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    Epistemologi Tasawuf Sunni dalam Tarekat Ash-Ṣhiddīqiyyah Al-Syādziliyyah: Studi terhadap Hadis-Hadis Tasawuf dalam Kitab Al-I’lām bi Anna At-Tasawuf Min Syarīat Al-Islām karya Abdullāh Al-Ghummārī

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    ABSTRAK Selama ini dikesankan bahwa Praktek tasawuf seakan-akan tidak bersumber dari Hadis-hadis Nabi Saw, hal itu terbukti dengan seringkali dinyatakan bahwa kemunculan Tasawuf berasal dari Persia, terpengaruh oleh Mistisisme Kristen, dan diisukan sebagai hasil dari buah Pemikiran Ahli Filsafat Yunani. Hal tersebut semakin menguat karena Para Sufi sudah keluar daripada esensi Ajaran Nabi Saw dengan melakukan praktek-praktek yang bertentangan dengan Syariat Islam. Oleh karenanya Penulis terdorong untuk melakukan Penelitian terhadap Hadis-hadis tasawuf yang terdapat dalam kitab Al-I’lām Bianna Al-Tasawuf Min Syarīat Al-Islām yang ditulis oleh Abdullah al-ghummari, ketertarikan Penulis pada sosok Abdullah al-Ghummari adalah karena ia merupakan Tokoh Sufi teoritis dan praktis sekaligus sebagai salah satu Ahli Hadis diabad ke 14 Hijriyah. dalam Penelitian ini, Penulis Fokus pada dua hal yaitu menganalisa Sumber dan Metode Tasawuf Abdullah al-Ghummari, sementara tujuan daripada Penelitian ini adalah untuk mendapatkan Informasi terkait sumber hadis yang dikutip oleh Abdullah al-Ghummari dan Motode tasawufnya yang merupakan hasil daripada Pemahaman terhadap hadis-hadis tersebut. Penelitian ini tergolong dalam penelitian library research, dengan menggunakan pendekatan Filosofis, sumber Penelitian diambil dari karya-karya Abdullah al-ghummari serta didukung dengan karya-karya lain yang relevan, Analisis data dalam Penelitian ini menggunakan Analisis data deskriptif dan Induksi-deduksi. Sumber Hadis yang dinukil oleh Abdullah al-Ghummari adalah hadis-hadis yang terdapat dalam sumber Primer ( Al-mashādir al-ashliyyah) dan sumber sekunder ( al-mashādir al-far’iyyah) dan tentang shahih dan dhaifnya hadis menjadi perdebatan kehujjahannya diantara para ulama Naqd, sementara Metode Tasawuf Abdullah al-ghummari adalah Metode Musyāhadah dan Murāqabah yang dipahami dari hadis “ Al-Ihsan”, Metode Mujāhadah dan al-fanā’ yang dipahami dari hadis “ muhārabatullah liman ‘ādā auliyāah ”, metode Ilmu dan pemaknaan Al-qur’an secara dhahir dan Bathin yang dipahami dari hadis “ kisah Musa dan Khidir”, metode Poros Ilmu tasawuf adalah Ali yang dipahami dari hadis manāqib Ali”, dan Metode mutlak adanya ilmu hakikat yang dipahami dari hadis “ Inkar al-magrūrīn “. مستخلص البحث منذ زمان يقال بأن عملية التصوف لا يصدر من الحديث النبوي، و سبب هذه المشكلة قول المستشرقين بأن أصل وجود التصوف يأتي من الفارسية أو مؤثر بروحانية المسيحية أو نتيجة الفكر الفلسفي اليونانية، ومع هذا كان المتصوفون يخرجون عن الشريعة الإسلامية. ولذالك يود الباحث لتحليل الأحاديث الصوفية في كتاب " الإعلام بأن التصوف من شريعة الإسلام " للسيد عبد الله الغماري، ويختار الباحث عبد الله الغماري لأنه صوفي سواء كان نظرية وتطبيقية وكذالك يعد من المحدثين في القرن الرابع عشر هجرية. وفي هذا البحث يركز الباحث في شيئين، الأول تحليل مصادر الحديث والثاني تحليل منهجه الصوفي حول فهم الأحاديث من هذا الكتاب. هذه الرسالة مكونة من الدراسة المكتبية بمقاربة الفيلوسوفي، والمصادر في هذه الرسالة كتب السيد عبد الله الغماري والكتب الآخر التي لها علاقة بعنوان هذه الرسالة، والتحليلية البيانية مكونة من تحليل البيانات الوصفية والإستقرائية. ونتيجة هذه الرسالة أن الأحاديث في هذا الكتاب من المصادر الأصلية والفرعية وحكمها مختلف بين علماء نقد الحديث، وأما المنهج الصوفي لعبد الله الغماري : 1. منهج المشاهدة والمقاربة على فهم حديث " الإحسان "، 2. منهج المجاهدة والفناء على فهم حديث " محاربة الله لمن عادى أولياءه"، 3. علم الظاهر والباطن وللقرآن ظهر وبطن على فهم حديث " قصة موسى والخضر "، 4. أن عليا ابن ابي طالب أستاذ الصوفية على فهم حديث " مناقب علي "، 5. إثبات علم الحقيقة على فهم حديث " انكار المغرورين " . ABSTRAC It has been suggested, to this point, that the practice of Sufism does not seem to originate from the Hadiths of the Prophet Muhammad. This is supported by the fact that it is often identified that the beginning of Sufism originated in Persia, was influenced by Christian Mysticism, and was rumored to be the result of the thoughts of Greek philosophers. This claim is getting stronger and stronger because the Sufis have come out of the essence of the teachings of the Prophet Muhammad by carrying out practices that are contrary to Islamic Sharia. Therefore, the author is encouraged to conduct research on the traditions of Sufism contained in the book al-I'lām Bianna al-Tasawuf Min Syarīat al-Islām written by Abdullah al-Ghummari. The author interested in the figure of Abdullah al-Ghummari due to he is a figure of theoretical and practical Sufi as well as one of the Hadith experts in the 14th century of Hijri. In this study, the author focuses on two things: analyzing the sources and methods of Abdullah al-Ghummari's Sufism, while the purpose of this study is to obtain information and evidence related to the sources of Hadith quoted by Abdullah al-Ghummari and his Sufism method which is the result of understanding the hadiths. This research is classified as library research, using a philosophical approach, research sources are originated from the works of Abdullah al-Ghummari and supported by other relevant works. Data analysis in this study uses descriptive data analysis and induction-deduction method. Sources of Hadith quoted by Abdullah al-Ghummari are the traditions enclosed in primary source (Al-Mashādir al-Ashliyyah) and secondary source (al-Mashādir al-Far'iyyah) and concerning the authentic and dhaif hadiths which the validity of the hadith is long-debated among Naad scholars. On the other side, Abdullah al-Ghummari's Sufism method is the Musyāhadah and Murāqabah which is comprehended from the “Al-Ihsan” hadith, the Mujāhadah and al-Fanā' method which is understood comprehended from the “Muhārabatullah Liman 'Ādā Auliyāah” hadith. The knowledge method and the meaning of The Qur'an is externally and spiritually understood from the hadith “The Story of Moses and Khidir”, the main method of Sufism is Ali which is understood from “the Manāqib Ali”, and the utter method of knowledge of Hakikat which is understood from the hadith “Inkar al-Magrūrīn”

