1,721,255 research outputs found

    Environmental Problem Solving

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    Human influences create both environmental problems and barriers to effective policy aimed at addressing those problems. In effect, environmental managers manage people as much as they manage the environment. Therefore, they must gain an understanding of the psychological and sociopolitical dimensions of environmental problems that they are attempting to resolve. In Environmental Problem Solving, Alan Miller reappraises conventional analyses of environmental problems using lessons from the psychosocial disciplines. He combines the disciplines of ecology, political sociology and psychology to produce a more adaptive approach to problem-solving that is specifically geared toward the environmetal field. Numerous case studies demonstrate the practical application of theory in a way that is useful to technical and scientific professionals as well as to policy makers and planners. Alan Miller is Professor of Psychology at the University of New Brunswic

    1974 Jay-Cee-An BJC--Page 143

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    "A Trek through October" prose poem by Alan Miller. "In Memorium" to BJC alumna Lynn Meier and BJC student Tim Hartmann"A Trek through October" The clouds are surrounded by soft sunshine in a windless sky. Every footstep rustles as I walk through a light shower of reds, oranges, and yellows. This old path hasn't changed a bit. Everything is still in Its place; even the cairn I erected for a puppy long before I knew what a cairn was. The water level of the pond is way down, not unusual for this time of year, and skeletons of trees are beginning to appear along the shore. The ducks are all gone now and it's a little lonely; the only life I've seen is the V-shaped formations in the sky and a muskrat breaking the glass-like water. A strong feeling of sadnessand longing is in the air, as though some end is near. Feelings of death, unlike those in the normal senseof the word, can also be felt. It's the feeling an old man must ·know. He doesn't cry or sorrow at death; he knows death must precede rebirth. I'm still walking and already the sun is preparing to set. The western sky is fully arrayed in subtle hues for his grand depart-ure. Soon all will be over; the day will have ended. A day like today cleanses the soul and saddensthe heart. Such are the days of autumn. Alan Miller IN MEMORIAM Lynn Meier Attended BJC 1967-69 Graduated May 29, 1969 Born October 10, 1949 Died February 4, 1974 Tim Hartmann Attended BJC 1972-74 Born April 24, 1954 Died February 14, 1974 14

    Transcription of "Roundtable Caribbean Virtual Museums: Opportunities and Challenges" 2018

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    Panelists were: Natalie McGuire-Batson – Barbados Museum & Historical Society, Karin Weil – Universidad Austral de Chile, Suzanne Francis-Brown – University of the West Indies, Dr Adeola Fabola – University of St Andrews, Dr Sherene James Williamson – University of the West Indies, Dr Alan Miller – University of St Andrew

    Discussion of Alan Miller, \u27Cleaning the Air while Filling Corporate Coffers:

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    Alan Miller\u27s paper is interesting and fits very well with the tide and theme of this Conference-learning from our past mistakes in order to produce an improved air pollution control law for the 1990s. Miller diagnoses the problems with our recent formulation and implementation of environmental policy. and he prescribes a cure for those ills in the form of a different policy direction for the future

    Miller family portrait. Back row, L to R: Earl, Gladys and Alan Miller. Front row, L to R: Dale and Ray Miller.

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    Photograph of the Earl Miller family, back row, left to right: Earl, Gladys, and Alan Miller; front row, left to right: Dale and Ray Miller, 1940s - 198

    Going Beyond Counting First Authors in Author Co-citation Analysis

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    The present study examines one of the fundamental aspects of author co-citation analysis (ACA) - the way co-citation counts are defined. Co-citation counting provides the data on which all subsequent statistical analyses and mappings are based, and we compare ACA results based on two different types of co-citation counting - the traditional type that only counts the first one among a cited work's authors on the one hand and a non-traditional type that takes into account the first 5 authors of a cited work on the other hand. Results indicate that the picture produced through this non-traditional author co-citation counting contains more coherent author groups and is therefore considerably clearer. However, this picture represents fewer specialties in the research field being studied than that produced through the traditional first-author co-citation counting when the same number of top-ranked authors is selected and analyzed. Reasons for these effects are discussed

    Supplemental Material - A Comparative Analysis of State Implementation of the Community First Choice Program

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    Supplemental Material for A Comparative Analysis of State Implementation of the Community First Choice Program by Lisa Kalimon Beauregard and Edward Alan Miller in Journal of Applied Gerontology</p

    Rethinking the economics of global warming. by Alan Miller, Irving Mintzer, Peter G. Brown

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    tag=1 data=Rethinking the economics of global warming. by Alan Miller, Irving Mintzer, Peter G. Brown tag=2 data=Miller, Alan%Mintzer, Irving%Brown, Peter G. tag=3 data=Issues in Science and Technology, tag=4 data=VII tag=5 data=1 tag=6 data=Fall 1990 tag=7 data=70-73. tag=8 data=ENVIRONMENT tag=10 data=Be wary of predictions about the costs of policies to limit worldwide climate change. tag=11 data=1991/3/1 tag=12 data=91/0102 tag=13 data=CABBe wary of predictions about the costs of policies to limit worldwide climate change

    Variations on the Author

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    “Variations on the Author” discusses two of Eduardo Coutinho’s recent films (Um Dia na Vida, from 2010, and Últimas Conversas, posthumously released in 2015) and their contribution to the general question of documentary authorship. The director’s filmography is characterized by a consistent yet self-effacing form of authorial self-inscription: Coutinho often features as an interviewer that rather than express opinions propels discourses; an interviewer that is good at listening. This mode of self-inscription characterizes him as an author who is not expressive but who is nonetheless markedly present on the screen. In Um Dia na Vida, however, Coutinho is completely absent form the image, while Últimas Conversas, on the contrary, includes a confessional prologue that moves the director from the margins to the center of his films. This article examines the ways in which these works stand out in the filmography of a director who offers new insights into the notion of cinematic authorship
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