1,721,356 research outputs found
Alessandro Garcea, Cicerone in esilio. L’epistolario e le passioni, 2005
No full textKnecht Daniel. Alessandro Garcea, Cicerone in esilio. L’epistolario e le passioni, 2005. In: L'antiquité classique, Tome 77, 2008. p. 433
Alessandro Garcea, Cicerone in esilio. L’epistolario e le passioni, 2005
No full textKnecht Daniel. Alessandro Garcea, Cicerone in esilio. L’epistolario e le passioni, 2005. In: L'antiquité classique, Tome 77, 2008. p. 433
Alessandro Garcea, Caesar’s De analogia. Edition, Translation, and Commentary : Oxford, Oxford University Press, 2012
No full textMartin Paul-Marius. Alessandro Garcea, Caesar’s De analogia. Edition, Translation, and Commentary : Oxford, Oxford University Press, 2012. In: Vita Latina, N°189-190, 2014. pp. 230-231
Plautus uortit barbare : les Bacchides de Plaute et le Dis exapatōn de Ménandre
No full textM. Plauti linguae latinae principis comoediae XX,Venetiis : per Lazarum Soardum, 1511. Littérature latine – Histoire des textes (M2 LC 56 LA)Semestre 2 (à partir du 31/01/2019) : Jeudi 9h-11h. Salle d’Épigraphie, UFR de Grec.Enseignant : M. Alessandro GARCEA La formule par laquelle Plaute définit son rapport aux modèles grecs se situe dans le cadre plus général de la « traduction artistique », qui est aux origines de la littérature latine elle-même. Pour la plupart des comédies de Plaut..
ByzRev 02.2020.031: Alessandro Garcea – Michela Rosellini – Luigi Silvano (eds.), Latin in Byzantium I, Late Antiquity and Beyond: (Corpus Christianorum, Lingua patrum 12). Turnhout: Brepols 2019.
No full textAlessandro Garcea – Michela Rosellini – Luigi Silvano (eds.), Latin in Byzantium I, Late Antiquity and Beyond (Corpus Christianorum, Lingua patrum 12). Turnhout: Brepols 2019. 564 pp. – ISBN: 978-2-503-58492-8 (€ 230.00)
Entre archétype et épigone : allers et retours en grammaire et rhétorique
No full textJournée d'études organisée par Janyce DESIDERIO et Alessandro Garcea Date : 7 juin 2018 Lieu : Sorbonne Université, Maison de la recherche. Salle D513, 28 rue Serpente, Paris 6è. Consulter le programm
Going Beyond Counting First Authors in Author Co-citation Analysis
Full text linkThe present study examines one of the fundamental aspects of author co-citation analysis (ACA) - the way co-citation
counts are defined. Co-citation counting provides the data on which all subsequent statistical analyses and mappings
are based, and we compare ACA results based on two different types of co-citation counting - the traditional type that
only counts the first one among a cited work's authors on the one hand and a non-traditional type that takes into
account the first 5 authors of a cited work on the other hand. Results indicate that the picture produced through this non-traditional author co-citation counting contains more coherent author groups and is therefore considerably clearer. However, this picture represents fewer specialties in the research field being studied than that produced through the traditional first-author co-citation counting when the same number of top-ranked authors is selected and analyzed. Reasons for these effects are discussed
Variations on the Author
Full text link“Variations on the Author” discusses two of Eduardo Coutinho’s recent films (Um Dia na Vida, from 2010, and Últimas Conversas, posthumously released in 2015) and their contribution to the general question of documentary authorship. The director’s filmography is characterized by a consistent yet self-effacing form of authorial self-inscription: Coutinho often features as an interviewer that rather than express opinions propels discourses; an interviewer that is good at listening. This mode of self-inscription characterizes him as an author who is not expressive but who is nonetheless markedly present on the screen. In Um Dia na Vida, however, Coutinho is completely absent form the image, while Últimas Conversas, on the contrary, includes a confessional prologue that moves the director from the margins to the center of his films. This article examines the ways in which these works stand out in the filmography of a director who offers new insights into the notion of cinematic authorship
- …
