1,720,992 research outputs found
Eleonora Duse sulla scena della danza nell’interpretazione di Carla Fracci e Alessandra Ferri
Full text linkQuesto lavoro è costruito attraverso due interviste:
l’una al Maestro Beppe Menegatti, regista e marito
di Carla Fracci, l’altra alla grande danzatrice Alessandra Ferri, per far rivivere l’ ‘eredità’ di Eleonora
Duse in danza. Menegatti ricorda gli spettacoli creati
per Fracci (Eleonora Duse - Isadora Duncan. Adieu et
au revoir, Eleonora dalle belle mani e Souvenir di
Giulietta, in cui danza e recitazione si fondono). In
tempi molto più recenti, Ferri ha portato in scena la
Duse del coreografo John Neumeier (Amburgo,
2015), ispirandosi alla vita della rivoluzionaria artista del primo Novecento.This work is constructed through two interviews: one
with Maestro Beppe Menegatti, director and husband of Carla Fracci, the other with the great dancer
Alessandra Ferri, to revive the 'legacy' of Eleonora
Duse in dance. Menegatti recalls the shows created
for Fracci (Eleonora Duse - Isadora Duncan. Adieu et
au revoir, Eleonora dalle belle mani and Souvenir di
Giulietta, in which dance and acting come together).
Much more recently, Ferri staged choreographer
John Neumeier's Duse (Hamburg, 2015), inspired by
the life of the revolutionary artist of the early 20th
century
Trio Concert Dance: Alessandra Ferri, Herman Cornejo, Bruce Levingston. Honors Spring Convocation 2016
Full text linkLegendary dancer Alessandra Ferri, one of the world’s most celebrated dancers, holds the rare title of prima ballerina assoluta. She was recently awarded the coveted Olivier Award for a second time in London. Herman Cornejo, an Argentinian ballet star who, at 16, was the youngest winner of Moscow International Ballet Competition, is a virtuoso dancer in the American Ballet Theatre. Bruce Levingston, who recently performed a sold-out concert at Carnegie Hall, has been hailed by The New Yorker as “a force for new music” and The New York Times for his “mastery of colors and nuance.” Ferri, Cornejo and Levingston will present a night of choreographed works, and Levingston will perform the music of Chopin, Debussy, Glass, Mozart, Rachmaninoff and Satie. Levingston also will be joined by other musicians from Ole Miss to create a musical ambiance that will highlight these illustrious dancers’ magical art. The three performers have performed to critical acclaim throughout the world. One critic wrote of their New York City premiere performance together: “The combination of these three great artists is more than the sum of its parts. The Ferri-Cornejo partnership is as full of rapture and poetry as that legendary pairing of Fonteyn and Nureyev. “For his part, pianist Bruce Levingston was the perfect third to bring in and elevate this into a true concert and dance performance. Levingston’s playing was sublime throughout.” Ferri, Cornejo and Levingston will perform works together that have been created especially for them by such distinguished choreographers as Russell Maliphant and Wayne McGregor. Cornejo also will perform a tango that he choreographed, and Levingston will play a number of solo works from his most recent recording.https://egrove.olemiss.edu/hoco_convo/1005/thumbnail.jp
Alicia Alonso. Personalidades. MD_AA_S_77 / 673
No full textAlicia Alonso junto a los primeros bailarines del American Ballet Theatre Alessandra Ferri y José Manuel Carreño
Alicia Alonso. Personalidades. MD_AA_S_110 / 856
No full textAlicia Alonso junto a los primeros bailarines del American Ballet Theatre Alessandra Ferri y José Manuel Carreño
Going Beyond Counting First Authors in Author Co-citation Analysis
Full text linkThe present study examines one of the fundamental aspects of author co-citation analysis (ACA) - the way co-citation
counts are defined. Co-citation counting provides the data on which all subsequent statistical analyses and mappings
are based, and we compare ACA results based on two different types of co-citation counting - the traditional type that
only counts the first one among a cited work's authors on the one hand and a non-traditional type that takes into
account the first 5 authors of a cited work on the other hand. Results indicate that the picture produced through this non-traditional author co-citation counting contains more coherent author groups and is therefore considerably clearer. However, this picture represents fewer specialties in the research field being studied than that produced through the traditional first-author co-citation counting when the same number of top-ranked authors is selected and analyzed. Reasons for these effects are discussed
Variations on the Author
Full text link“Variations on the Author” discusses two of Eduardo Coutinho’s recent films (Um Dia na Vida, from 2010, and Últimas Conversas, posthumously released in 2015) and their contribution to the general question of documentary authorship. The director’s filmography is characterized by a consistent yet self-effacing form of authorial self-inscription: Coutinho often features as an interviewer that rather than express opinions propels discourses; an interviewer that is good at listening. This mode of self-inscription characterizes him as an author who is not expressive but who is nonetheless markedly present on the screen. In Um Dia na Vida, however, Coutinho is completely absent form the image, while Últimas Conversas, on the contrary, includes a confessional prologue that moves the director from the margins to the center of his films. This article examines the ways in which these works stand out in the filmography of a director who offers new insights into the notion of cinematic authorship
Appropriate Similarity Measures for Author Cocitation Analysis
Full text linkWe provide a number of new insights into the methodological discussion about author cocitation analysis. We first argue that the use of the Pearson correlation for measuring the similarity between authors’ cocitation profiles is not very satisfactory. We then discuss what kind of similarity measures may be used as an alternative to the Pearson correlation. We consider three similarity measures in particular. One is the well-known cosine. The other two similarity measures have not been used before in the bibliometric literature. Finally, we show by means of an example that our findings have a high practical relevance.information science;Pearson correlation;cosine;similarity measure;author cocitation analysis
Dispelling the Myths Behind First-author Citation Counts
Full text linkWe conducted a full-scale evaluative citation analysis study of scholars in the XML research field to explore just how different from each other author rankings resulting from different citation counting methods actually are, and to demonstrate the capability of emerging data and tools on the Web in supporting more realistic citation counting methods. Our results contest some common arguments for the continued
use of first-author citation counts in the evaluation of scholars, such as high correlations between author rankings by first-author citation counts and other citation
counting methods, and high costs of using more realistic citation counting methods that are not well-supported by the ISI databases. It is argued that increasingly available digital full text research papers make it possible for citation analysis studies to go beyond what the ISI databases have directly supported and to employ more
sophisticated methods
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