3,327 research outputs found
Albert Soboul (1914-1982)
No full textSuratteau Jean-René, Godechot Jacques, Labrousse Ernest, Saitta Armando. Albert Soboul (1914-1982). In: Annales historiques de la Révolution française, n°249, 1982. Albert Soboul. pp. 321-325
Albert Soboul (1914-1982)
No full textSuratteau Jean-René, Godechot Jacques, Labrousse Ernest, Saitta Armando. Albert Soboul (1914-1982). In: Annales historiques de la Révolution française, n°249, 1982. Albert Soboul. pp. 321-325
1984 -- Correspondence, Miscellaneous -- letter, 1984-03-09
No full textLetter from Raineri, Armando to Sabin, Albert B. dated 1984-03-09.Sabin Collection Fair Use Policy</a
Interview with Armando Hugo Ortiz Guerrero
No full textCathy Ragland interviews music historian and author, Armando Hugo Ortiz Guerrero.https://scholarworks.utrgv.edu/cathyraglandrec/1003/thumbnail.jp
Avant-propos
No full textSaitta Armando, Soboul Albert. Avant-propos. In: Annales historiques de la Révolution française, n°230, 1977. L’Italie Jacobine et napoléonienne. pp. 501-502
Leggere il tempo. Conversazione sull’architettura sensibile di Armando Ruinelli
No full textArmando Ruinelli’s forty-year architectural experience, as documented in the recent publication Leggere il tempo, is characterised by its sensitivity and attention to context. Devoid of excess and extravagance, his work establishes a polite dialogue with its surroundings, reflecting the discreet personality of the author. At the core of Ruinelli’s practice lies a profound ethical consideration, extending beyond the design phase to encompass the entire spectrum of operational intricacies. His perspective on time translates into an acceptance of material aging, emphasising the importance of allowing buildings to follow their natural course. Rooted in context, his architecture seeks not only continuity but harmonious integration within the Alpine landscapes they inhabit. In dialogue with the interviewer, Ruinelli emphasises his preference for artisanal work, highlighting the significance of precision in execution and the centrality of humans over materials. His poetic exploration is manifested in creating atmospheres and carefully balancing the dynamic components of a project. Reflecting on the role of the architect, he envisions them as craftsmen endowed with both technical acumen and creative vision. Finally, Ruinelli shares a meaningful project – the fountains in the Soglio cemetery – a creation laden with delicacy and symbolism that underscores the spiritual depth of his work
Avant-propos
No full textSaitta Armando, Soboul Albert. Avant-propos. In: Annales historiques de la Révolution française, n°230, 1977. L’Italie Jacobine et napoléonienne. pp. 501-502
General -- 1953-1966 -- Correspondence, Military Service, Dengue -- letter, 1958-12-02
No full textLetter from Sabin, Albert B. to Parodi, Armando S. dated 1958-12-02.Sabin Collection Fair Use Policy</a
Cajambre de Armando Romero
No full textThe last novel of the Colombian author Armando Romero takes place in the forest traversed by the river Cajambre, which flows into the Pacific Ocean. In this work, Romero recollect the culture of the Pacific coast, where he had the opportunity to live as a young man, and pays a tribute to African-American women of that area, which have always been the support of local communities. The tragic story of Ruperta allows the author to explore the social dynamics between different sectors of that community, and to investigate the relationships with the white strangers, called «paisas» . It is a strange noire and a tribute to the river, to its people and a personal story describing the wonderful and difficult impressionist landscape of the damp tropical jungle
La Rivoluzione fra le lettere. Il carteggio fra Albert Soboul e Armando Saitta
No full textIl carteggio fra Soboul e Saitta offre la possibilità di analizzare la storiografia del 900 e rivelare forza e fragilità delle categorie storiografie sulla Rivoluzione franceseThe extensive correspondence between Albert Soboul and Armando Saitta, which covers about three decades (1955-1982), gives us more than a deeper knowl- edge of the biography of two of the greatest scholars of French Revolution. This correspondence shows the advent of a partnership that embodies the progress made by historians in breaking with tradition of the past and in acknowledging Jaco- binism and the popular movement of sans-culotte, and more generally the whole revolutionary process, as a paradigm of modernity. The letters between the two highlight the issue of brotherhood and play a pivotal role for the understanding of civil value of historian’s work
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