1,722,729 research outputs found
L'Hiver des brûlures de Abdelaziz Kacem ou l'écrivain dans « Les Temps verbicides »
No full textMarzouki Afifa. L'Hiver des brûlures de Abdelaziz Kacem ou l'écrivain dans « Les Temps verbicides ». In: Cahiers de l'Association internationale des études francaises, 2005, n°57. pp. 393-401
Nicole Byer’s Controversy in Her Existence: A Digital Discourse Analysis
No full textNicole Byer’s Controversy in Her Existence: A Digital Discourse Analysis - a paper by Afifa Bhatti
Redesain Corporate Identity Bumbu Serbaguna Afifa Beserta Penerapannya Sebagai Upaya Meningkatkan Citra
No full textRINGKASAN Harits , Muhammad Nasrullah . 2017. Redesain Corporate Identity Bumbu Serbaguna Afifa Beserta Penerapannya Sebagai Upaya Meningkatkan Citra . Skripsi, Jurusan Seni dan Desain, Fakultas Sastra, Universitas Negeri Malang. Pembimbing: (I) Dr s. Sugiyono Ardjaka, M.Sc, Ph.D, (II) Abdul Rahman Prasetyo, S.Pd, M.Pd. Kata Kunci : Redesain , Corporate Identity , Bumbu Serbaguna Instan. Positioning dibutuhkan untuk menempatkan posisi suatu produk di pasar. Posisi ini berfusngsi agar target konsumen dari suatu produk dapat tepat sasaran. Hal ini dibutuhkan karena perusahaan memiliki keterbatasan untuk bisa memenuhi kebutuhan pelanggan yang beragam. Pe ranan penting dari suatu corporate identity sebagai landasan dasar dalam melakukan repositioning. Bumbu serbaguna Afifa merupakan sebuah brand dari CV. Taruna Bangkit. Bumbu serbaguna Afifa merupakan sebuah bumbu instan yang yang terbuat dari resep turun temurun dari orang tua pemilik bu m bu serbaguna Afifa dan memiliki keunggulan utama yaitu dengan penggunaan bahan - bahan yang alami. Sebagai bumbu dengan resep tradisional yang telah diturunkan dari generasi ke generasi, logo dari bumbu serbaguna Afifa belum mencerminkan citra tradisional yang dimaksud. Perlu dilakukannya repositioning dengan redesain identitas visual berupa corporate identi ty yang disesuaikan dengan ciri bumbu serbaguna Afifa sebagai bumbu tradisional . Hal tersebut digunakan untuk menyesuaik an positioning dan target konsumen dari bumbu serbaguna Afifa. Dalam redesain corporate identity bumbu serbaguna Afifa menggunakan Model Perancangan Prosedural, menggunakan jenis data kualitatif dengan sumber data berdasarkan hasil wawancara dan observasi, serta menggunakan model perancangan corporate identity yang digambarkan Alina Wheeler , dimulai brand strategy , riset dan analisis data mengenai latarbelakang masalah, hingga pada proses produksi. Perancangan ini terdiri dari media utama yaitu Buku Pedoman logo yang berisi tentang pedoman deskripsi singkat tentang logo, penggunaan logo beserta elemen visualnya , dan penerapannya ke beberapa media yang diperlukan seperti label kemasan , kemasan , iklan majalah , mobil perusahaan dan media lainnya . D ata perancangan ini diperoleh dari hasil wawancara terhadap narasumber terpercaya yaitu pemilik merek bumbu Afifa sekaligus CV Taruna Bangkit, Sutriyono . Redesain corporate identity bumbu serbaguna Afifa merupakan upaya yang diharapkan dapat meningkatkan sekaligus mengembalikan citra dari bumbu serbaguna Afifa . Materi dalam buku diambil dari hasil wawancara dan data pustaka, serta dalam proses visualisasinya menggunakan software pengolah gambar seperti Adobe Illu strator , Photoshop dan Corel Draw X7 , hasil dari perancangan digital . disebut dengan visualisasi desain , aplikasi brand touchpoint yang ada lalu masuk pada proses managing assets , dan jadilah sebuah produk desain. v SUMMARY Harit s , Muhammad Nasrullah. 