1,721,812 research outputs found
Allen, Thomas William, NX19267
No full textThis record was harvested from a previous catalogue system and will be withdrawn in 2025. Information in this record may be superseded or incomplete. Visit this record in UMA's new catalogue at: https://archives.library.unimelb.edu.au/nodes/view/368267Surname: ALLEN
Given Name(s) or Initials: THOMAS WILLIAM
Military Service Number or Last Known Location: NX19267
Missing, Wounded and Prisoner of War Enquiry Card Index Number: 18480178313
Item: [2016.0049.00598] "Allen, Thomas William, NX19267
Allen, Thomas, WX17915
No full textThis record was harvested from a previous catalogue system and will be withdrawn in 2025. Information in this record may be superseded or incomplete. Visit this record in UMA's new catalogue at: https://archives.library.unimelb.edu.au/nodes/view/368339Surname: ALLEN
Given Name(s) or Initials: THOMAS
Military Service Number or Last Known Location: WX17915
Missing, Wounded and Prisoner of War Enquiry Card Index Number: 30217178385
Item: [2016.0049.00670] "Allen, Thomas, WX17915
Allen, Thomas Harold, Singapore
No full textThis record was harvested from a previous catalogue system and will be withdrawn in 2025. Information in this record may be superseded or incomplete. Visit this record in UMA's new catalogue at: https://archives.library.unimelb.edu.au/nodes/view/368311Surname: ALLEN
Given Name(s) or Initials: THOMAS HAROLD
Military Service Number or Last Known Location: SINGAPORE
Missing, Wounded and Prisoner of War Enquiry Card Index Number: 19364178357
Item: [2016.0049.00642] "Allen, Thomas Harold, Singapore
In Loving Memory of Fredrick Allen Thomas
No full textFuneral program for Fredrick Allen Thomas, born February 22, 1967 and died June 9, 2000. The funeral was held June 15, 2000 at Mt. Zion First Baptist Church, officiated by Rev. Kenneth Allen. Funeral arrangements were made through Sutton & Sutton Mortuary, Inc., and he was buried in Meadowlawn Memorial Park in San Antonio, Texas. Includes the eulogy printed on a separate page
Correspondence : Allen (Thomas) and Engelmann (George), 1875
No full textThomas Allen to Engelmann, 187
Going Beyond Counting First Authors in Author Co-citation Analysis
Full text linkThe present study examines one of the fundamental aspects of author co-citation analysis (ACA) - the way co-citation
counts are defined. Co-citation counting provides the data on which all subsequent statistical analyses and mappings
are based, and we compare ACA results based on two different types of co-citation counting - the traditional type that
only counts the first one among a cited work's authors on the one hand and a non-traditional type that takes into
account the first 5 authors of a cited work on the other hand. Results indicate that the picture produced through this non-traditional author co-citation counting contains more coherent author groups and is therefore considerably clearer. However, this picture represents fewer specialties in the research field being studied than that produced through the traditional first-author co-citation counting when the same number of top-ranked authors is selected and analyzed. Reasons for these effects are discussed
[The plan for the construction of a school adjacent to the Allen's home in Sterling, Ma., highlighting the location of two privies, a school room, a barn, a boy's ante-room, and a kitchen]
No full textT[homas] Prentiss Allen ALS to [Joseph Henry Allen], December 10, 1850. Sterling, [Ma.], page 5. From the personal correspondence of the Allen family of Northborough, Massachusetts, including preacher Joseph Allen and his sons Joseph Henry Allen, Thomas Prentiss Allen, and William Francis Allen
Variations on the Author
Full text link“Variations on the Author” discusses two of Eduardo Coutinho’s recent films (Um Dia na Vida, from 2010, and Últimas Conversas, posthumously released in 2015) and their contribution to the general question of documentary authorship. The director’s filmography is characterized by a consistent yet self-effacing form of authorial self-inscription: Coutinho often features as an interviewer that rather than express opinions propels discourses; an interviewer that is good at listening. This mode of self-inscription characterizes him as an author who is not expressive but who is nonetheless markedly present on the screen. In Um Dia na Vida, however, Coutinho is completely absent form the image, while Últimas Conversas, on the contrary, includes a confessional prologue that moves the director from the margins to the center of his films. This article examines the ways in which these works stand out in the filmography of a director who offers new insights into the notion of cinematic authorship
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