1,200 research outputs found
Festivals as instruments of cultural welfare: A theoretical reflection
Cultural welfare is an instrument of social cohesion which, using cultural forms, fights inequalities and focuses on health promotion. It is a model for developing individual and community well-being and enhancing bottom-up practices. Festivals generate socio-cultural impacts on the territory and on citizens, acting as moments of inclusion and participation, and offering spaces for innovation. Festivals can therefore be tools for creating cultural welfare, triggering processes of social innovation in communities, breaking down some social barriers, improving people’s well-being, and enlivening spaces not usually used for cultural activities. This theoretical work does not want to be a systematic review of the existing literature, but a starting point for the analysis of festivals as instruments of cultural welfare
L'evento culturale come momento di creazione di welfare di comunità: la risposta di Suq Genova
The Suq of Genoa is a large theater where every visitor is part of the audience of a collective, choral creation, and at the same time the author and protagonist of his/her own performance. The setting is a temporary bazaar in the Old Port, housing ethnic shops and restaurants, 53 in the latest “in-person” edition, managed by traders with a migratory background active in the city. The central square and some surrounding spaces host shows, concerts, debates, lessons, partly organized by migrant associations, partly selected by the artistic direction. For the visitor, the festival becomes a journey towards his/her own identity recognition, through the comparison with the Other. The visitor of the Suq, as an individual, is part of the aggregating community that he is building with his/her own presence, in the openness and recognition of the new: the feeling of belonging lasts the time of the festival, which unfortunately has never found the economic support necessary for an organic organizational growth, with a greater venue and/or a longer duration. Despite this limitation, the Suq has been recognized as a European Best Practice since 2014 and continues to be a successful experiment in creating community welfare
Festivals and Active Citizenship
Cultural festivals have a social, cultural and economic impact in the region they take place and on the citizens involved. Although much has been published on the impacts of events there is little that explores how they might contribute to the creation of active citizenship. The Italian festival “Arona Città Teatro” was researched over twelve months using a mixed method approach, specifically field observation, semi-structured interviews and questionnaires. This case study seeks to better understand how a festival can contribute to democratic construction processes. The analysis of the Festival and its audience demonstrates the importance of the continuity of cultural festivals in small towns. This leads to the conclusion that festivals can significantly contribute to the construction of an active citizenship process. Based on the findings a festival Ecosystem is proposed that begins to explain the process of active citizenship development via events. Recommendations for further research are put forward
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