1,721,223 research outputs found
Des héros tragiques assez improbables dans Antigone de Vittorio Alfieri
No full textAlonge Roberto. Des héros tragiques assez improbables dans Antigone de Vittorio Alfieri. In: Arzanà 14, 2012. Le Personnage tragique. Littérature, théâtre et opéra italiens, sous la direction de Myriam Tanant. pp. 119-129
SALVESTRO CARTAIO DETTO IL FUMOSO, Opere teatrali, vol. I, Panechio. Tiranfallo, a cura di Anna Scannapieco, pref. e trad. di Roberto Alonge
No full text«Finora le commedie popolari senesi sono state lette nella prima edizione che capitava sotto mano. Ci si deve invece convincere che questi testi vanno trattati con lo stesso metodo filologico con cui trattiamo quelli di Cicerone e Petrarca, che la tradizione va censita e valutata come quella di qualsiasi altro testo», lamentava – venticinque anni or sono – uno studioso del calibro di Michele Feo; e, di fronte al rigoglio storico-critico che il tema poteva aver registrato almeno a partire dalla celebre monografia sul Teatro dei Rozzi di un esordiente Roberto Alonge (1967), ammoniva: «noi riteniamo che sia giunto il momento di non scrivere più saggi critici. I compiti veri sono quelli del nuovo catalogo scientifico, della costituzione e edizione dei testi nel loro complesso, accompagnati da commento linguistico, storico e folklorico». A tale esigenza risponde la presente edizione, dedicata all’opera teatrale dell’autore di punta della tradizione rusticale senese: un corpus di sei commedie, la cui ricchezza culturale e la cui originalità artistica erano da tempo meritevoli di un ampio risarcimento filologico e critico
Riferimenti bibliografici
No full textAcocella, Silvia, Controluce. Effetti dell’illuminazione artificiale in Pirandello, Liguori, Napoli, 2006.Albano, Lucilla (a cura di), Il racconto tra cinema e letteratura, La Nuova Italia, Firenze, 1993.Alonge, Roberto, Luigi Pirandello, Laterza, Roma-Bari, 1997; 2023.Alonge, Roberto, Guido Davico Bonino (a cura di), Storia del teatro moderno e contemporaneo. Avanguardie e utopie del teatro. Il Novecento, vol. III, Einaudi, Torino, 2001.Alovisio, Silvio, Alberto Barbera (a cura di), Cabiria..
"Six characters in search of an author" staged by Gabriele Lavia, a gifted director-dramaturg
Full text linkThis article examines the production by Gabriele Lavia, Six Characters in Search of an Author, written by Luigi Pirandello. Lavia refuses the metatheatrical approach and prefers to penetrate the plot of the text, which offers us – according to Lavia – a subversive mix of dangerous subjects (incest, paedophilia, exhibitionism and perversions typical of a cuckolded husband). Alonge’s analysis exalts the great originality of Lavia’s creation and underlines that Lavia pierces the text as an acute Pirandellian philologist, mixing in his script some different editions of the text (the last edition of 1925, the first of 1921, and even the second edition of 1923)
Going Beyond Counting First Authors in Author Co-citation Analysis
Full text linkThe present study examines one of the fundamental aspects of author co-citation analysis (ACA) - the way co-citation
counts are defined. Co-citation counting provides the data on which all subsequent statistical analyses and mappings
are based, and we compare ACA results based on two different types of co-citation counting - the traditional type that
only counts the first one among a cited work's authors on the one hand and a non-traditional type that takes into
account the first 5 authors of a cited work on the other hand. Results indicate that the picture produced through this non-traditional author co-citation counting contains more coherent author groups and is therefore considerably clearer. However, this picture represents fewer specialties in the research field being studied than that produced through the traditional first-author co-citation counting when the same number of top-ranked authors is selected and analyzed. Reasons for these effects are discussed
Variations on the Author
Full text link“Variations on the Author” discusses two of Eduardo Coutinho’s recent films (Um Dia na Vida, from 2010, and Últimas Conversas, posthumously released in 2015) and their contribution to the general question of documentary authorship. The director’s filmography is characterized by a consistent yet self-effacing form of authorial self-inscription: Coutinho often features as an interviewer that rather than express opinions propels discourses; an interviewer that is good at listening. This mode of self-inscription characterizes him as an author who is not expressive but who is nonetheless markedly present on the screen. In Um Dia na Vida, however, Coutinho is completely absent form the image, while Últimas Conversas, on the contrary, includes a confessional prologue that moves the director from the margins to the center of his films. This article examines the ways in which these works stand out in the filmography of a director who offers new insights into the notion of cinematic authorship
Appropriate Similarity Measures for Author Cocitation Analysis
Full text linkWe provide a number of new insights into the methodological discussion about author cocitation analysis. We first argue that the use of the Pearson correlation for measuring the similarity between authors’ cocitation profiles is not very satisfactory. We then discuss what kind of similarity measures may be used as an alternative to the Pearson correlation. We consider three similarity measures in particular. One is the well-known cosine. The other two similarity measures have not been used before in the bibliometric literature. Finally, we show by means of an example that our findings have a high practical relevance.information science;Pearson correlation;cosine;similarity measure;author cocitation analysis
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