6,734 research outputs found
The sense of a beginning : Bakhtinian dialogic criticism on 'the gospel' in Mark.
Get PDFContemporary literary approaches have caused paradigm shifts in Biblical Studies in the last two decades as it appears in a great deal of Markan studies using narrative, reader-response, deconstructive, feminist, and new historicist approaches. However, literary studies on the Gospel of Mark have not taken into account theoretical questions underlying those approaches. As a result biblical critics are driven by new trends without ever having a chance to examine the critical baggage of the approaches. Consequently, there is a gap of communication between the old and the new one. Therefore this thesis is an attempt to meet the need of enhancing the quality of critical endeavour in biblical studies. In the light of most recent competing critical theories of literature, the first contribution of this thesis is the methodological finding that Bakhtinian dialogic criticism contains the most profound philosophical and practical foundations for solving some crucial theoretical problems in contemporary literary theories. It is a critique to a Saussurian linguistic system of language which becomes the very foundation of modern and postmodern literary criticism. Bakhtinian literary theory shifts the foundation of literary criticism on linguistic signs into the creative activity of the socio-cultural production of human communication. The shift into socio-cultural reality of language communication makes the notion of 'genre' very important to unlock the problem of text and context in literary studies. Since the Gospel of Mark has fascinated most literary critics in Biblical Studies, the problem of 'genre' of this gospel is chosen as the focus of this study. Secondly, as no agreement is reached as to what 'genre' the Gospel of Mark belongs, this thesis makes its contribution to the discussion by locating the problem of 'genre' of Mark in the context of genre theories and argues that the Bakhtinian suggestion to find genre in the socio-cultural sphere by analysing artistic intercourse between narrative agents in Mark has freed the competing analysis from the unresolved problem between the kerygmatic (content oriented) approach and the analogical (form oriented) approach. To achieve finding 'genre' in the socio-cultural sphere, this thesis focuses on Bakhtinian analysis of the process of artistic intercourse between narrative agents. The narrative communicative interrelationships between narrative agents is constructed in this thesis as a 'stereophonic' Bakhtinian model of dialogic communication. This model is an original contribution of this thesis for revising the traditional two dimensional model of narrative communication. Based on this dialogical model of communication, a special role is given to the Bakhtinian 'author-creator' in the realization process of genre through the interaction of polyphonic voices. Through the interaction of voices of the author-artist and the hero we are led to discover a relatively stable type of portraying and controlling reality in Mark, known as the genre of Roman 'satire'. The closest literary affinity is Satyrica by Petronius. This narrative strategy of 'satire' in Mark has its root in the prophetic discourse of the Old Testament which is saturating the speech of the narrator, John the Immerser, the centurion, the people, and even Jesus. Finally, the whole search for Markan 'genre' culminates in the analysis of the realization of genre through the analysis of Bakhtinian chronotope. The reality of the genre of Mark is its social reality that is in its role as dpxrj/ 'beginning'. As the Gospel of Mark proclaims itself as 'a beginning', it defines its claim of socio-cultural 'authority' in early Christianity. It is this 'sense of beginning' which enables the narrating and the narrated world of Mark to interact dialogically
6. Bilingualism in Ancient Society. Language Contact and the Written Text, James Ν. Adams, Mark Janse and Simon Swain éd
No full textSamama Evelyne. 6. Bilingualism in Ancient Society. Language Contact and the Written Text, James Ν. Adams, Mark Janse and Simon Swain éd. In: Revue des Études Grecques, tome 118, Juillet-décembre 2005. pp. 622-623
6. Bilingualism in Ancient Society. Language Contact and the Written Text, James Ν. Adams, Mark Janse and Simon Swain éd
No full textSamama Evelyne. 6. Bilingualism in Ancient Society. Language Contact and the Written Text, James Ν. Adams, Mark Janse and Simon Swain éd. In: Revue des Études Grecques, tome 118, Juillet-décembre 2005. pp. 622-623
NJBankers 2015 Economic Survey: Final Analysis and Report of Survey Findings
No full textThis is the fifth annual Economic Survey. The survey inquires about national and state current economic assessments, as well as six-month projections; expectations about long-term and short-term interest rates; commercial real estate submarket and loan demand; and residential loan and refinance demand. The survey also explores real estate values, currently and expected, as well as a set of negative indicators and common obstacles to lending. The survey series probes metrics about the national, state, and banking market economies in order to better understand, and, in turn, better facilitate the growth, development, and common interests of the banking sector in the state of New Jersey. Conducted by the Bloustein Center for Survey Research (BCSR) under the direction of James Hughes, Marc Weiner and BCSR senior research specialist Orin Puniello,Conducted for New Jersey Bankers Association"January 2015
The Gospel on the Margins: The Ideological Function of the Patristic Tradition on the Evangelist Mark
Get PDFIn spite of the virtually unanimous patristic opinion that the evangelist Mark was the interpreter of Peter, one of the most prestigious apostolic founding figures in Christian memory, the Gospel of Mark was mostly neglected in the patristic period. Not only is the text of Mark the least well represented of the canonical Gospels in terms of the number of patristic citations, commentaries and manuscripts, the explicit comments about the evangelist Mark reveal some ambivalence about its literary or theological value. In my survey of the reception of Mark from Papias of Hierapolis until Clement of Alexandria, I will argue that the reason why the patristic writers were hesitant to embrace the Gospel of Mark was that they perceived the text to be amenable to the Christological beliefs and social praxis of rival Christian factions. The patristic tradition about Mark may have little historical basis, but it had an important ideological function in appropriating the text in the name of an apostolic authority from the margins or periphery
Should i publish in an open access journal?
