1,720,954 research outputs found

    St. Lazare, Autun: A Conundrum in Stone

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    The Cathedral of St. Lazare (Autun, France), with work by the celebrated sculptor Gislebertus, is one of the most scrutinized and misunderstood Romanesque cathedrals in Europe. Since the last century, art historians have almost unilaterally come to similar conclusions about the church, and their theories have garnered little, if any, debate. Gislebertus is considered to be the artist responsible for the superlative figurative sculpture on the exterior and interior of the Romanesque church. This essay challenges these conclusions, and suggests an unconventional interpretation of the cryptic statement carved on the tympanum, “Gislebertus hoc fecit” or “Gislebertus made this,” and questions the veracity of the iconic signature. The sculpture in the cathedral is renowned for its artistry and for the moral and enigmatic messages imparted. Rational alternatives are given for deciphering the implications of three of the most studied column capitals. New findings with scientific measurements can now link the artist’s knowledge to a precise and intelligent understanding of advanced astronomy.Past scholars have been unable to formulate a precise rationale for the building of a new church constructed only a stone’s throw away from a viable cathedral. The building’s atypical orientation and axis further complicate its purpose and demand further explanation. New information and research suggest alternative explanations for its unusual positioning and the identity of its famed sculptor. By examining the design, the patrons, and the politics of the twelfth-century church, the author challenges accepted hypotheses and applies unorthodox processes to help solve the mysteries of the 900-year-old cathedral

    Going Beyond Counting First Authors in Author Co-citation Analysis

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    The present study examines one of the fundamental aspects of author co-citation analysis (ACA) - the way co-citation counts are defined. Co-citation counting provides the data on which all subsequent statistical analyses and mappings are based, and we compare ACA results based on two different types of co-citation counting - the traditional type that only counts the first one among a cited work's authors on the one hand and a non-traditional type that takes into account the first 5 authors of a cited work on the other hand. Results indicate that the picture produced through this non-traditional author co-citation counting contains more coherent author groups and is therefore considerably clearer. However, this picture represents fewer specialties in the research field being studied than that produced through the traditional first-author co-citation counting when the same number of top-ranked authors is selected and analyzed. Reasons for these effects are discussed

    Variations on the Author

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    “Variations on the Author” discusses two of Eduardo Coutinho’s recent films (Um Dia na Vida, from 2010, and Últimas Conversas, posthumously released in 2015) and their contribution to the general question of documentary authorship. The director’s filmography is characterized by a consistent yet self-effacing form of authorial self-inscription: Coutinho often features as an interviewer that rather than express opinions propels discourses; an interviewer that is good at listening. This mode of self-inscription characterizes him as an author who is not expressive but who is nonetheless markedly present on the screen. In Um Dia na Vida, however, Coutinho is completely absent form the image, while Últimas Conversas, on the contrary, includes a confessional prologue that moves the director from the margins to the center of his films. This article examines the ways in which these works stand out in the filmography of a director who offers new insights into the notion of cinematic authorship

    Appropriate Similarity Measures for Author Cocitation Analysis

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    We provide a number of new insights into the methodological discussion about author cocitation analysis. We first argue that the use of the Pearson correlation for measuring the similarity between authors’ cocitation profiles is not very satisfactory. We then discuss what kind of similarity measures may be used as an alternative to the Pearson correlation. We consider three similarity measures in particular. One is the well-known cosine. The other two similarity measures have not been used before in the bibliometric literature. Finally, we show by means of an example that our findings have a high practical relevance.information science;Pearson correlation;cosine;similarity measure;author cocitation analysis

    Dispelling the Myths Behind First-author Citation Counts

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    We conducted a full-scale evaluative citation analysis study of scholars in the XML research field to explore just how different from each other author rankings resulting from different citation counting methods actually are, and to demonstrate the capability of emerging data and tools on the Web in supporting more realistic citation counting methods. Our results contest some common arguments for the continued use of first-author citation counts in the evaluation of scholars, such as high correlations between author rankings by first-author citation counts and other citation counting methods, and high costs of using more realistic citation counting methods that are not well-supported by the ISI databases. It is argued that increasingly available digital full text research papers make it possible for citation analysis studies to go beyond what the ISI databases have directly supported and to employ more sophisticated methods

    Author Index

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    St. Etienne, Auxerre: Gothic Innovation in Burgundy

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    Early in the thirteenth century, the Burgundy region of France spawned a unique interpretation of the Gothic style reaching its epitome in Auxerre’s St. Etienne cathedral. The innovations at St. Etienne have been proven to have sprung from French and further-afield sources. This essay delves into the oft-neglected importance of patronage in design. The spread of ideas in medieval Europe was more effortless than we presume, and through a careful study of numerous cathedrals, churches, abbeys, and their individual features, I have speculated on the source of inspiration for Auxerre and tried to demonstrate it with precise examples. I delved into French and English sources spanning many centuries, and conducted on-site explorations in France. One of my findings questions the starting date of the cathedral’s eastern end, discovered while searching through translations of contemporary thirteenth-century chroniclers. If I am correct, and Professor Thurlby believes that I am, it broadens the inspiration sources because of the earlier start date than previously supposed. Five years is a substantial amount of time, when ideas are being adopted for building. I also speculated that the presence of the older Romanesque buildings in the region had more of an influence on Auxerre than previously surmised by the experts: Branner and Titus had pointed out the similarities existing in Canterbury Cathedral, England, and Lausanne Cathedral, Switzerland, but missed some local features, deriving from Romanesque regional designs. This helped to broaden the base for innovative thirteenth-century architects and patrons, beyond what was previously believed

    koamabayili/VECTRON-author-checklist: VECTRON author checklist

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    We have done our best to complete the author checklist relating to the use of animals in the hut study. Note that the objective for the hut study was to evaluate the IRS treatment applications for residual efficacy against Anopheles mosquitoes, including the local An. coluzzii mosquito population. Cows were only used to attract mosquitoes into the huts and no tests were carried out directly on the cows. The author checklist is intended for use with studies where experiments are carried out on animals, which is why we have had such difficulty in completing this for the hut study, as many of the questions do not relate to how the cows were used
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