23,153 research outputs found
Land Deed, Thomas Allen to William Thompson
No full textJanuary 5, 1859. Deed between Thomas B. Allen to William Thompson, land lots in Oxford.https://egrove.olemiss.edu/wml_corr/1009/thumbnail.jp
[Letter from Allen B. Hannay to Thomas Lanier - December 13, 1965]
No full textLetter from attorney Allen B. Hannay to Thomas Lanier disclaiming knowledge that John J. Herrera had not represented Lanier on the date of the injunction and suggests making complaint with the Grievance Committee of the Harris County Bar Association
[Letter from Allen B. Hannay to Thomas Lanier - December 13, 1965]
No full textLetter from attorney Allen B. Hannay to Thomas Lanier disclaiming knowledge that John J. Herrera had not represented Lanier on the date of the injunction and suggests making complaint with the Grievance Committee of the Harris County Bar Association
Bernard Williams
No full textAn edited multi-author volume assessing the moral philosophy of the late British philosopher Bernard Williams. Contributors: Adrian Moore, John Skorupski, Alan Thomas, Robert B Louden, Michael Stocker, A. A. Long, Edward Crai
Tropical ginsberg: the resonance of Allen Ginsberg on the Tropicália
No full textDissertação (mestrado) - Universidade Federal de Santa Catarina, Centro de Comunicação e Expressão, Programa de Pós-graduação em Letras/Inglês e Literatura Correspondente, Florianópolis, 2010Through a dialogical relation between poems and song lyrics, and the socio-political contexts which surrounded these texts, this research discusses the resonance that North American poet, Allen Ginsberg, had over the Brazilian musical movement, the Tropicália. The corpora are the poems "Howl" (1956), "America" (1956), "Supermarket in California" (1955), "Sunflower Sutra" (1955), "Song" (1954), and "Wild Orphan" (1952), written by Allen Ginsberg, and the songs "Batmacumba" (1968), composed by Caetano Veloso, and Gilberto Gil, "Baby" (1968), composed by Caetano Veloso, "Geléia Geral" (1968), composed by Gilberto Gil and Torquato Neto, "Alegria, Alegria" (1967), composed by Caetano Veloso, and "Domingo no Parque" (1967), composed by Gilberto Gil. The main theoretical and critical parameters of this research include: Mikhail Bakhtin and his reflections on intertextuality; James J. Farrell, who believes that the American counterculture began with the Beats; Claudio Willer, who stresses the importance of Allen Ginsberg to the Beat movement, as well as to the birth of the American counterculture; Christopher Dunn, who emphasizes the historical, social, and political relevance of the Tropicália; and Celso Favaretto, who discusses in depth the complexity of most of the Tropicália songs. Based on such parameters, this research suggests that the life and work of Allen Ginsberg had great resonance over the creation of the Tropicália.Através de uma relação dialógica entre poesia e letras de música e o contexto sócio-político que circundava tais textos, este estudo discute a ressonância que o poeta Norte Americano, Allen Ginsberg, teve sobre o movimento musical Brasileiro, a Tropicália. A corpora são os poemas "Howl" (1956), "America" (1956), "Supermarket in California" (1955), "Sunflower Sutra" (1955), "Song" (1954), e "Wild Orphan" (1952), escritos por Allen Ginsberg, e as músicas "Batmacumba" (1968), composta por Caetano Veloso, e Gilberto Gil, "Baby" (1968), composta por Caetano Veloso, "Geléia Geral" (1968), composta por Gilberto Gil e Torquato Neto, "Alegria, Alegria" (1967), composta por Caetano Veloso, e "Domingo no Parque" (1967), composta por Gilberto Gil. Os principais parâmetros teóricos e críticos desta pesquisa incluem: Mikhail Bakhtin e suas reflexões sobre intertextualidade; James J. Farrell, que acredita que a contracultura Americana começou com os Beats; também em Claudio Willer, que salienta a importância de Allen Ginsberg no movimento Beat e no nascimento da contracultura Americana; Christopher Dunn, que enfatiza a relevância histórica, social e política da Tropicália; e Celso Favaretto, que discute em profundidade a complexidade da grande maioria das músicas da Tropicália. Baseando-se em tais parâmetros identificados, esta dissertação sugere que a vida e obra de Allen Ginsberg tiveram grande ressonância sobre a criação da Tropicália
Eddie Floyd, Rance Allen, Johnnie Taylor, and Rufus Thomas, 1973
No full textSoul singer Eddie Floyd ( Knock on Wood ), Rance Allen of the Stax Gospel Group, the Rance Allen Group, Johnnie Taylor ( Who\u27s Making Love ), and R&B veteran Rufus Thomas together in 1973.https://digitalcommons.memphis.edu/speccoll-mss-mpressscimitar3/1020/thumbnail.jp
Letter from Joseph Conard to Alden Partridge, 4 August 1827.
No full textInquiry into the case of cadet Allen who, it seems, stopped a fight between cadets Hyde and McDonald; cadets Irving, Brown and Davidson named as witnesses.Also signed by John Williams, Daniel B. Brown, Abraham B. Brown, and Thomas H. Seymour. Transcription by Raymond Bouchard. Transcriptions may be subject to human error
Allen Schmertzler oral history transcript
No full textA transcript of an oral history of Allen Schmertzler on Century High School. Mr. Schmertzler was a teacher at J. B. Thomas Junior High then at Hillsboro High School before being chosen by Mr. Barnekoff to be on the planning team for Century High School. He was the only social studies teacher to apply. He was looking towards working with new people interested in making changes in education. He helped to hire teachers in his curriculum area and order books, etc. Wanted to give the students more freedom of movement in the school, some of that didn’t work out
Thomas B. Clark Collection, 1870-1873
No full textThomas B. Clark (Class of 1873) Collection. Contains 26 photographs of cadets, faculty, and others. In addition to images of Clark as both a cadet and as a child, the collection includes photos of the following: John Sims '71; Thomas S. Boswell '71; Frank P. Damon '72; Joseph Brewer '71; Richard H. Allen, Jr. (Washington & Lee, Class of 1874); James D. Glenn '71; Professor George W. C. Lee; Prof. Thomas H. Williamson; Col. Scott Shipp; the Rev. Thomas J. Packard; "Tall & Short" (Cadets Jabez C. Watson (right) & John S. Thomas, Class of 1874); Thomas S. Boswell '71; George E. Mott '75. Shown here photo #0002152_002
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