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    Asentamientos de la Triple Alianza en su frontera norte: el Valle del Mezquital. 28. Arqueología

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    Bali Chávez, Guillermo y Fernando López Aguilar, La distribución del Valle del Mezquital como un modelo de desarrollo social, México, 2002, en prensa.Carrasco, Mario, et al., 2001. “Proyecto Valle del Mezquital, Informe de la octava temporada de trabajo de campo”, ENAH, 2001.Carrasco, Pedro, Estructura político-territorial del imperio Tenochca, la triple alianza de Tenochtitlan, Tetzcoco y Tlacopan, México, Colmex/FCE, 1996.Davies, Nigel, El imperio azteca, México, Alianza Editorial, 1997.González Crespo, Norberto, Patrón de asentamiento prehispánico en la parte central del bajo Balsas: un ensayo metodológico, México, SEP/INAH, 1979.Haas, Jonathan y Winifred Creamer s.f. Pueblo political organization in 1500, Tinkering with diversity. Santa Fe Institute.Hassig, Ross, Aztec warfare: imperial expansion and political control, USA, University of Oklahoma Press, 1988.Hofstadter, Douglas R., Gödel, Escher, Bach. Un eterno y grácil bucle, Barcelona, España, Tusquets, 1998.López Aguilar, Fernando, “Símbolos del tiempo, los pueblos de indios del valle del Mezquital durante la colonia”, Tesis de doctorado en Historia, FFyL/UNAM, 1997.____, “Proyecto Valle del Mezquital”, Informe de la tercera temporada de trabajo de campo, Escuela Nacional de Antropología e Historia, mecanoescrito, 1989.____, “Proyecto Valle del Mezquital”, Informe de la cuarta temporada de trabajo de campo: 1990-1991, ENAH, 1991, mecanuscrito.____, “Proyecto Valle del Mezquital”, Informe de la quinta temporada de trabajo de campo, ENAH/Gobierno del Estado de Hidalgo/CONACYT, 1994a, mecanuscrito.____, “Proyecto Valle del Mezquital”, Informe de la sexta temporada de trabajo de campo, ENAH, 1994b, mecanoescrito.____, “Proyecto Valle del Mezquital”, Informe de la séptima temporada de trabajo de campo, ENAH, mecanuscrito, 1997.López Aguilar, Fernando, Laura Solar Valverde y Rodrigo Vilanova de Allende, “El Valle del Mezquital. Encrucijadas en la historia de los asentamientos humanos en un espacio discontinuo”, en: Arqueología, núm. 20, México, INAH, 1998, pp. 21-40.López Aguilar, et al., “Etnicidad y Arqueología. Una reflexión sobre las investigaciones en el Valle del Mezquital”, en: Cuicuilco, núms. 33-34, México, ENAH/INAH, 1993, pp. 103-108.López Aguilar, Fernando y Miguel A. Trinidad (coords.), “Proyecto Valle del Mezquital”, Informe de la primera temporada 1985-1986, ENAH, 1987, mecanuscrito.López Aguilar, et al., “Proyecto Valle del Mezquital”, Informe de la segunda temporada de trabajo de campo 1985-1986, ENAH, 1988a, pp. 99-131.____, “Contextos arqueológicos y contextos momento: el caso de la alfarería otomí del Valle del Mezquital”, en: Boletín de Antropología Americana, núm. 17, México, Instituto Panamericano de Geografía e Historia, 1988b.López Aguilar, Fernando y Patricia Fournier, “Estudio de cultura material en ‘pueblos sin historia’. Las investigaciones sobre los Hñähñü del Valle del Mezquital”, en: Cuicuilco, núm. 27, México, ENAH/INAH, 1991, pp. 7-14.Mandelbrot, Benoît, La geometría fractal de la naturaleza, Barcelona, España, Tusquets editores, 1997.____, “A Multifractal Walk down Wall Street”, en Scientific American, 280 (2), New York, 1999, pp. 50-53.Moscovici, Serge, “La historia humana de la naturaleza”, en: Jean Pierre Brans, et al. (coords.), El tiempo y el devenir a partir de la obra de Ilya Prigogine, coloquio de Cerisy, Barcelona, Gedisa, 1996.Nalda, Enrique, “San Juan del Río: trabajos arqueológicos preliminares”, Tesis de maestría en Arqueología, ENAH, 1975. ____,“La frontera norte de Mesoamérica”, en: Sonia Lombardo y Enrique Nalda (coords.), Temas mesoamericanos, México, INAH, 1996, pp.255-278Pérez Taylor, Rafael, “Introducción: Estudio preliminar sobre aprender-comprender la antropología”, en: Aprender-comprender la antropología, México, Compañía Editorial Continental, 2000.Polgar Salcedo, Manuel, “La periferia en la continuidad y el colapso. Los asentamientos del periodo Clásico en el occidente del Valle del Mezquital”, en: Arqueología, núm. 20, México, INAH, 1998, pp. 41-52.Prigogine, Ilya, “¿Un siglo de esperanza?”, en: Coloquio de Cerisy, et al. (coords.), El tiempo y el devenir a partir de la obra de Ilya Prigogine, Barcelona, Gedisa, 1996, pp. 163-193. ____, Las leyes del caos, Barcelona, Crítica, 1997.Silva Rhoads, Carlos y Concepción María Del Carmen Hernández, “Estudios de patrón de asentamiento en Playa del Carmen, Quintana Roo”, Tesis de licenciatura en Arqueología, ENAH, 1991.Tainter, Joseph A., The collapse of complex societies, Great Britain, Cambridge University Press, 1995.Vilanova de Allende, Rodrigo, “Aspectos fractales del patrón de asentamiento mexica en el valle del Mezquital, Huichapan, Hidalgo”, Tesis de licenciatura en Arqueología, ENAH, 2001

