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    Introduzione a Topologie del Presente. Il poeam e i suoi luoghi

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    Si avvia con questo volume la collana «Sinalefe. Biblioteca di poesia europea» che, come vuole il suo nome, si prefigge di mettere in dialogo poeti, critici e studiosi di diverse discipline e tradizioni letterarie al fine di riportare al centro del dibattito culturale la specificità dell’esperienza poetica nel nostro presente, intesa come spazio peculiare in cui si manifesta una intensificazione immaginativa e conoscitiva (tanto individuale quanto collettiva), nonché un vero e proprio «accrescimento della realtà» (Andrea Zanzotto). Nel 2021, in seguito alla creazione del “Seminario Internazionale Permanente di Ricerca sulla Poesia europea contemporanea”, istituito grazie alla collaborazione fra il Dipartimento di Lettere, Filosofia, Comunicazione dell’Università di Bergamo, il Dipartimento di Studi Europei, Americani e Interculturali dell’Università “La Sapienza” di Roma, e il Dipartimento di Italianistica dell’Università di Varsavia, si sono costruiti i presupposti per un confronto assiduo, di scambio e messa in comune di saperi, passioni, idee e sforzi, nella convinzione che la poesia contemporanea, per quanto marginale, rappresenti uno spazio vivo e reattivo, capace di registrare la crisi del mondo attuale ma anche di mettere in discussione e in fermento forme consolidate di percezione ed elaborazione del reale. La poesia del presente si muove obbligatoriamente lungo margini e strettoie, esplorando “territori selvaggi” o comunque anarchici rispetto alle cartografie politiche, sempre alla ricerca com’essa è di un faticoso, ma irrinunciabile, radicamento nel possibile (se non addirittura nell’impossibile), a partire dal quale rivolgere la sua «controparola» alle ideologie del qui e ora

    Parola Plurale. Sessantaquattro poeti italiani fra due secoli

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    Antologia di poesia italiana del secondo Novecento e dei primi anni Duemila, con introduzioni bio-bibliografiche per ogni autore e saggi storico-letterari. Curatela, in particolare, dei testi poetici di Vittorio Reta, Valerio Magrelli, Marco Berisso, Antonio Maria Pinto, Rosaria Lo Russo, Andrea Inglese, Fabrizio Lombardo, Marco Giovenale; stesura del saggio «Ancora avanguardie?».Anthology of Italian poetry of the late twentieth century and early 2000s. The anthology is accompanied by bio-bibliographical introductions for each author and historical-literary essays such as "Ancora avanguardie?". Individual curatorship, in particular, of the poets' texts: Vittorio Reta, Valerio Magrelli, Marco Berisso, Antonio Maria Pinto, Rosaria Lo Russo, Andrea Inglese, Fabrizio Lombardo, Marco Giovenale

    Going Beyond Counting First Authors in Author Co-citation Analysis

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    The present study examines one of the fundamental aspects of author co-citation analysis (ACA) - the way co-citation counts are defined. Co-citation counting provides the data on which all subsequent statistical analyses and mappings are based, and we compare ACA results based on two different types of co-citation counting - the traditional type that only counts the first one among a cited work's authors on the one hand and a non-traditional type that takes into account the first 5 authors of a cited work on the other hand. Results indicate that the picture produced through this non-traditional author co-citation counting contains more coherent author groups and is therefore considerably clearer. However, this picture represents fewer specialties in the research field being studied than that produced through the traditional first-author co-citation counting when the same number of top-ranked authors is selected and analyzed. Reasons for these effects are discussed

    Variations on the Author

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    “Variations on the Author” discusses two of Eduardo Coutinho’s recent films (Um Dia na Vida, from 2010, and Últimas Conversas, posthumously released in 2015) and their contribution to the general question of documentary authorship. The director’s filmography is characterized by a consistent yet self-effacing form of authorial self-inscription: Coutinho often features as an interviewer that rather than express opinions propels discourses; an interviewer that is good at listening. This mode of self-inscription characterizes him as an author who is not expressive but who is nonetheless markedly present on the screen. In Um Dia na Vida, however, Coutinho is completely absent form the image, while Últimas Conversas, on the contrary, includes a confessional prologue that moves the director from the margins to the center of his films. This article examines the ways in which these works stand out in the filmography of a director who offers new insights into the notion of cinematic authorship

    Appropriate Similarity Measures for Author Cocitation Analysis

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    We provide a number of new insights into the methodological discussion about author cocitation analysis. We first argue that the use of the Pearson correlation for measuring the similarity between authors’ cocitation profiles is not very satisfactory. We then discuss what kind of similarity measures may be used as an alternative to the Pearson correlation. We consider three similarity measures in particular. One is the well-known cosine. The other two similarity measures have not been used before in the bibliometric literature. Finally, we show by means of an example that our findings have a high practical relevance.information science;Pearson correlation;cosine;similarity measure;author cocitation analysis

    Ancora avanguardie?

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    Il saggio discute criticamente la nozione di avanguardia e le declinazioni storiche nel Novecento letterario italiano, in particolare la neoavanguardia e la cosiddetta "terza ondata". Discute le possibilità di relazione o le fratture insanabili tra la poesia più recente e tutte le precedenti esperienze d'avanguardia.The essay critically discusses the notion of avant-garde and the historical declinations in the twentieth century Italian literary, in particular the neo-avant-garde and the so-called "Terza ondata". Discuss the possibility of relationships or the irreconcilable fractures between the most recent poetry and all the previous avant-garde experiences

    Dispelling the Myths Behind First-author Citation Counts

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    We conducted a full-scale evaluative citation analysis study of scholars in the XML research field to explore just how different from each other author rankings resulting from different citation counting methods actually are, and to demonstrate the capability of emerging data and tools on the Web in supporting more realistic citation counting methods. Our results contest some common arguments for the continued use of first-author citation counts in the evaluation of scholars, such as high correlations between author rankings by first-author citation counts and other citation counting methods, and high costs of using more realistic citation counting methods that are not well-supported by the ISI databases. It is argued that increasingly available digital full text research papers make it possible for citation analysis studies to go beyond what the ISI databases have directly supported and to employ more sophisticated methods

    Author Index

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