2017. Redesign Corporate Identity for Multipurpose Spice Afifa With Its Implementation As Efforts to Improve Image. Thesis, Department of Art and Design, Faculty of Letters, State University of Malang. Advisor: (I) Drs. Sugiyono Ardjaka, M.Sc, Ph.D, (II) Abdul Rahman Prasetyo, S.Pd, M.Pd. Kata Kunci : Rede sign , Corporate Identity , Multi purpose Instant Flavor Positioning is needed to established the products placement in certain market. The placement is important to make the products can be sold to consumers appropriately. It's so cruci because the corporate has some limitednesses to fulfill the various consumer's needs. The most important role of identity corporate is being the basic in repositioning. The Afifa multi - flavor is a brand from CB Taruna Bangkit. It's an instant flavor that made from spe cial recipe. The recipe is ran by the owner of the Afifa's parents. The most unique thing of Afifa's flavor is made of natural spices. Afifa is the traditional flavor but the logo yet describe the tradiotional image so it makes the inappropriate positionin g and consumer target. Repositioning must be done by redesigning the visual identity especially in corporate identity that customized with the characteristic of the Afifa flavor as a traditional spice . The redisigning process can be use to adjust positioni ng and consumer target of Afifa flavor. The method of redisgining the corporate identity of Afifa flavor is procedural design method using qualitative data. The data has found by doing interview and observation. The redesigning process has done by using th e redesigning model from Alina Wheeler research. The redesign process is started by building the brand strategy, doing some research, and analyzing the data about the background until production process. There are two kind of media that designed in this pr ocess. First is main media. Main media that designed is The Guide Standard Manual Book. This book consists of the short description of the logo, the using of the logo, the visual elements of the logo, and the application at the several media that needed, f or example: packaging label, packaging, magazine ads, corporate transportation, etc. The redesigning data found from the result of interview with the owner of the Afifa flavor named Sutri yono. He is also the CEO of CV. Redesigning corporate identity of Afi fa flavor is an effort that expected by the owner to bring the good image of Afifa flavor back. The contents of the book taken by analyzing the result of the int erview and several l iteratures. Adobe Illustrator, Photosop, and Corel Draw X7 are the graphic software that u sed to visualize the concepts. The result of the digital designing called with design visualization, touchpoint brand application, managing assets process, so the design product will be done .ivRINGKASANHarits,MuhammadNasrullah. 2017. Redesain Corporate Identity Bumbu Serbaguna Afifa Beserta Penerapannya Sebagai Upaya Meningkatkan Citra.Skripsi, Jurusan Seni dan Desain, Fakultas Sastra, Universitas Negeri Malang. Pembimbing: (I) Drs. Sugiyono Ardjaka, M.Sc, Ph.D,(II)Abdul Rahman Prasetyo, S.Pd, M.Pd.Kata Kunci: Redesain, Corporate Identity, Bumbu Serbaguna Instan.Positioning dibutuhkan untuk menempatkan posisi suatu produk di pasar. Posisi ini berfusngsi agar target konsumen dari suatu produk dapat tepat sasaran. Hal ini dibutuhkan karena perusahaan memiliki keterbatasan untuk bisa memenuhi kebutuhan pelanggan yang beragam. Peranan penting dari suatu corporate identity sebagai landasan dasardalam melakukan repositioning.Bumbu serbaguna Afifa merupakan sebuah brand dari CV. Taruna Bangkit. Bumbu serbaguna Afifa merupakan sebuah bumbu instan yang yang terbuat dari resep turun temurun dari orang tua pemilik bumbu serbaguna Afifa dan memiliki keunggulan utama yaitu dengan penggunaan bahan-bahan yang alami.Sebagai bumbu dengan resep tradisional yang telah diturunkan dari generasi ke generasi, logo dari bumbu serbaguna Afifa belummencerminkan citra tradisional yang dimaksud.Perlu dilakukannyarepositioning denganredesain identitas visual berupa corporate identity yang disesuaikan dengan ciribumbu serbaguna Afifasebagai bumbu tradisional. Hal tersebut digunakanuntuk menyesuaikan positioning dan target konsumen dari bumbu serbaguna Afifa.Dalam redesain corporate identitybumbu serbaguna AfifamenggunakanModelPerancangan Prosedural, menggunakan jenis data kualitatif dengan sumber data berdasarkan hasil wawancara dan observasi,serta menggunakan model perancangancorporate identityyang digambarkan Alina Wheeler,dimulai brand strategy, riset dan analisis data mengenai latarbelakang masalah, hingga pada proses produksi. Perancangan ini terdiri dari media