1,721,017 research outputs found
Diario veneziano e altri racconti: la rubrica di Milena Milani sul quotidiano La Stampa. Con un affondo sul Premio Strega
This essay offers a thematic reading of some short stories appeared in the
column that Milena Milani held in the daily newspaper La Stampa (Stampa Sera) from
1950 to 1964. In her texts, Venice is one of the cities of her youth, where to discover the
everyday but also herself as a writer, a profession that will identify her spirit in life. My
research also aims to highlight a brief catalogue of Milani’s short stories between the
forties and the sixties that could be read in her books and in newspapers and magazines
of that period. In the end, I also offer a list of her books in Italian Archives and author
Funds connected to the Premio Strega: she wanted to participate to the prize in 1947
and then succeeded in 1954 and in 1964.This essay offers a thematic reading of some short stories appeared in the
column that Milena Milani held in the daily newspaper La Stampa (Stampa Sera) from 1950 to 1964. In her texts, Venice is one of the cities of her youth, where to discover the everyday but also herself as a writer, a profession that will identify her spirit in life. My research also aims to highlight a brief catalogue of Milani’s short stories between the 40s and the 60s that could be read in her books and in newspapers and magazines of that period. In the end, I also offer a list of her books in Italian Archives and author Funds connected to the Premio Strega: she wanted to participate to the prize in 1947 and then succeeded in 1954 and in 1964
Libertà definibili: sulle tracce di Paola Masino e Milena Milani a Venezia. Postfazione
In questi Atti di Convegno, Paola Masino, Milena Milani e Venezia si propongono come tre poli di un dialogo a più voci. Alcuni dei volti e delle trame della vita in città, negli anni Trenta e Quaranta e nei decenni successivi, sono infatti riuniti attorno a due autrici che hanno saputo fare della scrittura un mestiere fecondo. Il loro contributo, evidenziato nel volume da nove relatrici, ridisegna il volto della laguna con particolare attenzione ai luoghi e ai tempi, cogliendo, di decennio in decennio, peculiarità e variazioni. Un profilo, quello di Venezia Novecento, poco o per nulla narrato dalle donne, che trova in questi saggi un timbro di autenticità.
Lo Russo, Rosaria, La protagonista di Pirandello, ed. Corrado Donati and Massimo Rizzante, Pesaro, Metauro, 2021 (Alessandra Trevisan)
Rosaria Lo Russo’s study of Pirandello, begun thirty years ago with her dissertation, follows a double thread: it focuses on the female characters in the Sicilian author’s theatrical production, and identifies the possibility to know and understand a new, hidden, and incorporeal side of his work. Lo Russo approaches her investigation from a perspective that is both lateral and vertical: comparative and poetic. Her book will thus appeal both scholars and performers interested in Pirandello’s theatre as a means to bring to life female figures inspired by the powerful ambiguity of myth
Going Beyond Counting First Authors in Author Co-citation Analysis
The present study examines one of the fundamental aspects of author co-citation analysis (ACA) - the way co-citation
counts are defined. Co-citation counting provides the data on which all subsequent statistical analyses and mappings
are based, and we compare ACA results based on two different types of co-citation counting - the traditional type that
only counts the first one among a cited work's authors on the one hand and a non-traditional type that takes into
account the first 5 authors of a cited work on the other hand. Results indicate that the picture produced through this non-traditional author co-citation counting contains more coherent author groups and is therefore considerably clearer. However, this picture represents fewer specialties in the research field being studied than that produced through the traditional first-author co-citation counting when the same number of top-ranked authors is selected and analyzed. Reasons for these effects are discussed
Recensione a "Venezia Novecento: le voci di Paola Masino e Milena Milani"
Recensione al volume di Arianna Ceschin, Ilaria Crotti, and Alessandra Trevisan, (eds.) "Venezia
Novecento: le voci di Paola Masino e Milena Milani", Venezia, Edizioni Ca’ Foscari, 2020. Pp. 221
Variations on the Author
“Variations on the Author” discusses two of Eduardo Coutinho’s recent films (Um Dia na Vida, from 2010, and Últimas Conversas, posthumously released in 2015) and their contribution to the general question of documentary authorship. The director’s filmography is characterized by a consistent yet self-effacing form of authorial self-inscription: Coutinho often features as an interviewer that rather than express opinions propels discourses; an interviewer that is good at listening. This mode of self-inscription characterizes him as an author who is not expressive but who is nonetheless markedly present on the screen. In Um Dia na Vida, however, Coutinho is completely absent form the image, while Últimas Conversas, on the contrary, includes a confessional prologue that moves the director from the margins to the center of his films. This article examines the ways in which these works stand out in the filmography of a director who offers new insights into the notion of cinematic authorship
Appropriate Similarity Measures for Author Cocitation Analysis
We provide a number of new insights into the methodological discussion about author cocitation analysis. We first argue that the use of the Pearson correlation for measuring the similarity between authors’ cocitation profiles is not very satisfactory. We then discuss what kind of similarity measures may be used as an alternative to the Pearson correlation. We consider three similarity measures in particular. One is the well-known cosine. The other two similarity measures have not been used before in the bibliometric literature. Finally, we show by means of an example that our findings have a high practical relevance.information science;Pearson correlation;cosine;similarity measure;author cocitation analysis
Dispelling the Myths Behind First-author Citation Counts
We conducted a full-scale evaluative citation analysis study of scholars in the XML research field to explore just how different from each other author rankings resulting from different citation counting methods actually are, and to demonstrate the capability of emerging data and tools on the Web in supporting more realistic citation counting methods. Our results contest some common arguments for the continued
use of first-author citation counts in the evaluation of scholars, such as high correlations between author rankings by first-author citation counts and other citation
counting methods, and high costs of using more realistic citation counting methods that are not well-supported by the ISI databases. It is argued that increasingly available digital full text research papers make it possible for citation analysis studies to go beyond what the ISI databases have directly supported and to employ more
sophisticated methods
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