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A feminist stylistics study of God of Women and The Woman and the Ogre. [Master's thesis, Namibia University of Science and Technology]. Ounongo Repository.
No full textTHESIS PRESENTED IN PARTIAL FULFILLMENT OF THE REQUIREMENTS FOR THE MASTER DEGREE OF MASTER OF ENGLISH AND APPLIED LINGUISTICS AT THE NAMIBIA UNIVERSITY OF SCIENCE AND TECHNOLOGY
Supervisor: Prof Haileleul Zeleke WoldemariamThis thesis provides a feminist stylistic analysis of two Namibian plays: God of Women by Francis Sifiso Nyathi (2012) and The Woman and the Ogre by Keamogetsi Joseph Molapong (2002). The key purpose of the study was to find out how Nyathi (2012) and Molapong (2002) used language to represent women characters in their plays. The researcher evaluated the use of language that the playwrights used to depict female characters in the plays. A feminist stylistics framework was employed in this study. The study revealed that both Nyathi (1998) and Molapong (2002) presented women characters as inferior to men characters in their plays. Nyathi (2012) presented women as victims of physical, emotional and sexual abuse at the hands of their husbands in marriage. Molapong (2002) presented women characters negatively as dependent on their fathers. He portrayed women characters as beauty goddesses who are praised based on how beautiful they are, therefore reducing their worth to physical appearance. Furthermore, both playwrights used a wide range of linguistic devices such as metaphors and figures of speech to bring to light the gender roles that are expected of women such as being domestic workers around the home, providing sexual pleasure to their husbands as well as working in the fields to provide food for their families. The study also revealed that the two playwrights used discourse to present women as voiceless, powerless and as each other’s rivals. The study concluded that both Nyathi (2012) and Molapong (2002) largely presented women characters negatively, and the feminist stylistic framework was successful in bringing these presentations to light
Going Beyond Counting First Authors in Author Co-citation Analysis
Full text linkThe present study examines one of the fundamental aspects of author co-citation analysis (ACA) - the way co-citation
counts are defined. Co-citation counting provides the data on which all subsequent statistical analyses and mappings
are based, and we compare ACA results based on two different types of co-citation counting - the traditional type that
only counts the first one among a cited work's authors on the one hand and a non-traditional type that takes into
account the first 5 authors of a cited work on the other hand. Results indicate that the picture produced through this non-traditional author co-citation counting contains more coherent author groups and is therefore considerably clearer. However, this picture represents fewer specialties in the research field being studied than that produced through the traditional first-author co-citation counting when the same number of top-ranked authors is selected and analyzed. Reasons for these effects are discussed
Language as an instrument of hegemony in selected Namibian plays written in English
No full textJournal articleReproducing hegemony and strengthening patriarchy, Namibian playwrights present women who are groomed to be good wives and mothers in some selected Namibian plays. Because of these cultural and societal expectations and practices, women assume reproductive roles and responsibilities without much remonstration. Men, on the other side, assume that women’s place is at home and that men’s place is outside home, which limits the participation of women outside home and men at home (Husselmann, 2016). Capitalizing on this simple argument and unlocking language as an instrument of hegemony, the main objective of this article is to answer few fundamental questions: Do Namibian playwrights practise derogatory language against Namibian women in the plays? Is language an instrument of hegemony and discrimination in Namibian plays? Where does this language hegemony originate? Theorizing and answering these basic questions, the article follows a feminist stylistics theoretical framework, an interpretivist paradigm, an explanatory design, and a qualitative research approach. Purposively, we selected two Namibian plays: Francis Sifiso Nyathi’s God of Women (2012) and Keamogetsi Joseph Molapong’s The Woman and the Ogre (2002). The key purpose of the article is to find out how Namibian playwrights use language to represent and characterise women. The article also argues that both Nyathi (1998) and Molapong (2002) used language to present women as inferior to men in their plays. Nyathi (2012) employed language persuasively to characterise women as victims of physical, emotional, and sexual abuse in the hands of their husbands within the Namibian marriage system and set ups. Similarly, we also argue that Molapong (2002) presented women characters negatively as dependent on their fathers. Molapong used language to portray women characters as beauty goddesses who are praised based on how beautiful they are, therefore, reducing and fragmenting their worth to appearances. Both playwrights used a wide range of linguistic devices such as metaphors and other figures of speech to characterise gender roles that are expected of women such as being domestic workers, providing sexual pleasures to their husbands as well as working in the fields to provide food for their families. In these plays, language is a strong instrument of economic hegemony. The article concludes that both Nyathi and Molapong largely practised language to characterise women negatively and Sara Mill’s Feminist Stylistic Theory (1995) is successful in unpacking these hidden assumptions, practices and hegemonies
Variations on the Author
Full text link“Variations on the Author” discusses two of Eduardo Coutinho’s recent films (Um Dia na Vida, from 2010, and Últimas Conversas, posthumously released in 2015) and their contribution to the general question of documentary authorship. The director’s filmography is characterized by a consistent yet self-effacing form of authorial self-inscription: Coutinho often features as an interviewer that rather than express opinions propels discourses; an interviewer that is good at listening. This mode of self-inscription characterizes him as an author who is not expressive but who is nonetheless markedly present on the screen. In Um Dia na Vida, however, Coutinho is completely absent form the image, while Últimas Conversas, on the contrary, includes a confessional prologue that moves the director from the margins to the center of his films. This article examines the ways in which these works stand out in the filmography of a director who offers new insights into the notion of cinematic authorship
Appropriate Similarity Measures for Author Cocitation Analysis
Full text linkWe provide a number of new insights into the methodological discussion about author cocitation analysis. We first argue that the use of the Pearson correlation for measuring the similarity between authors’ cocitation profiles is not very satisfactory. We then discuss what kind of similarity measures may be used as an alternative to the Pearson correlation. We consider three similarity measures in particular. One is the well-known cosine. The other two similarity measures have not been used before in the bibliometric literature. Finally, we show by means of an example that our findings have a high practical relevance.information science;Pearson correlation;cosine;similarity measure;author cocitation analysis
Dispelling the Myths Behind First-author Citation Counts
Full text linkWe conducted a full-scale evaluative citation analysis study of scholars in the XML research field to explore just how different from each other author rankings resulting from different citation counting methods actually are, and to demonstrate the capability of emerging data and tools on the Web in supporting more realistic citation counting methods. Our results contest some common arguments for the continued
use of first-author citation counts in the evaluation of scholars, such as high correlations between author rankings by first-author citation counts and other citation
counting methods, and high costs of using more realistic citation counting methods that are not well-supported by the ISI databases. It is argued that increasingly available digital full text research papers make it possible for citation analysis studies to go beyond what the ISI databases have directly supported and to employ more
sophisticated methods
koamabayili/VECTRON-author-checklist: VECTRON author checklist
No full textWe have done our best to complete the author checklist relating to the use of animals in the hut study. Note that the objective for the hut study was to evaluate the IRS treatment applications for residual efficacy against Anopheles mosquitoes, including the local An. coluzzii mosquito population. Cows were only used to attract mosquitoes into the huts and no tests were carried out directly on the cows. The author checklist is intended for use with studies where experiments are carried out on animals, which is why we have had such difficulty in completing this for the hut study, as many of the questions do not relate to how the cows were used
Author-wise bibliometric analysis based on entropy.
No full textAuthor-wise bibliometric analysis based on entropy.</p
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