    Going Beyond Counting First Authors in Author Co-citation Analysis

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    The present study examines one of the fundamental aspects of author co-citation analysis (ACA) - the way co-citation counts are defined. Co-citation counting provides the data on which all subsequent statistical analyses and mappings are based, and we compare ACA results based on two different types of co-citation counting - the traditional type that only counts the first one among a cited work's authors on the one hand and a non-traditional type that takes into account the first 5 authors of a cited work on the other hand. Results indicate that the picture produced through this non-traditional author co-citation counting contains more coherent author groups and is therefore considerably clearer. However, this picture represents fewer specialties in the research field being studied than that produced through the traditional first-author co-citation counting when the same number of top-ranked authors is selected and analyzed. Reasons for these effects are discussed

    Variations on the Author

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    “Variations on the Author” discusses two of Eduardo Coutinho’s recent films (Um Dia na Vida, from 2010, and Últimas Conversas, posthumously released in 2015) and their contribution to the general question of documentary authorship. The director’s filmography is characterized by a consistent yet self-effacing form of authorial self-inscription: Coutinho often features as an interviewer that rather than express opinions propels discourses; an interviewer that is good at listening. This mode of self-inscription characterizes him as an author who is not expressive but who is nonetheless markedly present on the screen. In Um Dia na Vida, however, Coutinho is completely absent form the image, while Últimas Conversas, on the contrary, includes a confessional prologue that moves the director from the margins to the center of his films. This article examines the ways in which these works stand out in the filmography of a director who offers new insights into the notion of cinematic authorship

