101,713 research outputs found
Aeretes G. M. Allen 1940
No full textAeretes G. M. Allen, 1940. Nat. Hist. Cent. Asia, II, 2:745. TYPE SPECIES: Pteromys melanopterus Milne-Edwards, 1867. COMMENTS: Aeretes is often dated as G. M. Allen, "p.vii, September 2, 1938," but this is a nomen nudum.Published as part of Robert S. Hoffmann & Charles G. Anderson, 1993, Order Rodentia - Family Sciuridae, pp. 419-465 in Mammal Species of the World (2 nd Edition), Washington and London :Smithsonian Institution Press on page 459, DOI: 10.5281/zenodo.735313
Allen, G Linton, Shanghai
No full textThis record was harvested from a previous catalogue system and will be withdrawn in 2025. Information in this record may be superseded or incomplete. Visit this record in UMA's new catalogue at: https://archives.library.unimelb.edu.au/nodes/view/368307Surname: ALLEN
Given Name(s) or Initials: G LINTON
Military Service Number or Last Known Location: SHANGHAI
Missing, Wounded and Prisoner of War Enquiry Card Index Number: 13624178353
Item: [2016.0049.00638] "Allen, G Linton, Shanghai
Allen, N G, 2784699
No full textThis record was harvested from a previous catalogue system and will be withdrawn in 2025. Information in this record may be superseded or incomplete. Visit this record in UMA's new catalogue at: https://archives.library.unimelb.edu.au/nodes/view/368254Surname: ALLEN
Given Name(s) or Initials: N G
Military Service Number or Last Known Location: 2784699
Missing, Wounded and Prisoner of War Enquiry Card Index Number: SEA-2487178300
Item: [2016.0049.00585] "Allen, N G, 2784699
Allen, A G, VX32998
No full textThis record was harvested from a previous catalogue system and will be withdrawn in 2025. Information in this record may be superseded or incomplete. Visit this record in UMA's new catalogue at: https://archives.library.unimelb.edu.au/nodes/view/368328Surname: ALLEN
Given Name(s) or Initials: A G
Military Service Number or Last Known Location: VX32998
Missing, Wounded and Prisoner of War Enquiry Card Index Number: 23555178374
Item: [2016.0049.00659] "Allen, A G, VX32998
Allen, G W F, 412875
No full textThis record was harvested from a previous catalogue system and will be withdrawn in 2025. Information in this record may be superseded or incomplete. Visit this record in UMA's new catalogue at: https://archives.library.unimelb.edu.au/nodes/view/368249Surname: ALLEN
Given Name(s) or Initials: G W F
Military Service Number or Last Known Location: 412875
Missing, Wounded and Prisoner of War Enquiry Card Index Number: 51731178295
Item: [2016.0049.00580] "Allen, G W F, 412875
Correspondence, John S. Allen and W.G. Hendricks, University Seal, October 1959 to January 1960
No full textA series of correspondence between University of South Florida President John S. Allen and Board of Control of Florida Business Manager W.G. Hendricks regarding the use and copyright of the university\u27s official seal.https://digitalcommons.usf.edu/usf_archive_other/1082/thumbnail.jp
Summer school announcement, College of Industrial Arts for Young Women
No full textQuarterly bulletin containing information on the college's recent name change to College of Industrial Arts, basic information about the college for prospective and returning students, and news about enrollment and funding for a new dormitory. It includes course and enrollment information for the 1905 Summer School term, and a Friday lecture transcript on "The Choice of Books" by Professor H. G. Allen, November 18, 1904
Microsciurus J. A. Allen 1895
No full textMicrosciurus J. A. Allen, 1895. Bull. Am. Mus. Nat. Hist., 7:332. TYPE SPECIES: Sciurus alfari J. A. Allen, 1895. COMMENTS: Tribe Microsciurini (Moore, 1959). See Emmons and Feer (1990).Published as part of Robert S. Hoffmann & Charles G. Anderson, 1993, Order Rodentia - Family Sciuridae, pp. 419-465 in Mammal Species of the World (2 nd Edition), Washington and London :Smithsonian Institution Press on page 433, DOI: 10.5281/zenodo.735313
Social stratification without genetic differentiation at the site of Kulubnarti in Christian Period Nubia
