96 research outputs found
Data underlying the publication: Behind the big box - understanding the planning-development dialectic of large distribution centres in Europe'.
No full text# XXL distribution centres: cases of Venlo Trade Port Noord and Roosendaal Borchwerf## LicenceCreative Commons: CC BY-SA 4.0 (attribution + share alike)Merten NefsDOI:10.4121/14717058This dataset provides the underlying documents analyzed in the paper 'Behind the big box - understanding the planning-development dialectic of large distribution centres in Europe'.https://doi.org/10.1080/09654313.2022.2057792Main author: Merten NefsThe paper is part of the PhD project Landscapes of Trade, more information on www.landscapesoftrade.nlData include one dossier of planning, legal and other documents per city. Additionally, the set provides survey data and method, performed among 22 interviewed stakeholders and experts.<br
Data underlying the publication: The Dutch ‘Gateway to Europe’ spatial policy narrative, 1980–2020: a systematic review
No full textGateway to Europe - systematic review of policy documentsDocuments underlying the paper The Dutch ‘Gateway to Europe’ spatial policy narrative, 1980–2020: a systematic reviewhttps://doi-org.tudelft.idm.oclc.org/10.1080/02665433.2022.2053879Main author: Merten Nefs, [email protected] data concern a systematic review of policy documents, policy advice reports and empirical research regarding hinterland logistics planning in the Netherlands. They are used in a research paper, part of the PhD project Landscapes of Trade, describing the evolving of the Gateway to Europe policy narrative between 1980-2020. More information on www.landscapesoftrade.nl<br
Stadt-Theater Düsseldorf / Don Carlos : Freitag, den 6. März 1914 ; zum ersten Male ; Oper in 4 Akten (in einem Vorspiel und 6 Bildern)
No full textvon Mery und Camille du Locle - Deutsch von E. Riese. Musik von Giuseppe Verdi. Spielleitung: Robert Leffler. Musikalische Leitung: Alfred Fröhlich. Personen: Hermann Wucherpfennig, Agnes Wedekind-Klebe, Bernardo Bernardi, Magda Spiegel, Josefine Telona, Gustav Waschow, Heinrich Niggemeier, Annie Ligthart, Rudolf Walter, Hubert Merten
Stadt-Theater Düsseldorf / Don Carlos : Sonntag, den 26. April 1914, abends 7 Uhr ; Verdi-Cyklus (V) ; Oper in 4 Akten (in einem Vorspiel und 6 Bildern)
No full textvon Mery und Camille du Locle. Deutsch von E. Riese. Musik von Giuseppe Verdi. Spielleitung: Robert Leffler. Musikalische Leitung: Alfred Fröhlich. Personen: Hermann Wucherpfennig, Agnes Wedekind-Klebe, Bernardo Bernardi, Magda Spiegel, Josefine Telona, Gustav Waschow, Heinrich Niggemeier, Annie Ligthart, Rudolf Walter, Hubert Merten
Stadt-Theater Düsseldorf / Die Meistersinger von Nürnberg : Sonntag, den 26. Januar 1913, abends 7 Uhr ; Oper in 3 Aufzügen
No full textvon Richard Wagner. Spielleitung: Robert Leffler. Musikalische Leitung: Alfred Fröhlich. Personen: Richard Hedler, Erich Hanfstaengl, Heinrich Niggemeyer, Ernst Bedau, Ernst Winter, Hubert Merten, Willy Placke, Heinz Léon, Carl Lincke, Jahn Hofknecht, Karl Deussen, Rudolf Walter, Jacques Decker, Max Roller vom Stadttheater Bremen als Gast auf Engagement, Hermine Hoffmann, Marie Sieg, Carl Gerick
Końcowa faza procesu twórczego – o pracy Kazimierza Przerwy-Tetmajera nad własnymi tekstami przed oddaniem ich do druku
No full textThe article analyzes the manuscript of a short story, Rzeźbiarz Merten, written by Tetmajer, one of the most known Polish poets at the turn of the 19th and 20th century. The author of this article tries to examine Tetmajer’s writing process. The scholar tries to prove also that this handwriting of Rzeźbiarz Merten is actually an autograph
Stadt-Theater Düsseldorf / Don Carlos : Montag, den 9. März 1914 ; Oper in 4 Akten (in einem Vorspiel und 6 Bildern)
No full textvon Mery und Camille du Locle - Deutsch von E. Riese. Musik von Giuseppe Verdi. Spielleitung: Robert Leffler. Musikalische Leitung: Alfred Fröhlich. Personen: Hermann Wucherpfennig, Agnes Wedekind-Klebe, Bernardo Bernardi, Magda Spiegel, Josefine Telona, Gustav Waschow, Heinrich Niggemeier, Annie Ligthart, Rudolf Walter, Hubert Merten
Final stage of creative work – several notes about Kazimierz Przerwa-Tetmajer’s editing work on his own texts before they were given to print
No full textThe article analyzes the manuscript of a short story, Rzeźbiarz Merten, written by Tetmajer,
one of the most known Polish poets at the turn of the 19th and 20th century. The author of this
article tries to examine Tetmajer’s writing process. The scholar tries to prove also that this
handwriting of Rzeźbiarz Merten is actually an autograph
- …
