1,721,086 research outputs found

    Reason’s Disunity with Itself: Comments on Adrian Moore on Kant’s Dialectic of Human Reason

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    Adrian Moore develops a helpful distinction between good and bad metaphysics. Employing this distinction, I argue, first, that some contemporary metaphysical theories might be ‘bad’, insofar as they employ, unreflectively, concepts akin to Kant’s Ideas of reason. Second, I investigate the difficulty Kant himself has with explaining our craving for bad metaphysics. Third, I raise some problems for Kant’s doctrine of ‘transcendental cognition’, which rests on the difficult assumption that Ideas have objective reality. I conclude that, while Kant has given us means to combat certain bad metaphysics, his own philosophy is not entirely free of it either

    Some Fundamental Facts about the Infinite

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    Professor Adrian Moore delivers a lecture on the concept of the infinite, a concept with deep philosophical implications. This lecture was given in St Hugh's College as part of the St Hugh's Special Lecture Series.

    Adapting to change: Working with digital sound using open source software in a teaching and learning environment

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    This paper contributes towards knowledge and understanding of the creative use of software and hardware tools for computer music. It stems from a strategic need to continually rationalize the way money is spent within an academic department on Music IT, and an interest in the advantages of open source software for managing musical and collaborative projects. The authors discussed the most practical way of assessing the use of a completely open source software platform (Linux) and a specific distribution (Ubuntu-studio). It was considered appropriate that the composer-author (Adrian Moore, AM) try to write something in his style, using his knowledge of software, calling upon the more broadly experienced software developer (Dave Moore, DM) who has an interest in open source software. After a concerted effort in the studio, it is apparent that the Linux platform has much to offer, but remains limited in a number of areas of Music IT that are used extensively in academia, industry and at home. However, as a platform for teaching and learning computer music it is an ideal tool, though we conclude that some ‘introduction’ at the outset is required for those who are uninitiated to a Linux based system

    Going Beyond Counting First Authors in Author Co-citation Analysis

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    The present study examines one of the fundamental aspects of author co-citation analysis (ACA) - the way co-citation counts are defined. Co-citation counting provides the data on which all subsequent statistical analyses and mappings are based, and we compare ACA results based on two different types of co-citation counting - the traditional type that only counts the first one among a cited work's authors on the one hand and a non-traditional type that takes into account the first 5 authors of a cited work on the other hand. Results indicate that the picture produced through this non-traditional author co-citation counting contains more coherent author groups and is therefore considerably clearer. However, this picture represents fewer specialties in the research field being studied than that produced through the traditional first-author co-citation counting when the same number of top-ranked authors is selected and analyzed. Reasons for these effects are discussed

    Bernard Williams

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    An edited multi-author volume assessing the moral philosophy of the late British philosopher Bernard Williams. Contributors: Adrian Moore, John Skorupski, Alan Thomas, Robert B Louden, Michael Stocker, A. A. Long, Edward Crai

    Variations on the Author

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    “Variations on the Author” discusses two of Eduardo Coutinho’s recent films (Um Dia na Vida, from 2010, and Últimas Conversas, posthumously released in 2015) and their contribution to the general question of documentary authorship. The director’s filmography is characterized by a consistent yet self-effacing form of authorial self-inscription: Coutinho often features as an interviewer that rather than express opinions propels discourses; an interviewer that is good at listening. This mode of self-inscription characterizes him as an author who is not expressive but who is nonetheless markedly present on the screen. In Um Dia na Vida, however, Coutinho is completely absent form the image, while Últimas Conversas, on the contrary, includes a confessional prologue that moves the director from the margins to the center of his films. This article examines the ways in which these works stand out in the filmography of a director who offers new insights into the notion of cinematic authorship

    Appropriate Similarity Measures for Author Cocitation Analysis

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    We provide a number of new insights into the methodological discussion about author cocitation analysis. We first argue that the use of the Pearson correlation for measuring the similarity between authors’ cocitation profiles is not very satisfactory. We then discuss what kind of similarity measures may be used as an alternative to the Pearson correlation. We consider three similarity measures in particular. One is the well-known cosine. The other two similarity measures have not been used before in the bibliometric literature. Finally, we show by means of an example that our findings have a high practical relevance.information science;Pearson correlation;cosine;similarity measure;author cocitation analysis

    Dispelling the Myths Behind First-author Citation Counts

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    We conducted a full-scale evaluative citation analysis study of scholars in the XML research field to explore just how different from each other author rankings resulting from different citation counting methods actually are, and to demonstrate the capability of emerging data and tools on the Web in supporting more realistic citation counting methods. Our results contest some common arguments for the continued use of first-author citation counts in the evaluation of scholars, such as high correlations between author rankings by first-author citation counts and other citation counting methods, and high costs of using more realistic citation counting methods that are not well-supported by the ISI databases. It is argued that increasingly available digital full text research papers make it possible for citation analysis studies to go beyond what the ISI databases have directly supported and to employ more sophisticated methods

    Author Index

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