No full textRelatively little is known about Nubia’s genetic landscape prior to the influence of the Islamic migrations that began in the late 1st millennium CE. Here, we increase the number of ancient individuals with genome-level data from the Nile Valley from three to 69, reporting data for 66 individuals from two cemeteries at the Christian Period (~650–1000 CE) site of Kulubnarti, where multiple lines of evidence suggest social stratification. The Kulubnarti Nubians had ~43% Nilotic-related ancestry (individual variation between ~36–54%) with the remaining ancestry consistent with being introduced through Egypt and ultimately deriving from an ancestry pool like that found in the Bronze and Iron Age Levant. The Kulubnarti gene pool – shaped over a millennium – harbors disproportionately female-associated West Eurasian-related ancestry. Genetic similarity among individuals from the two cemeteries supports a hypothesis of social division without genetic distinction. Seven pairs of inter-cemetery relatives suggest fluidity between cemetery groups. Present-day Nubians are not directly descended from the Kulubnarti Nubians, attesting to additional genetic input since the Christian Period.K.A.S. was supported by a Doctoral Dissertation Research Improvement Grant from the National Science Foundation (BCS-1613577). D.R. was funded by NSF HOMINID grant BCS-1032255; NIH (NIGMS) grant GM100233; the Allen Discovery Center program, a Paul G. Allen Frontiers Group advised program of the Paul G. Allen Family Foundation; the John Templeton Foundation grant 61220; and the Howard Hughes Medical Institute
Tropical ginsberg: the resonance of Allen Ginsberg on the Tropicália
No full textDissertação (mestrado) - Universidade Federal de Santa Catarina, Centro de Comunicação e Expressão, Programa de Pós-graduação em Letras/Inglês e Literatura Correspondente, Florianópolis, 2010Through a dialogical relation between poems and song lyrics, and the socio-political contexts which surrounded these texts, this research discusses the resonance that North American poet, Allen Ginsberg, had over the Brazilian musical movement, the Tropicália. The corpora are the poems "Howl" (1956), "America" (1956), "Supermarket in California" (1955), "Sunflower Sutra" (1955), "Song" (1954), and "Wild Orphan" (1952), written by Allen Ginsberg, and the songs "Batmacumba" (1968), composed by Caetano Veloso, and Gilberto Gil, "Baby" (1968), composed by Caetano Veloso, "Geléia Geral" (1968), composed by Gilberto Gil and Torquato Neto, "Alegria, Alegria" (1967), composed by Caetano Veloso, and "Domingo no Parque" (1967), composed by Gilberto Gil. The main theoretical and critical parameters of this research include: Mikhail Bakhtin and his reflections on intertextuality; James J. Farrell, who believes that the American counterculture began with the Beats; Claudio Willer, who stresses the importance of Allen Ginsberg to the Beat movement, as well as to the birth of the American counterculture; Christopher Dunn, who emphasizes the historical, social, and political relevance of the Tropicália; and Celso Favaretto, who discusses in depth the complexity of most of the Tropicália songs. Based on such parameters, this research suggests that the life and work of Allen Ginsberg had great resonance over the creation of the Tropicália.Através de uma relação dialógica entre poesia e letras de música e o contexto sócio-político que circundava tais textos, este estudo discute a ressonância que o poeta Norte Americano, Allen Ginsberg, teve sobre o movimento musical Brasileiro, a Tropicália. A corpora são os poemas "Howl" (1956), "America" (1956), "Supermarket in California" (1955), "Sunflower Sutra" (1955), "Song" (1954), e "Wild Orphan" (1952), escritos por Allen Ginsberg, e as músicas "Batmacumba" (1968), composta por Caetano Veloso, e Gilberto Gil, "Baby" (1968), composta por Caetano Veloso, "Geléia Geral" (1968), composta por Gilberto Gil e Torquato Neto, "Alegria, Alegria" (1967), composta por Caetano Veloso, e "Domingo no Parque" (1967), composta por Gilberto Gil. Os principais parâmetros teóricos e críticos desta pesquisa incluem: Mikhail Bakhtin e suas reflexões sobre intertextualidade; James J. Farrell, que acredita que a contracultura Americana começou com os Beats; também em Claudio Willer, que salienta a importância de Allen Ginsberg no movimento Beat e no nascimento da contracultura Americana; Christopher Dunn, que enfatiza a relevância histórica, social e política da Tropicália; e Celso Favaretto, que discute em profundidade a complexidade da grande maioria das músicas da Tropicália. Baseando-se em tais parâmetros identificados, esta dissertação sugere que a vida e obra de Allen Ginsberg tiveram grande ressonância sobre a criação da Tropicália
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