    Going Beyond Counting First Authors in Author Co-citation Analysis

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    The present study examines one of the fundamental aspects of author co-citation analysis (ACA) - the way co-citation counts are defined. Co-citation counting provides the data on which all subsequent statistical analyses and mappings are based, and we compare ACA results based on two different types of co-citation counting - the traditional type that only counts the first one among a cited work's authors on the one hand and a non-traditional type that takes into account the first 5 authors of a cited work on the other hand. Results indicate that the picture produced through this non-traditional author co-citation counting contains more coherent author groups and is therefore considerably clearer. However, this picture represents fewer specialties in the research field being studied than that produced through the traditional first-author co-citation counting when the same number of top-ranked authors is selected and analyzed. Reasons for these effects are discussed

    Variations on the Author

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    “Variations on the Author” discusses two of Eduardo Coutinho’s recent films (Um Dia na Vida, from 2010, and Últimas Conversas, posthumously released in 2015) and their contribution to the general question of documentary authorship. The director’s filmography is characterized by a consistent yet self-effacing form of authorial self-inscription: Coutinho often features as an interviewer that rather than express opinions propels discourses; an interviewer that is good at listening. This mode of self-inscription characterizes him as an author who is not expressive but who is nonetheless markedly present on the screen. In Um Dia na Vida, however, Coutinho is completely absent form the image, while Últimas Conversas, on the contrary, includes a confessional prologue that moves the director from the margins to the center of his films. This article examines the ways in which these works stand out in the filmography of a director who offers new insights into the notion of cinematic authorship

    Appropriate Similarity Measures for Author Cocitation Analysis

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    We provide a number of new insights into the methodological discussion about author cocitation analysis. We first argue that the use of the Pearson correlation for measuring the similarity between authors’ cocitation profiles is not very satisfactory. We then discuss what kind of similarity measures may be used as an alternative to the Pearson correlation. We consider three similarity measures in particular. One is the well-known cosine. The other two similarity measures have not been used before in the bibliometric literature. Finally, we show by means of an example that our findings have a high practical relevance.information science;Pearson correlation;cosine;similarity measure;author cocitation analysis

