışmadan istediği konuyuişlemesine olanak tanır.Bir kısım hikâyeler her ne kadar inandırıcılıktan uzak da olsalarmizah unsurunu oluşturmak için yazarın abartıya kaçmayı tercih ettiğigörülmektedir. Bunun yanı sıra mizahi yönü yüksek ve kurgusu kuvvetlibir anlatım oluşturduğunun altı çizilmelidir. Özellikle tiyatro türündeyetkin bir anlatıma sahip olduğu açıktır. Hayranlık duyduğu AhmetRasim ve Hüseyin Rahmi Gürpınar’ın tarzlarıyla aynı düzlemde ve onlarınkalitesinde eserler verdiği de belirtilmelidir. Tüm bunlara, ülkenin siyasiortamıyla ilgili ayrıntıların ardına sakladığı, ders vermek yerine yorumuokuyucuya bıraktığı eleştirel yaklaşımı da yazarın bir başarısı olarakeklemek gerekir. </p
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