71,356 research outputs found
Allen W. Clemen to James C. Furman
No full textA two page letter from Allen W. Clement to James C. Furma
Reverend J. M. Allen to James C. Furman
No full textA one page letter and envelope from Reverend J.M. Allen to James C. Furma
Oral Memoirs of James Allen
No full textAn oral history interview with James Allen, MD, first chair of the Department of Psychiatry at the Tulsa Medical College.N
Correspondence : Allen (James) and Engelmann (George), 1882-1886
No full textJames Thomas Allen to Engelmann, 1882-188
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[James Allen petition on Narragansett Indian claims and House reply].
No full textPetition submitted by James Allen to the General Assembly during the October session in 1809, which requested that a committee be appointed to try and determine all claims between Allen and the Narragansett Indians and the House reply which agreed to said committee as well as setting some procedures for same
Harmonies of political economy / by Frédéric Bastiat ; translated from the French, with a notice of the life and writings of the author, by Patrick James Stirling
No full textTranslation of the first 10 chapters of "Harmonies économiques"Advertisement on p. [299]Bastiat, Frédéric, 1801-1850Stirling, Patrick James, 1809-1891Physical description: xl, 298, [1] p. ; 23 cmLocation of original: Center for Historical Social Science Literature, Hitotsubashi University -- Call no. : Franklin:91Technical requirements: DjVu plugin is required to read text
Art, Biography, Sexuality: Patrick Procktor and Keith Vaughan
No full textThis critical review forms a reflection on the research published within the following publications:
Patrick Procktor: Art and Life (Unicorn Press, 2010)
Keith Vaughan: The Mature Oils 1946-1977, (Sansom & Co., 2012)
The research is on two artists, Patrick Procktor (1936-2003), and Keith Vaughan (1912-1977). The monograph on Procktor – previously one of the least documented of the generation of artists who came to prominence in London in the Sixties – positions him in a history of art from which he had been notably absent. The research on Vaughan asserts a new reading of his work, one that is both deeper and more nuanced in its analysis of the ways in which personal experience and sexuality are encoded autobiographically within his work. Crucially, in both artists biography and work are symbiotically linked; the research therefore examines the links between life and art.
Revisionary in intent, the work examines trajectories of experience of gay British (or rather, English) artists in the twentieth century, artists who sought to express themselves and forge careers within the constraints of a heteronormative society, albeit one in which attitudes to sexuality were undergoing change. As gay men, both were constrained by the social mores of their times, and each used painting as a means to affirm personal and sexual identities. A key research interest is in the ways in which sexuality and persona are reflected in critical responses to the artist’s work: in Vaughan, Procktor and other gay male artists of the period. The writing on both Procktor and Vaughan examines the relationship between their personal and professional/artistic lives, framed within a broader socio-political and art historical context. It asserts the place of biography as a means to understand and form new readings of the work. The work adds substantially to the literature and wider discourse on post-war British painting and social history
Patrick Ligocki's Ph.D. Recital
No full textOriginal Format: CassetteComposers in the first Ph.D. recital: John Dowland; Fernando Sor; Johann Sebastian Bach; Joaquin Rodrigo; Benjamin BrittenComposers in the second Ph.D. recital: John Dowland; Mauro Giuliani; Federico Moreno-Torroba; Alberto GinasteraFirst Recital: GuitarSecond Recital: Guita
James Allen / Dynamite J oral history interview, 2013
No full textOral history interview with James "Dynamite J" Allen conducted over the phone by Kevin Kosanovich. Topics include: late 1970s Virginia culture; Graffiti; Soul Train; Virginia State University; Soul Patrol; middle school and high school hip-hop culture; Mighty MCs; Old School Mentality Records; Richmond radio stations; bootleg tapes; Jam Pony Express; Alpha Studio; Virginia Zulu Nation Chapters; VA is for Hustlerz; History of Mixtapes.Oral history interview with James "Dynamite J" Allen conducted over the phone by Kevin Kosanovich. Topics include: late 1970s Virginia culture; Graffiti; Soul Train; Virginia State University; Soul Patrol; middle school and high school hip-hop culture; Mighty MCs; Old School Mentality Records; Richmond radio stations; bootleg tapes; Jam Pony Express; Alpha Studio; Virginia Zulu Nation Chapters; VA is for Hustlerz; History of Mixtapes
Tropical ginsberg: the resonance of Allen Ginsberg on the Tropicália
No full textDissertação (mestrado) - Universidade Federal de Santa Catarina, Centro de Comunicação e Expressão, Programa de Pós-graduação em Letras/Inglês e Literatura Correspondente, Florianópolis, 2010Through a dialogical relation between poems and song lyrics, and the socio-political contexts which surrounded these texts, this research discusses the resonance that North American poet, Allen Ginsberg, had over the Brazilian musical movement, the Tropicália. The corpora are the poems "Howl" (1956), "America" (1956), "Supermarket in California" (1955), "Sunflower Sutra" (1955), "Song" (1954), and "Wild Orphan" (1952), written by Allen Ginsberg, and the songs "Batmacumba" (1968), composed by Caetano Veloso, and Gilberto Gil, "Baby" (1968), composed by Caetano Veloso, "Geléia Geral" (1968), composed by Gilberto Gil and Torquato Neto, "Alegria, Alegria" (1967), composed by Caetano Veloso, and "Domingo no Parque" (1967), composed by Gilberto Gil. The main theoretical and critical parameters of this research include: Mikhail Bakhtin and his reflections on intertextuality; James J. Farrell, who believes that the American counterculture began with the Beats; Claudio Willer, who stresses the importance of Allen Ginsberg to the Beat movement, as well as to the birth of the American counterculture; Christopher Dunn, who emphasizes the historical, social, and political relevance of the Tropicália; and Celso Favaretto, who discusses in depth the complexity of most of the Tropicália songs. Based on such parameters, this research suggests that the life and work of Allen Ginsberg had great resonance over the creation of the Tropicália.Através de uma relação dialógica entre poesia e letras de música e o contexto sócio-político que circundava tais textos, este estudo discute a ressonância que o poeta Norte Americano, Allen Ginsberg, teve sobre o movimento musical Brasileiro, a Tropicália. A corpora são os poemas "Howl" (1956), "America" (1956), "Supermarket in California" (1955), "Sunflower Sutra" (1955), "Song" (1954), e "Wild Orphan" (1952), escritos por Allen Ginsberg, e as músicas "Batmacumba" (1968), composta por Caetano Veloso, e Gilberto Gil, "Baby" (1968), composta por Caetano Veloso, "Geléia Geral" (1968), composta por Gilberto Gil e Torquato Neto, "Alegria, Alegria" (1967), composta por Caetano Veloso, e "Domingo no Parque" (1967), composta por Gilberto Gil. Os principais parâmetros teóricos e críticos desta pesquisa incluem: Mikhail Bakhtin e suas reflexões sobre intertextualidade; James J. Farrell, que acredita que a contracultura Americana começou com os Beats; também em Claudio Willer, que salienta a importância de Allen Ginsberg no movimento Beat e no nascimento da contracultura Americana; Christopher Dunn, que enfatiza a relevância histórica, social e política da Tropicália; e Celso Favaretto, que discute em profundidade a complexidade da grande maioria das músicas da Tropicália. Baseando-se em tais parâmetros identificados, esta dissertação sugere que a vida e obra de Allen Ginsberg tiveram grande ressonância sobre a criação da Tropicália
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