1,721,009 research outputs found
Le cabinet d’objets d’art de Balthazar-Georges Sage (1740-1824): la découverte d’une collection entre cabinet particulier et musée au tournant de la Révolution
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Going Beyond Counting First Authors in Author Co-citation Analysis
Get PDFThe present study examines one of the fundamental aspects of author co-citation analysis (ACA) - the way co-citation
counts are defined. Co-citation counting provides the data on which all subsequent statistical analyses and mappings
are based, and we compare ACA results based on two different types of co-citation counting - the traditional type that
only counts the first one among a cited work's authors on the one hand and a non-traditional type that takes into
account the first 5 authors of a cited work on the other hand. Results indicate that the picture produced through this non-traditional author co-citation counting contains more coherent author groups and is therefore considerably clearer. However, this picture represents fewer specialties in the research field being studied than that produced through the traditional first-author co-citation counting when the same number of top-ranked authors is selected and analyzed. Reasons for these effects are discussed
Variations on the Author
Get PDF“Variations on the Author” discusses two of Eduardo Coutinho’s recent films (Um Dia na Vida, from 2010, and Últimas Conversas, posthumously released in 2015) and their contribution to the general question of documentary authorship. The director’s filmography is characterized by a consistent yet self-effacing form of authorial self-inscription: Coutinho often features as an interviewer that rather than express opinions propels discourses; an interviewer that is good at listening. This mode of self-inscription characterizes him as an author who is not expressive but who is nonetheless markedly present on the screen. In Um Dia na Vida, however, Coutinho is completely absent form the image, while Últimas Conversas, on the contrary, includes a confessional prologue that moves the director from the margins to the center of his films. This article examines the ways in which these works stand out in the filmography of a director who offers new insights into the notion of cinematic authorship
Conférence du GRHAM : "Des tableaux pour les « papistes » : Peinture et confession catholique en terre réformée" par Léonie Marquaille (20 février, Paris)
No full textJohannes Vermeer, L’Allégorie de la foi, v. 1670-1674, toile, H. 1,14 ; L. 0,89 m, New York, The Metropolitan Museum of Art, inv. n° 32.100.18. Type : Conférence (entrée libre). Date et horaire : jeudi 20 février 2020 à 19h. Lieu : Paris, Institut National d’Histoire de l’Art, salle Jullian. Pour tout renseignement : [email protected] À l’âge de la Contre-Réforme, le catholicisme néerlandais a su inspirer des œuvres spécifiques et originales, dont l’étude permet de renouveler l’histoire de..
Appel à communication : The Art of the Dealer (Londres, 26 juin 2020)
No full textDate limite : 10 mars 2020 Masterpiece Art Fair, London, June 26, 2020 The Art of the Dealer: Selling Antique Ceramics The French Porcelain Society is proud to announce its second study morning at the prestigious Masterpiece Fair to be held on Friday, 26th June 2020. It will focus on the pivotal role played by dealers trading in antique and second-hand ceramics in Europe and America from the 1880s to the present day in the formation of both private and public collections, in influencing taste..
Appel à communication : "Collecting, Antiquities, and Eighteenth-Century Art" (19-21 mars 2020)
No full textAmerican Society for Eighteenth-Century Studies Annual Conference, St. Louis, Missouri (19-21 mars 2020) Date limite : 15 septembre 2019 The influence of the Greco-Roman world permeated eighteenth-century visual and material culture following the excavations that began at Pompeii and Herculaneum. Demand for large-scale sculpture and their copies, Greek vases, and the many Neoclassical paintings that were influenced by antiquity rose in the wake of eighteenth-century excavations as collect..
Colloque : "Reti, relazioni, rappresentazioni nel collezionismo europeo tra Seicento e Ottocento" (Rome, 17-18 octobre 2019)
No full textReti, relazioni, rappresentazioni nel collezionismo europeo tra Seicento e Ottocento: Prospettive metodologiche e nuovi studi 17-18 octobre 2019 Istituto Storico Austriaco di Roma PROGRAMME : Jeudi : 17 octobre 2019 10:00 Indirizzi di saluto e introduzione Andreas Gottsmann (Istituto Storico Austriaco, Roma) Sebastian Schütze (Universität Wien, Vienna Center for the History of Collecting) Mattina: presiede Sebastian Schütze (Universität Wien) 10:30-11:30 Michael North (Universität Greifswald)..
Séance du Séminaire : Les collections d’Auguste Bauchy, d'André Breton et de Paul Éluard.
No full textPour la prochaine séance du Séminaire Collection, nous accueillons deux intervenantes : Marianne Le Morvan, archives Berthe Weill Alice Ensabella, Université Grenoble Alpes 18 mai 2021, en ligne sur Zoom, 18h30-20h00 Buste d’Auguste Bauchy par Paco Durrio, dédicacé « A mi amigo Auguste Paris 1894 Paco », plâtre, collection famille Bauchy. Marianne Le Morvan : Auguste Bauchy – le limonadier collectionneur Auguste Bauchy (1858-1940) fut furtivement le propriétaire du Café des Variétés, sur le..
Appel à communication du GRHAM : “Collectionner : acteurs, lieux et valeur(s) (1750 – 1815)"
No full textAdriaan de Lelie, De kunstgalerij van Jan Gildemeester Jansz, huile sur toile, 1794–95, Rijksmuseum, Amsterdam Type : appel à communication. Date limite de l’appel : 05 avril 2020. Date de l’événement : 15 -16 juin 2020. Lieu : salle Jullian (15 juin) et salle Vasari (16 juin), Institut National d’Histoire de l’Art (INHA) 6 rue des Petits Champs, 75002 Paris. Pour clôturer cette année académique, le Groupe de Recherche en Histoire de l’Art Moderne (GRHAM) s’associe au Séminaire Collection pou..
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