1,356,563 research outputs found
The Origin and Form of the Yoruba Masque Theatre.
No full textAdedeji Joel A. The Origin and Form of the Yoruba Masque Theatre.. In: Cahiers d'études africaines, vol. 12, n°46, 1972. pp. 254-276
Analysis of Resource Availability, Cost and GHG Emission of Energy Options in Brunei Darussalam towards 2035
No full textThese datasets include raw data and estimations for lifecycle assessment of GHG emission, Levelized cost of energy, optimization and selection using TOPSIS method
Analysis of Resource Availability, Cost and GHG Emission of Energy Options in Brunei Darussalam towards 2035
No full textThese datasets include raw data and estimations for lifecycle assessment of GHG emission, Levelized cost of energy, optimization and selection using TOPSIS method
The vocabulary of a development world view
No full textIfeoluwa Adedeji analyses the shift in notions used to refer to postcolonial states
Analysis of Resource Availability, Cost and GHG Emission of Energy Options in Brunei Darussalam towards 2035
No full textThese datasets include raw data and estimations for lifecycle assessment of GHG emission, Levelized cost of energy, optimization and selection using TOPSIS method
Adedeji remains a major figure in African regional integration
No full textAs the African continent deals with the global coronavirus (COVID-19) pandemic, regional integration and the implementation of the African Continental Free Trade Agreement (AfCFTA) have been noted as sure ways of attaining industrialization and economic development. Delivering the annual Professor Adebayo Adedeji Lecture at the Economic Commission for Africa’s (ECA) 53rd Session of the Commission and 2021 Conference of African Ministers of Finance, Planning and Economic Development, Rob Davies, former Minister of Trade and Industry in South Africa, recalled his time with Professor Adedeji and said, even in the 1990s, he was a major figure in discussions on the future of Africa’s integration in the years immediately before South Africa’s democratic transition
With the passing of Adebayo Adedeji, Africa has lost an icon, a visionary – Vera Songwe
No full textThe entire staff of the UN Economic Commission for Africa (ECA) this week mourns the passing of the institution’s longest serving Executive Secretary, Professor Adebayo Adedeji, who passed away on 25 April 2018. In a statement to all ECA staff, the Executive Secretary, Vera Songwe described Professor Adedeji as greatly respected for his leadership and contribution to changing the discourse of Africa’s development agenda
Kaberuka inaugure la série de conférences Adebayo Adedeji
No full textCe communiqué de presse porte sur le lancement d’une série de conférences Adebayo Adedeji par la CEA en mars 2014 qui couronne et reconnaît les contributions intellectuelles au développement, les services rendus à l'Afrique et l'humanité du Professeur Adebayo Adedeji qui a été Secrétaire exécutif de la CEA de 1975 à 1978 et Secrétaire général adjoint de l'ONU de 1978 à 1991
Instrumentation as a Stylistic Determinant in Nigerian Gospel Music
No full textGenerally, in Africa, musical instruments perform various functions, both musical and non-musical. In Nigerian gospel music these functions are not only found but also have expanded. In this paper, various musical instruments used in Nigerian gospel music are described and categorized before discussing their musical, socio-linguistic symbolic, aesthetic, and stylistic functions. Since Nigerian gospel music has been categorized into distinct styles (Adedeji, 2004a), instrumentation could be argued to be one of the determinants, as shown in this paper.Généralement en Afrique, les instruments de musique jouent plusieurs fonctions. Ces fonctions sont soit d'ordre musical ou d'ordre non-musical. Dans la musique chrétienne du Nigeria, non seulement ces fonctions existent mais elles sont étendues. Dans cet article, nous avons décrit et groupé plusieurs instruments de
musique utilisés dans la musique chrétienne au Nigeria. Ensuite, nous avons discuté leurs fonctions musicales, socio-linguistiques symboliques, esthétiques et stylistiques. Au Nigeria, comme la musique chrétienne est groupée en de catégories de styles distincts (Adedeji, 2004 a), nous pouvons argumenter, dans cet article, que l'instrumentation en constitue l'un des déterminants.Institute of African Studies: Research Review Vol. 23 (2) 2007: pp. 43-5
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