utama yaitu Buku Pedoman logoyang berisi tentang pedoman deskripsi singkat tentang logo, penggunaan logo beserta elemen visualnya, danpenerapannya ke beberapa mediayang diperlukanseperti label kemasan, kemasan, iklan majalah, mobil perusahaan dan media lainnya. Data perancangan ini diperoleh dari hasil wawancara terhadap narasumber terpercayayaitu pemilik merek bumbu Afifa sekaligus CV Taruna Bangkit, Sutriyono.Redesain corporate identitybumbu serbaguna Afifamerupakan upayayang diharapkan dapat meningkatkan sekaligus mengembalikan citra dari bumbu serbaguna Afifa. Materi dalam buku diambil dari hasil wawancara dan data pustaka, serta dalam proses visualisasinya menggunakan software pengolah gambar seperti Adobe Illustrator, Photoshopdan Corel Draw X7, hasil dari perancangan digital.disebut dengan visualisasi desain, aplikasibrand touchpointyang ada lalu masuk pada proses managing assets, dan jadilah sebuah produk desain.vSUMMARYHarits,Muhammad Nasrullah. 2017. Redesign Corporate Identity for Multipurpose Spice Afifa With Its Implementation As Efforts to Improve Image. Thesis, Department of Art and Design, Faculty of Letters, State University of Malang. Advisor: (I) Drs. Sugiyono Ardjaka, M.Sc, Ph.D, (II) Abdul Rahman Prasetyo, S.Pd, M.Pd.Kata Kunci: Redesign, Corporate Identity, Multipurpose Instant FlavorPositioning is needed to established the products placement in certain market. The placement is important to make the products can be sold to consumers appropriately. It's so cruci because the corporate has some limitednesses to fulfill the various consumer's needs. The most important role of identity corporate is being the basic in repositioning. The Afifa multi-flavor is a brand from CB Taruna Bangkit. It's an instant flavor that made from special recipe. The recipe is ran by the owner of the Afifa's parents. The most unique thing of Afifa's flavor is made of natural spices. Afifa is the traditional flavor but the logo yet describe the tradiotional image so it makes the inappropriate positioning and consumer target.Repositioning must be done by redesigning the visual identity especially in corporate identity that customized with the characteristic of the Afifa flavoras a traditional spice. The redisigning process can be use to adjust positioning and consumer target of Afifa flavor.The method of redisgining the corporate identity of Afifa flavor is procedural design method using qualitative data. The data has found by doing interview and observation. The redesigning process has done by using the redesigning model from Alina Wheeler research. The redesign process is started by building the brand strategy, doing some research, and analyzing the data about the background until production process.There are two kind of media that designed in this process. First is main media. Main media that designed is The Guide Standard Manual Book. This book consists of the short description of the logo, the using of the logo, the visual elements of the logo, and the application at the several media that needed, for example: packaging label, packaging, magazine ads, corporate transportation, etc. The redesigning data found from the result of interview with the owner of the Afifa flavor named Sutriyono. He is also the CEO of CV.Redesigning corporate identity of Afifa flavor is an effort that expected by the owner to bring the good image of Afifa flavor back. The contents of the book taken by analyzing the result of the interview and several literatures. Adobe Illustrator, Photosop, and Corel Draw X7 are the graphic software that used to visualize the concepts. The result of the digital designing called with design visualization, touchpoint brand application, managing assets process, so the design product will be done
The Impact of Micro Finance Loans on Women Entrepreneurs in Kenya a Case Study of Kenya Rural Enterprise Programme (K-REP)
No full textA Research Project Report by Afifa Ismail , Submitted to the Chandaria School of Business in Partial Fulfillment of the Requirement for the Degree of Master of Business Administratio
La lecture en mouvement d’Albert Camus. Les frères Karamazov à Alger