No full textAn “author pays” publishing model is the only fair way to make biomedical research findings accessible to all, say Matthew Kurien and David S Sanders, but James J Ashton and R Mark Beattie worry that it can lead to bias in the evidence base towards commercially driven results
Proceedings of the \u3ci\u3eQuerying the Library: Digitization and its Impact Conference\u3c/i\u3e
No full textThis collection of papers represents conference presentations as proceedings from the “Querying the Library: Digitization and Its Impact” Conference hosted by the James P. Adams Library at Rhode Island College on May 31, 2013. Conference presenters were selected for their innovative, future-oriented thinking, work and advancement of the library and information science profession: transformative information carriers; engagement of writers and readers; collection stewardship; networked, interdependent distributed computing environments; and transformative, social, knowledge creation infrastructures and ecosystems.
Includes contributions from Mark J. Caprio, Christiane Marie Landry, Brendan Ryan, Julia Lovett, Andrée Rathemacher, Barbara Adams Hebard, Chelsea Gunn, Emily Powers Souza, Chris Tanguay, Kate Thornhill, Emily Toner, and Kieran Ayton
Polyphony and the anxiety of influence in the fiction of Henry James
Get PDFJames's fiction, especially in the Middle Phase, centres
on the figure of the artist and is characterized by, the two
interrelated aspects which previous criticism has largely
overlooked: the Bakhtinian 'polyphonic' -creation of
'author-thinkers'; and the conflict between ephebes and
precursors, for which Harold-Bloom's concept of 'the-anxiety of
influence' is the most illuminating model. Polyphony is the
narrative mode, and influence is the intra-artistic, theme.
These, as the Introduction to the thesis makes clear, are
rehearsed in James's inaugural novel, Roderick Hudson. Rowland
Mallet is an author-thinker, and his failure is caused by
authorial limitations. His monologism -is impaired by his
mistaking empathy for the authorial sympathy. Likewise,
Hudson's failure does not arise from a mercurial temperament,
but from a polyphonic shortcoming: not possessing the power of
fiction to contain the fiction of power in, his mentor. And the
relationships among the three artists - Gloriani, Hudson and
Singleton - perfectly exemplify the Bloomian-theme. It is these
two concepts, polyphony and influence, which are the major
preoccupation in the Middle Phase; as, the works chosen
demonstrate. These are a novella, a novel, and a number of
short stories all of which have been unjustifiably neglected.
Chapter One, on The Aspern Papers, argues that Tina Bordereau,
far from being, the artless victim seen by many critics,
actually challenges and defeats the narrator by the very form
of her narrative. Her 'realist' discourse undermines his
language of 'romance', and shows up its internal unstability.
Chapter Two is an extensive study of the critical reception of
The Tragic Muse. The most common areas of critical attention
have been its contemporary topicality, its relation to previous
novels on similar themes, and the possible genealogy of Gabriel
Nash. Those have all missed the core of the work. - Chapter Three
demonstrates how polyphony and the anxiety of influence make
the novel what it really is. Influence arises from the
juxtaposition of, and the wrestling between, artistic ephebes
and their precursors (Nick and Nash,, Miriam and Madame Carre).
The dialogic quality defined by Bakhtin is crucial to the
proper, and even-handed, characterization of all, the conflicts
in the novel. And since most of James's tales in the eighties
and nineties -are about 'masters - and acolytes, the anxiety of
influence remains central. Chapter Four is a study of 'The
Author of Beltraffiol' and 'The Lesson of the Master'. Again the
characters' manipulations are a crucial focus in a way that
G6rard Genette's terminology helps to illuminate. The fact that
the ephebe is the author-thinker emphasizes the inextricability
of the Bakhtinian and the Bloomian in James. Just as
polyphony offers a different focus for explicating the poetics
of James's fiction; so the ephebal conflict provides the basis
for a fresh perception of James's own artistic struggle
A Study of characterization and representation in James Joyce's a portrait of the artist as a young man and John barth's lost, in the funhouse
Get PDFDissetação (mestrado) - Universidade Federal de Santa Catarina, Centro de Comunicação e ExpressãoAnálise da caracterização e da representação do artista nos romances A Portrait of the Artist as a Young Man de James Joyce e Lost in the Funhouse de John Barth. A análise destes romances quanto às diferenças existentes no modo de representação do artista, faz com que eles possam ser lidos, respectivamente, como representantes das narrativas modernista e pós-modernista
Theology in suspense : how the detective fiction of P.D. James provokes theological thought
No full textElectronic redacted version excludes material for which permission has not been granted by the rights holderThe following dissertation argues that the detective fiction of P.D. James
provokes her readers to think theologically. I present evidence from the body of
James’s work, including her detective fiction that features the Detective Adam
Dalgliesh, as well as her other novels, autobiography, and non-fiction work. I also
present a brief history of detective fiction. This history provides the reader with a
better understanding of how P.D James is influenced by the detective genre as well as
how she stands apart from the genre’s traditions.
This dissertation relies on an interview that I conducted with P.D. James in
November, 2008. During the interview, I asked James how Christianity has
influenced her detective fiction and her responses greatly contribute to this
dissertation. However, James’s novels should be interpreted and explored in the
manner that they are received by the reader. How the reader receives and responds to
the novels, not only how James writes the novels, is what causes her stories to
provoke theological thinking.
By examining Christian symbolism that is present in setting, character, the
Detective Adam Dalgliesh, and plot, this dissertation seeks to assert that James
contributes to a theological conversation through her popular detective fiction
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