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Luca Quartana : Addio
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Concinnitas in the architectural theory and practice of Leon Battista Alberti.
In his treatise on architecture, de re aedificatoria,
Leon Battista Alberti (1404 - 72) described Beauty in architecture as concinnitas: a harmony or congruity of the various parts of a building assembled according to principles :summarised
by three categories of numerus, finitio and collocatio .
This term has been interpreted variously and most famously in
recent times by Rudolph Wittkower. Starting with his and other
scholars' interpretations, this dissertation proposes a new
definition for concinnitas based on studies of Alberti's
architectural theory and practice and the work of his contemporaries.
Chapters 1, 3 and 4 of the dissertation focus on the
application of numerus and finitio in Alberti's architectural
practice and observations made here are supported by separate
historical studies of the buildings (be found in the appendices) and survey drawings (bound together at the end of the
dissertation). Chapter two is a study of the symbolic references, traditions and themes which appear to underlie the
design of centralised churches and points raised here are expanded
in later chapters. The third category, collocatio, is
examined in the final chapters when the continuity of tradition
in Alberti's approach to architecture is outlined within the framework of the city and the urban ensemble of church, palace, piazza and loggia
Basilica di Sant'Andrea
Connue en italien sous le nom de Basilica di Sant'Andrea; Architecte concepteur des plans: Leon Battista Alberti; Architecte chargé des travaux de construction: Luca Fancelli; Architecte de la coupole: Filippo Juvarra; Dates de construction de l'église: 1472-1494; Dates de construction de la coupole: 1732-1782; Dessin d'architecture par ordinateur; Photographie: Icarus UK AT-00
Église Saint-Sébastien, Mantoue, 1460
Connue en italien sous le nom de San Sebastiano; Architecte concepteur des plans: Leon Battista Alberti
; Architecte chargé des travaux de construction: Luca Fancelli; Date du début des travaux de construction: 1460; Dessin d'architecture par ordinateur; Photographie: Icarus UK AT-00
Basilica di Sant'Andrea
Connue en italien sous le nom de Basilica di Sant'Andrea; Architecte concepteur des plans: Leon Battista Alberti; Architecte chargé des travaux de construction: Luca Fancelli; Architecte de la coupole: Filippo Juvarra; Dates de construction de l'église: 1472-1494; Dates de construction de la coupole: 1732-1782; Dessin d'architecture par ordinateur; Photographie: Icarus UK AT-00
Église Saint-Sébastien, Mantoue, 1460
Connue en italien sous le nom de San Sebastiano; Architecte concepteur des plans: Leon Battista Alberti
; Architecte chargé des travaux de construction: Luca Fancelli; Date du début des travaux de construction: 1460; Dessin d'architecture par ordinateur; Photographie: Icarus UK AT-00
Basilica di Sant'Andrea
Connue en italien sous le nom de Basilica di Sant'Andrea; Architecte concepteur des plans: Leon Battista Alberti; Architecte chargé des travaux de construction: Luca Fancelli; Architecte de la coupole: Filippo Juvarra; Dates de construction de l'église: 1472-1494; Dates de construction de la coupole: 1732-1782; Dessin d'architecture par ordinateur; Photographie: Icarus UK AT-00
Basilica di Sant'Andrea
Connue en italien sous le nom de Basilica di Sant'Andrea; Architecte concepteur des plans: Leon Battista Alberti; Architecte chargé des travaux de construction: Luca Fancelli; Architecte de la coupole: Filippo Juvarra; Dates de construction de l'église: 1472-1494; Dates de construction de la coupole: 1732-1782; Dessin d'architecture par ordinateur; Photographie: Icarus UK AT-00
Église Saint-Sébastien, Mantoue, 1460
Connue en italien sous le nom de San Sebastiano; Architecte concepteur des plans: Leon Battista Alberti
; Architecte chargé des travaux de construction: Luca Fancelli; Date du début des travaux de construction: 1460; Dessin d'architecture par ordinateur; Photographie: Icarus UK AT-00
«E quivi daremo forma alla dilettevole gita del Paradiso»: linguistic and stylistic analysis of Paradiso degli Alberti by Giovanni Gherardi da Prato
openIl presente lavoro di tesi consiste nell’analisi linguistica e stilistica del Paradiso degli Alberti, opera dell’autore Giovanni Gherardi da Prato composta a partire dal 1426. L’opera è composta da cinque libri che comprendono nove novelle; essendo un’opera lunga e che rievoca diversi generi letterari (come il romanzo o la raccolta di novelle), l’obiettivo è quello di analizzare la lingua utilizzata da Giovanni Gherardi da Prato. Infatti, dopo una breve descrizione dell’autore e dell’opera (inserendola nel contesto storico-temporale) i capitoli si soffermano sulla fonologia, sulla morfologia e sulla sintassi. Viene infine descritto lo stile dell’opera prima e delle novelle poi, comparando quest’ultime per evidenziare le somiglianze e le differenze tra di esse.The present thesis consists of linguistic and stylistic analysis of Il Paradiso degli Alberti, the work of the author Giovanni Gherardi da Prato, composed from 1426. The work consists of five books that include nine novellas; being a long work that evokes different literary genres (such as the novel or the novella collection), the goal is to analyze the language used by Giovanni Gherardi da Prato. In fact, after a brief description of the author and the work (placing it in historical-temporal context), the chapters focus on phonology, morphology, and syntax. Finally, the style of the work first and the novellas later is described, comparing the latter to highlight the similarities and differences between them
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