501 research outputs found
Tradisi perawatan wesi aji
No full textTujuan penelitian untuk mendapatkan pengetahuan tentang pelestarian atau konservasi terhadap tradisi perawatan wesi aji, sekaligus ingin mendiskripsikan cara-cara perawatan wesi aji.Pada dasarnya penelitian ini dilakukan untuk menjaring data kualitatif, baik yang dapat diambil di lapangan maupun di pustaka.Perawatan dipandang memegang peranan penting terhadap benda-benda wesi aji, karena perawatan tidak hanya berkaitan engan lestarinya artefak wesi aji tetapi juga berkaitan dengan 'isi' dan nilai wesi aji
Legenda Aji Saka dalam penciptaan seni lukis
No full textBanyak legenda yang berkembang di kalangan masyarakat Indonesia. Salah satu legenda yang secara turun temurun masih diceritakan adalah legenda Aji Saka. Di kalangan masyarakat Jawa, Aji Saka dikenal sebagai pencipta sistem tata tulis aksara Jawa. Dalam legenda Aji Saka dikisahkan kesatria Aji Saka yang merebut Kerajaan Medangkamulan dari kekuasaan raja Dewata Cengkar yang kejam, hingga kisah tentang kecerobohan Aji Saka yang membuat dua abdinya yang setia mati saling bunuh karena memegang teguh amanah. Aksara Jawa atau bisa disebut HA-NA-CA-RA-KA, konon tercipta dari peristiwa kematian dua abdi kesayangan Aji Saka. Kisah tersebut sangat menginspirasi dan menarik jika diceritakan kembali dalam bentuk karya seni lukis untuk anak saat ini. Gaya lukisan naif menjadi pilihan yang lebih sesuai untuk mempresentasikan nilai-nilai edukatif kepada generasi anak-anak saat ini yang secara historis terpisah jauh dari konteks legenda zaman dahulu. Visualisasi dengan menggunakan gaya seni lukis naif juga memiliki aspek menyenangkan dan lebih mudah diapresiasi. Sebagai masyarakat Jawa, sudah menjadi kewajiban penulis untuk mempelajari, menceritakan dan mengenalkan kembali kepada generasi anak-anak saat ini tentang legenda Aji Saka
Die “ek” in (‘YK’): Die desentralisasie van die subjek in Breyten Breytenbach se digbundel (‘YK’)
No full textIn Breyten Breytenbach’s poetry the “I” is complex. “I” and “you”, the writer and the reader, are not represented with constituted meanings but as signifiers and as part of language production. This article reflects on the development process of the writer as the textual “I”, the “I” narrator in the poetic text – the “I” of language that is not homogeneous or constant. The text is regarded as a pluriform in dialogue (often incomplete) with a variety of texts, the writer and his text, the texts of the reader and the texts of society and history. The author discusses the decentralisation of the subject in Breytenbach’s poetry with respect to his prison collection (‘YK’), and especially the poem “nekra” (a neologism recalling “necro”)
Analysis and Reconstruction of Shipwreck YK 11 (c. Seventh Century A.D.) from the Theodosian Harbor at Yenikapı in Istanbul, Turkey
No full textSince 2004, the Istanbul Archaeological Museums have conducted salvage archaeological excavations at the construction site of an underground railway station at Yenikapı in Istanbul, Turkey. These excavations have unearthed the remains of Constantinople’s Theodosian Harbor (Portus Theodosiacus), including 36 Byzantine shipwrecks. The detailed study of eight of these wrecks was allocated to a small international team under the direction of Cemal Pulak from the Institute of Nautical Archaeology (INA) at Texas A&M University. One of these shipwrecks, YK 11, was a small, heavily-repaired, pine-built merchantman abandoned as a derelict at the western end of the harbor early in the seventh century. This dissertation serves as a detailed record of the YK 11 hull remains, provides a theoretical reconstruction of the vessel, compares the ship’s construction with that of contemporaneous vessels, and explores the ship’s historical context.
The YK 11 hull was excavated, dismantled, and removed from the construction zone at Yenikapı in 2008. The author conducted the post-excavation documentation of the ship’s timbers between 2009 and 2012, following methods established by Fred van Doorninck and J. Richard Steffy of INA in their work with Mediterranean shipwrecks. This documentation revealed that YK 11 had undergone a series of significant repairs over the ship’s lifetime. In these repairs, much of the ship’s original planking, edge fastened with unpegged mortise-and-tenon joints below the waterline, was replaced with planks lacking edge fasteners; a considerable number of the ship’s frames were also replaced. These repairs to YK 11 significantly complicated the interpretation of its original construction.