No full textL'articolo indaga la messinscena dei Fratelli Karamazov di Albert Camus ad Algeri negli anni '30, evidenziando i risvolti politici e culturali di ciò che egli definì lettura in movimento
Representations of Magical Realism in the Works of Afifa Laibi and Fernando Botero (A Comparative Study)
Full text linkThis research dealt with the study of representations of magical realism in the works of the artist Afifa Laibi and Fernando Botero. The study came in four chapters. The first chapter represents the general framework of the research and includes the research problem that represented the way to answer the questions raised by the researcher, including: How was magical realism represented in the works of the artist Afifa Laibi and Fernando Botero? The importance of the research also lies in defining the magical realism approach in the field of art. As for the goal of this study, it was represented in revealing the representations of magical realism in the works of the artist Afifa Laibi and Fernando Botero. The theoretical framework included two topics: the first: the concept of magical realism in the field of art, and the second was represented by two topics: the first is Fernando Botero, the experience and style, while the second topic is Afifa Laibi, the experience and style. As well as analyzing samples of two samples for the artists, and after the analysis process, the researcher reviewed the results, including For conclusions, recommendations and source list
UNSUR-UNSUR INTRINSIK DALAM NOVEL NUN PADA SEBUAH CERMIN KARYA AFIFA AFRA
Full text linkPenelitian ini bertujuan untuk menganalisis unsur-unsur intrinsik yang terdapat di dalam novel Nun Pada Sebuah Cermin karya Afifa Afra dan untuk mengetahui pentingnya pendidikan formal dalam novel tersebut. Penelitian ini menggunakan metode kualitatif deskriptif. Sumber dari penelitian ini yaitu novel Nun Pada Sebuah Cermin karya Afifa Afra. Data yang diperoleh berupa kata-kata di dalam kalimat. Teknik yang digunakan adalah teknik trianggulasi. Hasil dari penelitian ini terdapat unsur-unsur intrinsik didalam novel Nun Pada Sebuah Cermin karya Afifa Afra, yaitu: Tema perjuangan masyarakat yang hidup dalam kemiskinan. Terdapat 24 tokoh dalam novel, 13 tokoh berwatak protagonis dan 11 tokoh berwatak antagonis. Latar tempat pada novel ini terletak di kota surakarta yaitu Gedung Ketoprak ‘Chandra Poernama’, rumahdi sekitar bantaran Kali Anyar serta Taman Budaya Jawa Tengah. Latar waktu yang terdapat pada novel yaitu pagi dan malam hari. Latar sosial di dalam novel ini yaitu masyarakat kelas rendah, penduduk yang hidup sebagai pemulung, pekerja ketoprak dengan ekonomi yang sangat susah. Alur atau plot dalam novel ini menggunakan alur maju. Sudut pandang yang digunakan merupakan sudut pandang orang pertama. Gaya bahasa yang digunakan adalah metafora, personifikasi, anofora dan hiperbola. Amanat yang ditemukan dalam novel ini mengajarkan agar tifak pantang menyerah dalam menjalani kerasnya kehidupan, sedangkanpentingnya pendidikan formal yang terdapat pada novel Nun Pada Sebuah Cermin karya Afifa Afra adalah sekolah dapat menjadi cara untuk mencapai cita-cita, sehingga putus sekolah bisa menjadi masalah bagi siapa saja yang ingin menggapai cita-cita
Colonial echoes to contemporary resilience - A Case of Nainital as a Tourism Refuge
No full textThe early history of Nainital is deeply rooted in the Kumaon region’s past, with influences from various dynasties such as the Katyuri and Chand. Nainital’s importance grew significantly during the British colonial era. The British rule in the Kumaon Hills post the Anglo-Nepalese War (1814-16) led to the establishment of Nainital as a hill station in 1841 by P. Barron, a sugar trader (Hāndā 2002). This period marked the beginning of its transformation into a popular health resort for British soldiers and colonial officials, a place to escape the heat of the Indian plains (Sacareau 2007; Bhattacharya 2021; Nag 1999). Notably, the town suffered a catastrophic landslide in 1880, which brought significant changes to its landscape and development (Sharma 2021). Nainital’s architecture reflects its colonial past with landmarks like the Governor’s House and St. John’s Church (Shah 1999). These structures, alongside other historic buildings, contribute significantly to the town’s charm and serve as reminders of its rich colonial history. Nainital’s transformation over the years has been largely driven by tourism. It has evolved from a colonial retreat to a major destination for domestic and international tourists (Nag 1999). Today, the town’s economy relies heavily on tourism, with various activities centered around the Naini Lake and a host of cultural and historical landmarks attracting visitors (Bisht and Choudhuri, n.d.; Lad 2020). The diverse culinary scene, vibrant markets, and numerous yearly festivals reflect the town’s rich socio-economic tapestry . Today, Nainital is more than just a tourist spot; it’s a refuge for those seeking to escape the hustle and bustle of urban life. Its serene landscapes, rich cultural heritage, and spiritual significance offer a peaceful and rejuvenating retreat. The town’s natural beauty and tranquil environment make it an ideal destination for relaxation and contemplation
Changing Demographic, Social, and Economic Conditions in Karachi City, 1959–94: A Preliminary Analysis
Full text linkKingsley Davis (1961) had argued that the reason that the ancient cities failed to survive was that they were too deadly. He suggested that “three of their (cities) main traits....the crowding of many people in little space, their dependence on widespread contacts (due to in-migration), and their wealth...laid them open to contagious diseases, environmental contamination, occasional starvation and warfare”. Even in the medieval age, some European cities provide examples of such problems; but especially so following the Industrial Revolution. Do the events of the 1980s and the 1990s in Karachi suggest that the city may be heading in the same direction. Recently, The Times London in a lead article in November 1994, labelled Karachi as a “City of Riches and Shattered Dreams”. It further said that Karachi had grown into a megalopolis where life moved fast and street violence had become a norm. Indeed, more than 65 percent of Pakistan’s industries and 80 percent of its finance, banking, and business are concentrated in the city and people come to it from all over the country to find jobs and fulfil their dreams [Husain (1994)]. During the past decade, street violence in the form of ethnic clashes has become a sort of regular event in Karachi. At times, these clashes have been more frequent and even bloodier than the ones before. According to the local newspaper accounts, between 1985 and 1988 (in four years), about 400 people died in Karachi due to violence, which has increased substantially over time. Thus, while the number of violent deaths remained between 350–500 during 1991–93, in 1994 alone the number exceeded 1,100, and during the first three months of 1995, over 300 persons have died due to violence.
NOMOKRASI ISLAM DAN NEGARA KESATUAN REPUBLIK INDONESIA (NKRI) DALAM HUKUM TATA NEGARA
Full text linkAs a country with the greatest Muslim population in the world, it does not make Islam its ideology. In the form of relationship how Islam and the Unitary State of the Republic of Indonesia can be realized. This classic problem still requires special attention, because the debate is always inviting Reaction and action. Islam as a religion is seen as a system of living systems that are complex and capable of being believed to be a powerful mechanism in dealing with various problems of life encountered. Shari'ah is composed of a mixture of pre-Islamic customs and customs with principles and laws derived from authentic Qur'an and Hadith. Islamic thinkers seek to become Islamic teachings of ethical and national policy. Nevertheless, the principle of the state of Indonesia is accepted as final, but until now the conflict between Islamic identity and Indonesia is contested, albeit on a lesser scale.Keyword: Nomocracy Islam, United States of Indonesian Republic, Constitutional Law
- …
