7,288,841 research outputs found

    Interview Jananne Al-Ani

    No full text
    Interview with Julian Ross for Sonic Acts Festival 2015, The Geologic Imagination. Born in Iraq, London-based artist Jananne Al-Ani engages with the politics of the image. In her works in photography, film and video, Al-Ani interrogates our ways of seeing by undermining the structures of scale and perspective in which visual culture is shaped. While her conceptual application is subversive, her methods are gentle, often resulting in evocations of assumptions which are quietly unsettled. In her work in the 1990s and early 2000s, her central subject was the Western portrayal of the Middle East, in particular, women and the veil. Working closely with her immediate family, her works undercut media-fuelled perceptions of ‘other’ cultures with personal narratives and playful mind-games. Shifting away from the human body as an image to the human imprint, her recent series The Aesthetics of Disappearance: A Land Without People illustrates Al-Ani’s preoccupation with the ways in which history is etched into the landscape. Bold in technique yet comparatively subtle in effect, her films Shadow Sites I (2010) and Shadow Sites II (2011) capture the desert landscape of the Middle East. What appears to be an uninhabitable landscape is revealed to be a home for industrial farms and abandoned military training camps. Playing with the visual codes of modern warfare, the remnants of structures spread out over the land and speak of untold histories of human activity. Presented at the 2015 edition of Sonic Acts curated under the theme of ‘The Geologic Imagination’, the two films shown together drove home the misconception of the border between nature and humanity, a theme that spanned across the works presented in the festival. Film programmer and researcher Julian Ross took the opportunity to interview Jananne Al-Ani during her visit to Sonic Acts where she presented her recent series

    Shadow Sites: Recent Work by Jananne Al-Ani

    No full text
    Solo exhibition. Inspired by both archival photographs and contemporary news reports, Jananne Al-Ani has created a new body of work that explores enduring representations of the Middle Eastern landscape. Shadow Sites II (2011), her most recent video installation, is exhibited alongside a selection of extraordinary original prints by renowned archaeologist Ernst Herzfeld (1879–1948). Separated by nearly a century, these works pose fascinating questions about the impact of photography on views of the Middle East. This exhibition is a highlight of the Sackler Gallery’s 25th anniversary celebration in 2012

    Data for: Traumatic Cervical Spine Intradural Hematoma.A Case Report

    No full text
    In this case report study, we present a 31-year old male who came to our hospital with a severe cervical fracture after jumping in a pool and was found to have an intradural spinal hematoma on imaging

    Study the effects of glutathione on fertility potential in vitro of male diabetic induced mice

    No full text
    Background: Diabetes has been found to induce various subtle molecular changes important, for sperm quality and function: The mammalian spermatozoa are rich in polyun- saturated fatty acids, making them particularly sensitive to the deleterious effects of lipid peroxidation, which may result in irreversible loss of motility and a low level of fertilizing capacity. An antioxidant, glutathione (GSH) a polypeptide is important in biological oxidation-reduction reactions and improves sperm motility. Objective: The study was aimed to investigate the effects of GSH injection on healthy and diabetic male mice fertilization potential in vitro following in vitro fertilization (IVF) Materials and Methods: Inducing diabetes in mice through intra peritoneal alloxan injection. The treatment with GSH divided into two periods 10 and 20 days, studying the in vitro fertilization outcomes. Results: Glutathione daily IV injected in a period of 10 to 20 days for the diabetic induced male mice significantly increase the sperm concentration and motility and decrease the abnormal and dead sperms percentages in treated group compared to untreated group. The Fertilization rate was significantly (P<0.05)increased in mice treated with GSH compared to untreated one. Conclusion: Glutathione injections may decrease the oxidative stress caused by diabetes and enhance the in vitro fertilization potentials in male mice

    The Cathedral of Ani, Ani ruins, Kars

    No full text
    One of the remnants of the ghost city of Ani from the medieval period. Ancient city site in extreme eastern Turkey, Ani lies east of Kars and along the Arpaçay (Akhuryan) River, which forms the border with Armenia to the east. Ani is a ruined medieval Armenian city-site situated in the Turkish province of Kars. Ani first rose to prominence in the 5th century AD and had developed as a town by the time Ashot III the Merciful (reigned 952-977), the Bagratid king of Armenia, transferred his capital there from Kars in 961 which signified the golden age for the city. It was beautified under two subsequent Bagratid rulers and many churches built there during this period exhibited some of the finest examples of medieval architecture. With a peak population of about 100,000 by the early 11th century, Ani was larger than any European city and rivaled Baghdad, Cairo, and Constantinople in its size and magnificence. It remained the prominent city of Armenia until Mongol raids in the 13th century, yet a devastating earthquake in 1319 destructed the city and eventually the site was abandoned. A handful of surviving churches and the remnants of the city walls attest to the extraordinary beauty of Armenian stonework in the Middle Ages.135 film (36×24 mm