The paucity of edge fasteners, presence of caulking, and attachment of frames to the keel might be taken as evidence that YK 11 was built after a skeleton-based tradition. However, with the detailed documentation of each component timber, a careful analysis of fastening patterns, the identification of repairs, and a thorough study of the preserved surface detail, it is clear that YK 11, although exhibiting evidence of both shell-first and skeleton-first techniques, was initially designed and built as a primarily shell-based vessel. As such, this study of YK 11 contributes valuable new information toward a better understanding of the transition from shell-based to skeleton-based shipbuilding in the Mediterranean
Peranan musikologi dalam proses persiapan tugas akhir resital gitar tingkat sarjana di Jurusan Musik FSP ISI Yogyakarta
No full textPenelitian ini menjelaskan tentang peranan musikologi dalam proses pencapaian tugas akhir resital gitar minat utama musik pertunjukan pada prodi S1 seni musik di jurusan Musik FSP ISI Yk
Suržyk as a Transitional Stage from Russian to Ukrainian: The Perspective of Ukrainian Migrants and War Refugees in Finland
No full textThis article examines how Ukrainian migrants and war refugees in Finland perceive and use Suržyk, a cluster of intermediate varieties between Ukrainian and Russian, as a transitional stage facilitating the shift from Russian-dominant to Ukrainian-dominant speech. Drawing on 1615 survey responses collected between November 2022 and January 2023, the study reveals that 42 respondents view Suržyk as a bridge that supports the gradual acquisition of standard Ukrainian. Qualitative content analysis of open-ended responses shows repeated references to Suržyk as a “stepping stone”, “temporary means” or “bridge”, highlighting its role in maintaining intelligibility and fluency for speakers who are not confident in standard Ukrainian. Although some respondents acknowledge the stigma associated with mixed speech, they also stress Suržyk’s practical advantages in contexts shaped by the 2022 full-scale war and heightened purist discourses. Speakers report pressure to adhere to purist language norms in formal settings, whereas in informal spaces, they consider Suržyk a natural outcome of bilingual backgrounds. These findings illuminate the interplay between language ideologies, sociopolitical dynamics, and individual agency, suggesting that for many Ukrainians in Finland, Suržyk serves as a temporary yet functional means to align with Ukrainian identity under rapidly changing circumstances
Nilai-nilai Pendidikan Karakter pada Tari Sekar Pinuji di Pusat Olah Seni dan Bahasa Retna Aji Mataram Yogyakarta
No full textKemajuan teknologi pada sat ini membuat dampak yang begitu besar bagi pertumbuhan karakter pada peserta didik. Oleh karena itu penelitian dengan judul Nilai-nilai Pendidikan Karakter pada Tari Sekar Pinuji di Pusat Olah Seni dan Bahasa Retna Aji Mataram Yogyakarta ini bertujuan untuk mendeskripsikan nilai- nilai pendidikan karakter yang terdapat pada Tari Sekar Pinuji. Selanjutnya diharapkan dapat ditanamkan dan diterapkan ke dalam kehidupan peserta didik. Penelitian ini menggunakan jenis penelitian kualitatif, dengan objek nilai- nilai pendidikan karakter Tari Sekar Pinuji. Subjek penelitian yakni pendiri sanggar dan pengajar sanggar. Teknik pengumpulan data pada penelitian ini menggunakan teknik wawancara, observasi, dan dokumentasi. Sedangkan untuk teknik validasi data menggunakan triangulasi dan analisis data dengan cara reduksi data, penyajian data, serta penarikan kesimpulan. Hasil penelitian ini terdapat sepuluh nilai-nilai pendidikan karakter pada Tari Sekar Pinuji yaitu religius, tanggung jawab, bersahabat, kerja keras, rasa ingin tahu, cinta tanah air, mandiri, toleransi, disiplin, dan peduli sosial
Predators and prey
No full textMR0549988This article presents the basic conclusions contained in the English-language papers by the author [Math. Biosci. 33 (1977), no. 1–2, 135–144; MR0682243] and by the author and W. J. Bühler [ibid. 38 (1978), no. 3–4, 293–301; MR0479452] on the probability of extinction of the prey in a bivariate Markov chain model (Xk,Yk) for the number of prey Xk and number of predators Yk at time kT, k≥0, imbedded in a complex continuous-time process
A Simple Proof for a Forbidden Subposet Problem
No full textThe posetYk,2consists ofk+ 2 distinct elementsx1,x2, . . . ,xk,y1,y2, suchthatx16x26. . .6xk6y1,y2. The posetY?k,2is the dual poset ofYk,2.The sum of theklargest binomial coefficients of ordernis denoted by ?(n, k).Let La](n,{Yk,2, Y?k,2}) be the size of the largest familyF ?2[n]that containsneitherYk,2norY?k,2as an induced subposet. Methuku and Tompkins proved thatLa](n,{Y2,2, Y?2,2}) = ?(n,2) forn>3 and conjectured the generalization that ifk>2 is an integer andn>k+1, then La](n,{Yk,2, Y?k,2}) = ?(n, k). On the other hand,it is known that La](n, Yk,2) and La](n, Y?k,2) are both strictly greater than ?(n, k).In this paper, we introduce a simple approach, motivated by discharging, to provethis conjecture
Perancangan Komunikasi Visual Pendukung Kegiatan Promosi Produk Tembakau Linting (Handrolling Tobacco) Drum
No full textKampanye periklanan produk tembakau linting DRUM ini adalah kegiatan yang diselenggarakan dalam upaya memperkenalkan dan membangun citra rokok linting DRUM sebagai produk baru, yang spesifik menampilkan nostalgia gaya lama / tempo dulu dengan cara melinting tembakau sendiri,
yang bagi kaum muda jaman sekarang mempunyai tantangan untuk melatih daya kreatifitasnya; yang bertujuan untuk mcningkatkan angka penjualan.
Mengacu pada tujuan tersebut di atas, maka sasaran khalayak yang paling sepadan adalah anak muda/ mahasiswa yang memiliki keunggulan dalam bidang inovatijj dan kreatifitas.
Untuk mewujudkan tujuan peningkatan angka penjualan, maka pendekatan yang paling cocok untuk hal tersebut dengan pendekatan pengexjaan rancang grafis yang menarik yang sesuai dengan karakter dari sasaran khalayak itu sendiri.
Untuk itu maka perpaduan antara berbagai unsur disain yang saling terkait tersebut diharapkan dapat menciptakan citra dari produk DRUM sesuai dengan haiapan dari tujuan perancangan disain grafis tersebut
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