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Including the excluded : strategies of opening up in late medieval religious writing
Practices of rewriting and mouvance are central to medieval culture, but have been neglected by contemporary scholarship. This paper highlights how collaborative forms of writing such as religious song engage with complex theological thought, opening up a discourse from which the laity had previously been excluded. Using forms which defy conventional author-based aesthetic norms, these songs explore poetic practices which are both collective and inclusive
›Ovidius christianus‹: Helius Eobanus Hessus in der Tradition der ›Heroides‹-Rezeption seit dem Mittelalter
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