1,720,972 research outputs found
Iter Liturgicum Italicum (http :// liturgicum. irht. cnrs. fr)
No full textAlbiero Laura. Iter Liturgicum Italicum (http :// liturgicum. irht. cnrs. fr). In: Gazette du livre médiéval, n°62.2016. pp. 83-84
Michel Huglo (1921-2012)
No full textAlbiero Laura. Michel Huglo (1921-2012). In: Gazette du livre médiéval, n°58. 2012, fasc. 1. p. 111
Iter Liturgicum Italicum (http :// liturgicum. irht. cnrs. fr)
No full textAlbiero Laura. Iter Liturgicum Italicum (http :// liturgicum. irht. cnrs. fr). In: Gazette du livre médiéval, n°62.2016. pp. 83-84
Fragmenta Parisiensia. Pour une grammaire de la destruction des livres liturgiques : Présentation du projet
No full textAlbiero Laura. Fragmenta Parisiensia. Pour une grammaire de la destruction des livres liturgiques : Présentation du projet. In: Gazette du livre médiéval, n°65.2019. p. 86
Les livres liturgiques à l'épreuve de la presse. Le cas du bréviaire de Beauvais
No full textAlbiero Laura. Les livres liturgiques à l'épreuve de la presse. Le cas du bréviaire de Beauvais. In: Gazette du livre médiéval, n°60. 2013, fasc. 1. pp. 28-53
Les livres de Notre-Dame, 14 décembre 2012-15 mars 2013, Catalogue de l'exposition organisée par la bibliothèque Mazarine à l'occasion des 850 ans de la cathédrale Notre-Dame de Paris (1163), 2013
No full textAlbiero Laura. Les livres de Notre-Dame, 14 décembre 2012-15 mars 2013, Catalogue de l'exposition organisée par la bibliothèque Mazarine à l'occasion des 850 ans de la cathédrale Notre-Dame de Paris (1163), 2013. In: Bulletin Monumental, tome 173, n°2, année 2015. pp. 182-183
I frammenti dell’Archivio storico dell’Almo Collegio Borromeo di Pavia: un’indagine liturgica e paleografica
No full textL’archivio storico dell'Almo Collegio Borromeo di Pavia possiede una piccola ma significativa raccolta di frammenti liturgico-musicali di varia provenienza, quasi tutti italiani (se non tutti), databili tra il XII e il XIV secolo. Nella prima parte del contributo i testi liturgici vengono analizzati nel loro contenuto liturgico-musicale e confrontati, per quanto possibile, con altre tradizioni liturgiche, il che ha permesso di ricondurre una buona parte dei frammenti all'ambito pavese; ma uno, di probabile provenienza francese, pone interessanti prospettive sui rapporti intercorrenti con Vercelli e ambiti attigui nonché sulla liturgia dedicata a Maria Maddalena, assai variabile nelle tradizioni medioevali. Nella seconda parte vengono esaminate le notazioni musicali, soprattutto in relazione alle scritture musicali attestate in Italia in quei secoli. Il saggio è completato da una breve descrizione di ciascun frammento, con la trascrizione integrale dei testi
Going Beyond Counting First Authors in Author Co-citation Analysis
Get PDFThe present study examines one of the fundamental aspects of author co-citation analysis (ACA) - the way co-citation
counts are defined. Co-citation counting provides the data on which all subsequent statistical analyses and mappings
are based, and we compare ACA results based on two different types of co-citation counting - the traditional type that
only counts the first one among a cited work's authors on the one hand and a non-traditional type that takes into
account the first 5 authors of a cited work on the other hand. Results indicate that the picture produced through this non-traditional author co-citation counting contains more coherent author groups and is therefore considerably clearer. However, this picture represents fewer specialties in the research field being studied than that produced through the traditional first-author co-citation counting when the same number of top-ranked authors is selected and analyzed. Reasons for these effects are discussed
Variations on the Author
Get PDF“Variations on the Author” discusses two of Eduardo Coutinho’s recent films (Um Dia na Vida, from 2010, and Últimas Conversas, posthumously released in 2015) and their contribution to the general question of documentary authorship. The director’s filmography is characterized by a consistent yet self-effacing form of authorial self-inscription: Coutinho often features as an interviewer that rather than express opinions propels discourses; an interviewer that is good at listening. This mode of self-inscription characterizes him as an author who is not expressive but who is nonetheless markedly present on the screen. In Um Dia na Vida, however, Coutinho is completely absent form the image, while Últimas Conversas, on the contrary, includes a confessional prologue that moves the director from the margins to the center of his films. This article examines the ways in which these works stand out in the filmography of a director who offers new insights into the notion of cinematic authorship
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