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Author Correction: Discovery and refinement of genetic loci associated with cardiometabolic risk using dense imputation maps
No full textIn the version of the article published, the surname of author Aaron Isaacs is misspelled as Issacs.</p
Author Correction: Discovery and refinement of genetic loci associated with cardiometabolic risk using dense imputation maps
No full textIn the version of the article published, the surname of author Aaron Isaacs is misspelled as Issacs.</p
Author Correction: Discovery and refinement of genetic loci associated with cardiometabolic risk using dense imputation maps
No full textIn the version of the article published, the surname of author Aaron Isaacs is misspelled as Issacs
Author Correction: Discovery and refinement of genetic loci associated with cardiometabolic risk using dense imputation maps
No full textIn the version of the article published, the surname of author Aaron Isaacs is misspelled as Issacs.</p
Author Correction: Discovery and refinement of genetic loci associated with cardiometabolic risk using dense imputation maps
Full text linkCorrection to: Nature Genetics https://doi.org/10.1038/ng.3668, published online 26 September 2016.
In the version of the article published, the surname of author Aaron Isaacs is misspelled as Issacs
Erratum to: Discovery and refinement of genetic loci associated with cardiometabolic risk using dense imputation maps
No full textIn the version of the article published, the surname of author Aaron Isaacs is misspelled as Issacs
Going Beyond Counting First Authors in Author Co-citation Analysis
Full text linkThe present study examines one of the fundamental aspects of author co-citation analysis (ACA) - the way co-citation
counts are defined. Co-citation counting provides the data on which all subsequent statistical analyses and mappings
are based, and we compare ACA results based on two different types of co-citation counting - the traditional type that
only counts the first one among a cited work's authors on the one hand and a non-traditional type that takes into
account the first 5 authors of a cited work on the other hand. Results indicate that the picture produced through this non-traditional author co-citation counting contains more coherent author groups and is therefore considerably clearer. However, this picture represents fewer specialties in the research field being studied than that produced through the traditional first-author co-citation counting when the same number of top-ranked authors is selected and analyzed. Reasons for these effects are discussed
Variations on the Author
Full text link“Variations on the Author” discusses two of Eduardo Coutinho’s recent films (Um Dia na Vida, from 2010, and Últimas Conversas, posthumously released in 2015) and their contribution to the general question of documentary authorship. The director’s filmography is characterized by a consistent yet self-effacing form of authorial self-inscription: Coutinho often features as an interviewer that rather than express opinions propels discourses; an interviewer that is good at listening. This mode of self-inscription characterizes him as an author who is not expressive but who is nonetheless markedly present on the screen. In Um Dia na Vida, however, Coutinho is completely absent form the image, while Últimas Conversas, on the contrary, includes a confessional prologue that moves the director from the margins to the center of his films. This article examines the ways in which these works stand out in the filmography of a director who offers new insights into the notion of cinematic authorship
Till 250-årsminnet av Aaron Isaacs födelse
Full text linkThe present article concentrates on one of the two extant poems preserved from the “pre-Swedish period” of Aaron Isaac, otherwise known as the founding father of Swedish Jewry. The poem is presented here in a form as close as possible to the original manuscript which is kept in the University Library of Rostock. However, it has been transcribed into Latin letters so as to make it more easily accessible&&and the present writer has even ventured into a Swedish rendering of the text. The poem is a panegyric dedicated to Marcus Moses, who had recently been promoted physician&&it is one of those occasional products which would probably have vanished, were it not for some fortuitous event, in this case represented by professor Tychsen, an intimate friend of Aaron Isaac. The author of the poem has been reproached of badly flowing metre. But, in the present writer’s view, rhymes mattered more than metre to Aaron Isaac as well as to Jewish prosody in general&&moreover, judged by Germanic standards, the poem may seem faulty in more than one respect, but the fact is that the poem is modelled on Semitic rather than Germanic patters, and this is, among other things, borne out clearly by the alphabetical arrangement of the verses
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