1,721,090 research outputs found

    Voci da un Dizionario: Le rivolte degli schiavi, João José Reis e Teorie razziali, Lilia Moritz Schwarcz

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    Voci da un Dizionario: Le rivolte degli schiavi, João José Reis e Teorie razziali, Lilia Moritz Schwarcz in Dicionário da Escravidão e Liberdade – 50 textos críticos, Lilia Moritz Schwarcz e Flávio dos Santos Gomes (org.) (São Paulo, Companhia das Letras, 2018, pp. 411-427, ISBN 9788535930948) di Elisa Alberani e Ada Milan

    A literatura portuguesa na Itália na viragem do século XIX para o XX: um panorama dos autores, tradutores e editoras envolvidos

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    In Italy, between the last decades of the 19th century and the beginning of the 20th, there was a considerable increase in interest in Portuguese literature: until the mid-19th century it was possible to read in Italian only a few historiographical works, two volumes of Antonio Vieira’s ser- mons, different versions of Camões’Lusiades and Frei Luís de Sousa by Almeida Garrett (1852) – no more than 昀椀fteen titles in total. While in the period examined, from 1880 to 1930, about 昀椀fty works in translation were published. What has changed compared to the previous period? How much of that intellectual ferment of the Portuguese end of the century affected the birth of this interest in a literature considered, then as now, peripheral? To try to answer these questions, the role of transla- tors and mediators, as well as the role of the publishers involved, large and small, and the dynamics of Italian publishers of the period in question, will be analysed. The objective is to try to understand the reasons for this publishing boom in this period, which was so culturally alive

    Dulce Maria Cardoso, Il Ritorno

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    Dulce Maria Cardoso, Il Ritorno (Roma, Voland; Milano, Feltrinelli, traduzione di Daniele Petruccioli, 2013, 220 pp., ISBN 978-88-07-04100-6) di Elisa Alberan

    In ricordo del poeta capoverdiano Corsino Fortes (1933-2015) Corsino Fortes e Sérgio Frusoni: due generazioni ‘claridose’ a confronto

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    In ricordo del poeta capoverdiano Corsino Fortes (1933-2015) Corsino Fortes e Sérgio Frusoni: due generazioni ‘claridose’ a confronto di Elisa Alberan

    La Finestra come genesi della poesia: la dialettica del fuori e del dentro in Tabacaria. Nuovi percorsi estetici nella poesia pessoana

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    The window can include a lot of different symbolic values and can be considered at the same time a border and a protection area: this architectural element allows the pessoan heteronomy Álvaro de Campos to observe other people’s life, taking place in the road. His gaze, attentive and absorbed at the same time, leads to the birth of the poem Tabacaria (1928). It is a poem that from the beginning portrays the collapse of illusion: the poet is a man who chooses not to live his own life, preferring to take refuge behind a window, a profound disillusionment narrated through the dialectics of ‘outside and inside’. In Tabacaria the window allows two opposing worlds – otherwise incompatible – to come together, although they remain separate, a contrast defined by the Pessoa-Campos as alienating, reminiscent of the perceptual dialectic theorized by the philosopher Merleau-Ponty. A window, an architectural barrier that allows you to see and be seen at the same time, putting together two seemingly irreconcilable worlds. ‘Tecnema’, which has always fascinated and here becomes the place of observation of the ‘tabacaria’, is the symbol of an illusory world. From a real and ordinary situation, ‘finished’ and enclosed by the walls of the attic, the poet conveys a feeling of infinity, eternity, through an expansion of the senses disintegrated from the tediousness of the existential poetic subject

    La figura di Giuseppe Soncini tra azioni anticoloniali e aiuti sanitari. Tracce attuali della ‘stagione della solidarietà’ per una rielaborazione memoriale

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    Abstract – The Soncini-Ganapini archive’s analysis, gives the opportunity to understand the link between the city of Reggio Emilia and the African national liberation movements, in particular Mozambicans. The analysis proposed focuses on the figure of Giuseppe Soncini, who was able to create a network of contacts and friendships, which led to the birth of health, social and political projects. The archival study is centered on the numerous letters and personal communications between Giuseppe Soncini and the representatives of FRELIMO, in particular Marcelino dos Santos, Samora Machel and Oscar Monteiro, to try to understand how the city of Reggio Emilia becomes a point of reference and support for FRELIMO. The period taken into consideration goes from the beginning of the first exchanges of letters in the 1960s, to the period just after the National Solidarity Conference (held in Reggio Emilia in 1973), in particular until the independence of Mozambique. Furthermore, it was decided to question the presence of traces of that story dating back to almost fifty years ago, therefore set in our contemporaneity, in order to try and understand what remains today of that historical period called “the great season of international solidarity”
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