1,721,003 research outputs found

    Theory of Parametric Down Conversion in Bulk Non-Linear Crystals: An Introduction

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    Parametric Down Conversion (PDC) is a very important resource for what concern the development of quantum technologies and for experiments about foundation of quantum mechanics. The interest about this phenomenon is due to the fact that photons emitted by PDC are quantum correlated in many parameters and it is possible to use the PDC to produce states of light with strong non-classical behaviour. The aim of this paper is provide an extensive review on the theory of Parametric Down Conversion whit particular emphasis for what concern the case of Spontaneous Parametric Down Conversion (SPDC) in bulk non-linear crystals

    Entanglement and Quantum non-locality: an experimental perspective

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    The theory of Quantum Mechanics is one of the mainstay of modern physics, a well-established mathematical clockwork whose strength and accuracy in predictions are currently experienced in worldwide research laboratories. As a matter of fact, Quantum Mechanics laid the groundwork of a rich variety of studies ranging from solid state physics to cosmology, from bio-physics to particle physics. The up-to-date ability of manipulating single quantum states is paving the way for emergent quantum technologies as quantum information and computation, quantum communication, quantum metrology and quantum imaging. In spite of the impressive matemathical capacity, a long-standing debate is even revolving around the foundational axioms of this theory, the main bones of content being the non-local effects of entangled states, the wave function collapse and the concept of measurement in Quantum Mechanics, the macro-objectivation problem (the transition from a microscopic probabilistic world to a macroscopic deterministic world described by classical mechanics). Problems that, beyond their fundamental interest in basic science, now also concern the impact of these developing technologies. Without claiming to be complete, this article provides in outline the living matter concerning some of these problems, the implications of which extend deeply on the connection between entanglement and space-time structure

    Going Beyond Counting First Authors in Author Co-citation Analysis

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    The present study examines one of the fundamental aspects of author co-citation analysis (ACA) - the way co-citation counts are defined. Co-citation counting provides the data on which all subsequent statistical analyses and mappings are based, and we compare ACA results based on two different types of co-citation counting - the traditional type that only counts the first one among a cited work's authors on the one hand and a non-traditional type that takes into account the first 5 authors of a cited work on the other hand. Results indicate that the picture produced through this non-traditional author co-citation counting contains more coherent author groups and is therefore considerably clearer. However, this picture represents fewer specialties in the research field being studied than that produced through the traditional first-author co-citation counting when the same number of top-ranked authors is selected and analyzed. Reasons for these effects are discussed

    Variations on the Author

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    “Variations on the Author” discusses two of Eduardo Coutinho’s recent films (Um Dia na Vida, from 2010, and Últimas Conversas, posthumously released in 2015) and their contribution to the general question of documentary authorship. The director’s filmography is characterized by a consistent yet self-effacing form of authorial self-inscription: Coutinho often features as an interviewer that rather than express opinions propels discourses; an interviewer that is good at listening. This mode of self-inscription characterizes him as an author who is not expressive but who is nonetheless markedly present on the screen. In Um Dia na Vida, however, Coutinho is completely absent form the image, while Últimas Conversas, on the contrary, includes a confessional prologue that moves the director from the margins to the center of his films. This article examines the ways in which these works stand out in the filmography of a director who offers new insights into the notion of cinematic authorship
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