    Appropriate Similarity Measures for Author Cocitation Analysis

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    We provide a number of new insights into the methodological discussion about author cocitation analysis. We first argue that the use of the Pearson correlation for measuring the similarity between authors’ cocitation profiles is not very satisfactory. We then discuss what kind of similarity measures may be used as an alternative to the Pearson correlation. We consider three similarity measures in particular. One is the well-known cosine. The other two similarity measures have not been used before in the bibliometric literature. Finally, we show by means of an example that our findings have a high practical relevance.information science;Pearson correlation;cosine;similarity measure;author cocitation analysis

    Dispelling the Myths Behind First-author Citation Counts

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    We conducted a full-scale evaluative citation analysis study of scholars in the XML research field to explore just how different from each other author rankings resulting from different citation counting methods actually are, and to demonstrate the capability of emerging data and tools on the Web in supporting more realistic citation counting methods. Our results contest some common arguments for the continued use of first-author citation counts in the evaluation of scholars, such as high correlations between author rankings by first-author citation counts and other citation counting methods, and high costs of using more realistic citation counting methods that are not well-supported by the ISI databases. It is argued that increasingly available digital full text research papers make it possible for citation analysis studies to go beyond what the ISI databases have directly supported and to employ more sophisticated methods

    Author Index

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    koamabayili/VECTRON-author-checklist: VECTRON author checklist

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    We have done our best to complete the author checklist relating to the use of animals in the hut study. Note that the objective for the hut study was to evaluate the IRS treatment applications for residual efficacy against Anopheles mosquitoes, including the local An. coluzzii mosquito population. Cows were only used to attract mosquitoes into the huts and no tests were carried out directly on the cows. The author checklist is intended for use with studies where experiments are carried out on animals, which is why we have had such difficulty in completing this for the hut study, as many of the questions do not relate to how the cows were used

    Author Under Sail The Imagination of Jack London, 1893-1902

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    In Author Under Sail, Jay Williams offers the first complete literary biography of Jack London as a professional writer engaged in the labor of writing. It examines the authorial imagination in London's work, the use of imagination in both his fiction and nonfiction, and the ways he defined imagination in the creative process in his business dealings with his publishers, editors, and agents. In this first volume of a two-volume biography, Williams traverses the years 1893 to 1902, from London's "Story of a Typhoon" to The People of the Abyss. The Jack London who emerges in the pages of Author Under Sail is a writer whose partnership with publishers, most notably his productive alliance with George Brett of Macmillan, was one of the most formative in American literary history. London pioneered many author models during the heyday of realism and naturalism, blurring the boundaries of these popular genres by focusing on absorption and theatricality and the representation of the seen and unseen. London created an impassioned, sincere, and extremely personal realism unlike that of other American writers of the time. Author Under Sail is a literary tour de force that reveals the full range of London as writer, creative citizen, and entrepreneur at the same time it sheds light on the maverick side of machine-age literature.Intro -- Title Page -- Copyright Page -- Dedication -- Contents -- Acknowledgments -- Introduction -- 1. Spirit Truth -- 2. From Absorption to Theatricality and Back Again -- 3. "I Will Build a New Present" -- 4. Sons as Authors -- 5. Fathers as Publishers -- 6. The Daughter as Author -- 7. Lovers as Authors -- 8. At Sea with the Family -- 9. Yellow News, Yellow Stories -- 10. The Return Home -- Notes -- Bibliography -- Index -- About Jay WilliamsIn Author Under Sail, Jay Williams offers the first complete literary biography of Jack London as a professional writer engaged in the labor of writing. It examines the authorial imagination in London's work, the use of imagination in both his fiction and nonfiction, and the ways he defined imagination in the creative process in his business dealings with his publishers, editors, and agents. In this first volume of a two-volume biography, Williams traverses the years 1893 to 1902, from London's "Story of a Typhoon" to The People of the Abyss. The Jack London who emerges in the pages of Author Under Sail is a writer whose partnership with publishers, most notably his productive alliance with George Brett of Macmillan, was one of the most formative in American literary history. London pioneered many author models during the heyday of realism and naturalism, blurring the boundaries of these popular genres by focusing on absorption and theatricality and the representation of the seen and unseen. London created an impassioned, sincere, and extremely personal realism unlike that of other American writers of the time. Author Under Sail is a literary tour de force that reveals the full range of London as writer, creative citizen, and entrepreneur at the same time it sheds light on the maverick side of machine-age literature.Description based on publisher supplied metadata and other sources.Electronic reproduction. Ann Arbor, Michigan : ProQuest Ebook Central, YYYY. Available via World Wide Web. Access may be limited to ProQuest Ebook Central affiliated libraries
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