    Ani ruins, Kars

    No full text
    One of the remnants of the ghost city of Ani from the medieval period. Ancient city site in extreme eastern Turkey, Ani lies east of Kars and along the Arpaçay (Akhuryan) River, which forms the border with Armenia to the east. Ani is a ruined medieval Armenian city-site situated in the Turkish province of Kars. Ani first rose to prominence in the 5th century AD and had developed as a town by the time Ashot III the Merciful (reigned 952-977), the Bagratid king of Armenia, transferred his capital there from Kars in 961 which signified the golden age for the city. It was beautified under two subsequent Bagratid rulers and many churches built there during this period exhibited some of the finest examples of medieval architecture. With a peak population of about 100,000 by the early 11th century, Ani was larger than any European city and rivaled Baghdad, Cairo, and Constantinople in its size and magnificence. It remained the prominent city of Armenia until Mongol raids in the 13th century, yet a devastating earthquake in 1319 destructed the city and eventually the site was abandoned. A handful of surviving churches and the remnants of the city walls attest to the extraordinary beauty of Armenian stonework in the Middle Ages.135 film (36×24 mm

    Ani ruins, Kars

    No full text
    One of the remnants of the ghost city of Ani from the medieval period. Ancient city site in extreme eastern Turkey, Ani lies east of Kars and along the Arpaçay (Akhuryan) River, which forms the border with Armenia to the east. Ani is a ruined medieval Armenian city-site situated in the Turkish province of Kars. Ani first rose to prominence in the 5th century AD and had developed as a town by the time Ashot III the Merciful (reigned 952-977), the Bagratid king of Armenia, transferred his capital there from Kars in 961 which signified the golden age for the city. It was beautified under two subsequent Bagratid rulers and many churches built there during this period exhibited some of the finest examples of medieval architecture. With a peak population of about 100,000 by the early 11th century, Ani was larger than any European city and rivaled Baghdad, Cairo, and Constantinople in its size and magnificence. It remained the prominent city of Armenia until Mongol raids in the 13th century, yet a devastating earthquake in 1319 destructed the city and eventually the site was abandoned. A handful of surviving churches and the remnants of the city walls attest to the extraordinary beauty of Armenian stonework in the Middle Ages.135 film (36×24 mm

    Ani ruins, Kars

    No full text
    One of the remnants of the ghost city of Ani from the medieval period. Ancient city site in extreme eastern Turkey, Ani lies east of Kars and along the Arpaçay (Akhuryan) River, which forms the border with Armenia to the east. Ani is a ruined medieval Armenian city-site situated in the Turkish province of Kars. Ani first rose to prominence in the 5th century AD and had developed as a town by the time Ashot III the Merciful (reigned 952-977), the Bagratid king of Armenia, transferred his capital there from Kars in 961 which signified the golden age for the city. It was beautified under two subsequent Bagratid rulers and many churches built there during this period exhibited some of the finest examples of medieval architecture. With a peak population of about 100,000 by the early 11th century, Ani was larger than any European city and rivaled Baghdad, Cairo, and Constantinople in its size and magnificence. It remained the prominent city of Armenia until Mongol raids in the 13th century, yet a devastating earthquake in 1319 destructed the city and eventually the site was abandoned. A handful of surviving churches and the remnants of the city walls attest to the extraordinary beauty of Armenian stonework in the Middle Ages.135 film (36×24 mm

    Ani ruins, Kars

    No full text
    One of the remnants of the ghost city of Ani from the medieval period. Ancient city site in extreme eastern Turkey, Ani lies east of Kars and along the Arpaçay (Akhuryan) River, which forms the border with Armenia to the east. Ani is a ruined medieval Armenian city-site situated in the Turkish province of Kars. Ani first rose to prominence in the 5th century AD and had developed as a town by the time Ashot III the Merciful (reigned 952-977), the Bagratid king of Armenia, transferred his capital there from Kars in 961 which signified the golden age for the city. It was beautified under two subsequent Bagratid rulers and many churches built there during this period exhibited some of the finest examples of medieval architecture. With a peak population of about 100,000 by the early 11th century, Ani was larger than any European city and rivaled Baghdad, Cairo, and Constantinople in its size and magnificence. It remained the prominent city of Armenia until Mongol raids in the 13th century, yet a devastating earthquake in 1319 destructed the city and eventually the site was abandoned. A handful of surviving churches and the remnants of the city walls attest to the extraordinary beauty of Armenian stonework in the Middle Ages.135 film (36×24 mm

    Ani ruins, Kars

    No full text
    One of the remnants of the ghost city of Ani from the medieval period. Ancient city site in extreme eastern Turkey, Ani lies east of Kars and along the Arpaçay (Akhuryan) River, which forms the border with Armenia to the east. Ani is a ruined medieval Armenian city-site situated in the Turkish province of Kars. Ani first rose to prominence in the 5th century AD and had developed as a town by the time Ashot III the Merciful (reigned 952-977), the Bagratid king of Armenia, transferred his capital there from Kars in 961 which signified the golden age for the city. It was beautified under two subsequent Bagratid rulers and many churches built there during this period exhibited some of the finest examples of medieval architecture. With a peak population of about 100,000 by the early 11th century, Ani was larger than any European city and rivaled Baghdad, Cairo, and Constantinople in its size and magnificence. It remained the prominent city of Armenia until Mongol raids in the 13th century, yet a devastating earthquake in 1319 destructed the city and eventually the site was abandoned. A handful of surviving churches and the remnants of the city walls attest to the extraordinary beauty of Armenian stonework in the Middle Ages.135 film (36×24 mm
    corecore