    Dispelling the Myths Behind First-author Citation Counts

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    We conducted a full-scale evaluative citation analysis study of scholars in the XML research field to explore just how different from each other author rankings resulting from different citation counting methods actually are, and to demonstrate the capability of emerging data and tools on the Web in supporting more realistic citation counting methods. Our results contest some common arguments for the continued use of first-author citation counts in the evaluation of scholars, such as high correlations between author rankings by first-author citation counts and other citation counting methods, and high costs of using more realistic citation counting methods that are not well-supported by the ISI databases. It is argued that increasingly available digital full text research papers make it possible for citation analysis studies to go beyond what the ISI databases have directly supported and to employ more sophisticated methods

    Author Index

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    koamabayili/VECTRON-author-checklist: VECTRON author checklist

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    We have done our best to complete the author checklist relating to the use of animals in the hut study. Note that the objective for the hut study was to evaluate the IRS treatment applications for residual efficacy against Anopheles mosquitoes, including the local An. coluzzii mosquito population. Cows were only used to attract mosquitoes into the huts and no tests were carried out directly on the cows. The author checklist is intended for use with studies where experiments are carried out on animals, which is why we have had such difficulty in completing this for the hut study, as many of the questions do not relate to how the cows were used

    Author Under Sail The Imagination of Jack London, 1893-1902

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    In Author Under Sail, Jay Williams offers the first complete literary biography of Jack London as a professional writer engaged in the labor of writing. It examines the authorial imagination in London's work, the use of imagination in both his fiction and nonfiction, and the ways he defined imagination in the creative process in his business dealings with his publishers, editors, and agents. In this first volume of a two-volume biography, Williams traverses the years 1893 to 1902, from London's "Story of a Typhoon" to The People of the Abyss. The Jack London who emerges in the pages of Author Under Sail is a writer whose partnership with publishers, most notably his productive alliance with George Brett of Macmillan, was one of the most formative in American literary history. London pioneered many author models during the heyday of realism and naturalism, blurring the boundaries of these popular genres by focusing on absorption and theatricality and the representation of the seen and unseen. London created an impassioned, sincere, and extremely personal realism unlike that of other American writers of the time. Author Under Sail is a literary tour de force that reveals the full range of London as writer, creative citizen, and entrepreneur at the same time it sheds light on the maverick side of machine-age literature.Intro -- Title Page -- Copyright Page -- Dedication -- Contents -- Acknowledgments -- Introduction -- 1. Spirit Truth -- 2. From Absorption to Theatricality and Back Again -- 3. "I Will Build a New Present" -- 4. Sons as Authors -- 5. Fathers as Publishers -- 6. The Daughter as Author -- 7. Lovers as Authors -- 8. At Sea with the Family -- 9. Yellow News, Yellow Stories -- 10. The Return Home -- Notes -- Bibliography -- Index -- About Jay WilliamsIn Author Under Sail, Jay Williams offers the first complete literary biography of Jack London as a professional writer engaged in the labor of writing. It examines the authorial imagination in London's work, the use of imagination in both his fiction and nonfiction, and the ways he defined imagination in the creative process in his business dealings with his publishers, editors, and agents. In this first volume of a two-volume biography, Williams traverses the years 1893 to 1902, from London's "Story of a Typhoon" to The People of the Abyss. The Jack London who emerges in the pages of Author Under Sail is a writer whose partnership with publishers, most notably his productive alliance with George Brett of Macmillan, was one of the most formative in American literary history. London pioneered many author models during the heyday of realism and naturalism, blurring the boundaries of these popular genres by focusing on absorption and theatricality and the representation of the seen and unseen. London created an impassioned, sincere, and extremely personal realism unlike that of other American writers of the time. Author Under Sail is a literary tour de force that reveals the full range of London as writer, creative citizen, and entrepreneur at the same time it sheds light on the maverick side of machine-age literature.Description based on publisher supplied metadata and other sources.Electronic reproduction. Ann Arbor, Michigan : ProQuest Ebook Central, YYYY. Available via World Wide Web. Access may be limited to ProQuest Ebook Central affiliated libraries
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