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    Discussion "The Power and Architecture"

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    Discussion participants: Elena Grigoryeva, Konstantin Lidin, Alexander Rappaport, Dmitry Khmelnitsky and Elena Bagin

    Comments on the Poem “Architecture” by Joseph Brodsky

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    The poem “Architecture” by Joseph Brodsky was commented on by Alexander Rappaport, Konstantin Lidin and Elena Bagina. The poem deserves to be studied at all architectural schools and to be learnt by heart by future architects; and the problems touched upon in this poem deserve to be thought about by architectural theorists. This poem is a quintessence of the contemporary theoretical thought about architecture. It raises such themes as time and memory, space, place and substance. It also speaks about ideal geometric shapes in architecture and dynamics of architectural forms. Architectural works are “a step beyond the drawing”, an unbreakable link of times. The domes of architectural masterpieces form a safety parachute of our civilization. Alexander Rappaport, Konstantin Lidin and Elena Bagina made a comment on each line of this short but remarkably concise, lofty and ironical work by Joseph Brodsky. These comments partially coincide and partially differ. You may either agree or argue with the authors’ opinion. But any meaningful talk about the place and the role of architecture and architectural profession in the present-day world is of importance. It is symptomatic that the modern architectural studies are focused on the history of architecture, being afraid (or unwilling due to a complex and controversial situation in today’s profession) to deal with urgent and difficult problems. Wherever the architectural theory of the late 20th century looked for fertility drugs, be it in mathematics, semiotics, sociology, linguistics, it was in vain. In the early 21st century it came to the crossroads. It is no good to verify the death of architecture, because it would mean, according to Brodsky, the end of civilization. Let’s believe that architecture has its future and that it will remain “a thing of stone”, the strongest material on Earth

    Going Beyond Counting First Authors in Author Co-citation Analysis

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    The present study examines one of the fundamental aspects of author co-citation analysis (ACA) - the way co-citation counts are defined. Co-citation counting provides the data on which all subsequent statistical analyses and mappings are based, and we compare ACA results based on two different types of co-citation counting - the traditional type that only counts the first one among a cited work's authors on the one hand and a non-traditional type that takes into account the first 5 authors of a cited work on the other hand. Results indicate that the picture produced through this non-traditional author co-citation counting contains more coherent author groups and is therefore considerably clearer. However, this picture represents fewer specialties in the research field being studied than that produced through the traditional first-author co-citation counting when the same number of top-ranked authors is selected and analyzed. Reasons for these effects are discussed

    Alexander Rappaport’s Painting

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    Painting is one of the new creative activities of Alexander Rappaport, architectural theorist, Doctor of Art History and author of the book “99 Letters About Painting”. He defines his style of painting as a “posteclectic modernism”. His works have not been analyzed by art experts yet. This article is one of the first attempts to comprehend them

    Alexander Rappaport’s Painting

    Get PDF
    Painting is one of the new creative activities of Alexander Rappaport, architectural theorist, Doctor of Art History and author of the book “99 Letters About Painting”. He defines his style of painting as a “posteclectic modernism”. His works have not been analyzed by art experts yet. This article is one of the first attempts to comprehend them

    Variations on the Author

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    “Variations on the Author” discusses two of Eduardo Coutinho’s recent films (Um Dia na Vida, from 2010, and Últimas Conversas, posthumously released in 2015) and their contribution to the general question of documentary authorship. The director’s filmography is characterized by a consistent yet self-effacing form of authorial self-inscription: Coutinho often features as an interviewer that rather than express opinions propels discourses; an interviewer that is good at listening. This mode of self-inscription characterizes him as an author who is not expressive but who is nonetheless markedly present on the screen. In Um Dia na Vida, however, Coutinho is completely absent form the image, while Últimas Conversas, on the contrary, includes a confessional prologue that moves the director from the margins to the center of his films. This article examines the ways in which these works stand out in the filmography of a director who offers new insights into the notion of cinematic authorship

    Appropriate Similarity Measures for Author Cocitation Analysis

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    We provide a number of new insights into the methodological discussion about author cocitation analysis. We first argue that the use of the Pearson correlation for measuring the similarity between authors’ cocitation profiles is not very satisfactory. We then discuss what kind of similarity measures may be used as an alternative to the Pearson correlation. We consider three similarity measures in particular. One is the well-known cosine. The other two similarity measures have not been used before in the bibliometric literature. Finally, we show by means of an example that our findings have a high practical relevance.information science;Pearson correlation;cosine;similarity measure;author cocitation analysis

    Dispelling the Myths Behind First-author Citation Counts

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    We conducted a full-scale evaluative citation analysis study of scholars in the XML research field to explore just how different from each other author rankings resulting from different citation counting methods actually are, and to demonstrate the capability of emerging data and tools on the Web in supporting more realistic citation counting methods. Our results contest some common arguments for the continued use of first-author citation counts in the evaluation of scholars, such as high correlations between author rankings by first-author citation counts and other citation counting methods, and high costs of using more realistic citation counting methods that are not well-supported by the ISI databases. It is argued that increasingly available digital full text research papers make it possible for citation analysis studies to go beyond what the ISI databases have directly supported and to employ more sophisticated methods

    Author Index

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