7,658 research outputs found

    Productive tensions: residencies in research

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    Challenging Orthodoxies through Partnership: PGCE Students as agents of change

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    The most popular route to becoming a secondary school teacher in the UK is the Postgraduate Certificate in Education (PGCE), a model that relies on a partnership between schools and universities. Although this model is recognised as efficient and effective it brings together institutions in collaboration whose aims do not always converge. Often one side is accused of pragmatism while the other is denounced for its unrealism. Neither institution seems fully to appreciate the other and so simple oppositions may be set up and perpetuated through misunderstandings. When this arises student teachers are positioned uncomfortably in the middle and in order to survive they have to negotiate a pedagogical identity that acknowledges potential differences

    Interview with Nicholas Christopher, author of Somewhere in the Night: Film Noir and the American City

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    Interview with Nicholas Christopher, author of Somewhere in the Night: Film Noir and the American Cit

    Diversity: Whiteness in the Art and Design Classroom

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    If you think it is difficult to talk about racism, it’s ten times more difficult to talk about white privilege. (Bhopal 2021) In this piece, two anti-racist art and design educators explore their experience of whiteness and white privilege in art and design education. We offer this to deepen and embolden your own work. You will learn about how we have seen whiteness colonise young people’s experience, resulting in disengagement and racist harms for those of the global majority and the normalisation of white privilege across students and educators. We also talk about how we attempt to disrupt it. Learning to speak across difference is important here: one of us specialises in fashion, is ‘brown’ and middle-class from a Muslim background, and the other specialises in fine art, is ‘white’ and middle-class from a secular background. We come together because we are passionate that all children and young people are entitled to the wonders of making and experiencing art, craft and design across global cultures. We are committed to confronting injustice, privilege and prejudices that gatekeep art and design, and keep our field elite. After setting the scene in the introduction, we present our answers to four questions we asked ourselves on whiteness and racism. The format is an invitation to ask the same questions to support self- and co-inquiry. In discussing our answers, we encourage the practice of listening to each other, strengthening the capacity for ‘race talk’. 1. When did you first realise that white privilege existed in art and design education? 2. When did you first experience the racist harms of whiteness in art and design education, in your schooling, art college, teaching etc? 3. How do you subvert, resist or arrest the harms of whiteness in art and design education? 4. How do you embed or embody non-Eurocentric and pluriversal art, design and craft into your day-to-day work as an educator, bringing on ‘pedagogies of hope’ (Freire 1997; hooks 1994)? In our conclusion, we propose pluriversal approaches to art and design education as ways to repair the abuses of whiteness and racism and to reinvent the future (Escobar 2017; 2020; Kothari et al. 2019; Noel 2020). The Mexican revolutionary Zapatistas’ term pluriverse is increasingly being used in art and design contexts, refocusing status on the worlds of those who have been historically oppressed and excluded. Pluriversality rejects the assumed universality that descends directly from imperialism and colonialism imposed by ‘white’ Europeans’ historical and ongoing dismissal/erasure/extraction of culture and resources from peoples across the world

    There are no formal elements. Why we need a historicist pedagogy of Art and Design.

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    Book chapter in Addison, N. & Burgess, L. (eds.) (2020) Debates in Art and Design Education (Second Edition). London: Routledge

    The Grammar of Graphics

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    Resurrecting the Author

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    Presentation of Nicholas Wolterstorff\u27s Paper Resurrecting the Author with time after for questions beginning at 18:00

    Heritability and Linkage Analysis of Appendicitis Utilizing Age at Onset

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    Appendicitis usually afflicts the young, but there is a large tail in the distribution of onset age. The genetics of this disease are still not well understood. A heritability analysis and genome wide linkage analysis of a large twin dataset was undertaken. Treating age of onset of appendicitis as a censored survival trait revealed a heritability of 0.21, and found evidence of linkage to Chromosome 1p37.3. Author(s): Christopher Oldmeadow 1 * | Kerrie Mengersen 2 | Nicholas Martin 3 | David L. Duffy

    Nicholas de Monchaux: Local Code / Real Estates

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    Nicholas de Monchaux is an architect and urbanist whose work explores the intersections between nature, technology, and the city. He is the author of Spacesuit: Fashioning Apollo (MIT Press, 2011), an architectural history of the Apollo 11 spacesuit. He is Assistant Professor of Architecture and Urban Design at UC Berkeley. The work of his design studio has been exhibited widely and is currently being featured in the US Pavillion of the 13th Venice Biennale
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