1,735,402 research outputs found
Neu-vermehrtes vierfaches Garten-Buch
No full textTitelbl. in Rot- und Schwarzdr.Autopsie nach dem Ex. der ULB Sachsen-AnhaltVorlage des Erscheinungsvermerks: Franckfurth und Leipzig, Zu finden bey Tobias Eduard Emanuel Adami, Buchhändler, 1750. - Frankfurt und Leipzig sind MessplätzeFrontispiz (Kupferst.
De Pactis Romanorum : Specimen Primum / Autore Laurentio Hausmann, Lubecensi
No full textVorlageform des Erscheinungsvermerks: Argentorati, Literis Georg. Adami Piesckeri, Univers. Typogr. - Erscheinungsjahr nach der Biografie Hausmanns von Christoph Anton Erasm
<<Adami Adami ... >>Relatio historica de pacificatione Osnabrugo-Monasteriensi /
No full textPortret van Adami (G. D. Heumann sc.); 1 uitslaande pl.: Adami Hildesiensis suffraganeusDed. Dominicus PasseoneusEuropeana-GoogleBook
Vier Fabeln von Aesop Für Adami
No full textHere it happens again that I come upon a material I did not realize was already in some form in the collection. See my comment on the 1980 "Quatre Fables d'Esope." I will keep here what I have written on this encounter with the German form of the work year later. This is one of the strangest materials in the collection. My description should be taken as tentative. It is a portfolio of loose items forming an exhibit catalogue of a galerie in Zurich featuring the work of Valerio Adami, an Italian painter born in 1935 who painted in London and Paris and whose work was marked by influence from pop media. Italo Calvino lived from 1923 to 1985. The portfolio contains illustrations and texts. The illustrations -- six in color, including the cover illustration "Vereinigungen - Verwirrungen" -- and seven black-and-white are joined by an "Anhang" with a black-nd-white bust of Aesop and three photographs. Where is "Aesop" in this gathering? As far as I can tell, Aesop appears in three places besides the title. There is a black-and-white presentation of "Aesop - Epigramm." There is the Italian essay of Calvino on its own four-page folio "Quattro favole d'Esopo per Valerio Adami." And there is that bust of Aesop at the beginning of the appendix. It turns out that "Quattro favole" is just that, a series of stories, one to a page, describing the interactions of "The hand the line"; "The feet and the figure"; "The horizontal line and the color blue"; and ""The written word, the colors, and the voice." "Aesop - Epigramm" contains the hands peeling an apple and holding a cigarette mentioned in the first fable. Aesop gets around!Language note: GermanItalo Calvin
Bioethics through Literature. Margaret Atwood's Cautionary Tales
No full textLiterature has been warning us for a long time about the dangers of uncontrolled techno-science, shedding cautionary light on bioethical issues. In Bioethics Through Literature, Valentina Adami underlines the importance of literature for contemporary bioethical reflection by analyzing Margaret Atwood’s dystopias The Handmaid’s Tale (1985), Oryx and Crake (2003) and The Year of the Flood (2009). In particular, The Handmaid’s Tale provides a framework for discussion on biopower, the female body and the ethics of ARTs (Assisted Reproduction Technologies), while Oryx and Crake and The Year of the Flood offer interesting insights into other bioethical concerns such as ecology and the ethics of genetic engineering
De Antiquo Iure Populi Romani
No full textVorlageform der Veröffentlichungsangabe: Lipsiae Et Halae Prostant in Officina Adami Sellii, MDCCXV. - Leipzig ist Messeort. Adam Sellius druckte in Halle (Saale). - auf dem Zwischentitelblatt (Tom. I.): Halae In Officina Selliana MDCCXV
Bioethics through Literature: Margaret Atwood's Cautionary Tales
No full textLiterature has been warning us for a long time about the dangers of uncontrolled techno-science, shedding cautionary light on bioethical issues. In Bioethics Through Literature, Valentina Adami underlines the importance of literature for contemporary bioethical reflection by analyzing Margaret Atwood’s dystopias The Handmaid’s Tale (1985), Oryx and Crake (2003) and The Year of the Flood (2009). In particular, The Handmaid’s Tale provides a framework for discussion on biopower, the female body and the ethics of ARTs (Assisted Reproduction Technologies), while Oryx and Crake and The Year of the Flood offer interesting insights into other bioethical concerns such as ecology and the ethics of genetic engineering
Nova Dissertatio Prooemialis Thomasiana de Vsu vario studii Antiquitatum, inprimis in studio Iurisprudentiæ Romanæ
No full textBandzählung nach Angaben auf dem Zwischentitelblatt von "De Antiquo Iure Populi Romani" (Blatt )(2) ermitteltDas gefaltete Blatt Tafel ist aus mehreren, beidseitig bedruckten, zusammengeklebten Blättern zusammengesetztDie Rückseite des Titelblatts ist unbedrucktVorlageform der Veröffentlichungsangabe: Lipsiae Et Halae Prostant in Officina Adami Sellii, MDCCXV. - Leipzig ist Messeort. Adam Sellius druckte in Halle (Saale)
De Crimine Fractæ Pacis Domesticæ Inprimis De Heimsvcha Germanorvm
No full textUniversität Straßburg, Dissertation, 1727Enthält Beitrag von: "... Johannes Georgius Scherzius ..."Vorlageform der Veröffentlichungsangabe: Argentorati, Literis Georg. Adami Piesckeri, Univers. Typogr. - Erscheinungsjahr nach Datierung im Titel bestimm
Performance evaluation of the current Wavelet Video Coding Reference Software
Full text linkThe 2D+t+2D architecture is based upon STool interband prediction scheme: see [1] N. Adami, M. Brescianini, R. Leonardi and A. Signoroni, "SVC CE1: STool - a native spatially scalable approach to SVC", ISO/IEC JTC1/SC29/WG11, M11368, 70th MPEG Meeting, Palma de Mallorca, Spain, Oct. 2004; [2] N. Adami, M. Brescianini, M. Dalai, R. Leonardi and A. Signoroni, “A fully scalable video coder with inter-scale wavelet prediction and morphological coding”, in Proc. of VCIP 2005, SPIE vol. 5960 (nr.58), Beijing, China, July 2005; [3] N. Adami, M. Brescianini, R. Leonardi and A. Signoroni, "New prediction schemes for scalable wavelet video coding", ISO/IEC JTC1/SC29/WG11, M12642, 74th MPEG Meeting, Nice, France, Oct. 2005
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