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WunderMoRE
Get PDF07 Marzo 2018 - 08 Luglio 2018
THE INDEPENDENT. MORE MUSEUM OF REFUSED AND UNREALISED ART PROJECTS
The Independent è un progetto di Hou Hanru, a cura di Giulia Ferracci ed Elena Motisi
Foyer Carlo Scarpa
The Independent apre il 2018 con il gruppo MoRE, il museo digitale che raccoglie, conserva ed espone on-line progetti non realizzati di artisti del XX e XXI secolo e vincitore di i8, l’iniziativa della fiera ArtVerona dedicata agli spazi indipendenti.
Per questo appuntamento al MAXXI, MoRE presenta il progetto WunderMoRE, a cura di Ilaria Bignotti, Elisabetta Modena, Valentina Rossi, Marco Scotti e Anna Zinelli, restituendo il proprio archivio attraverso il formato della quadreria.
Il wall del museo si trasforma in una “sala espositiva” fondata sul disorientamento percettivo dettato dall’accumulo indiscriminato di oggetti di diversa natura, solo apparentemente allestiti senza un principio ordinatore o tassonomico. Ogni immagine è accompagnata da una breve spiegazione del lavoro dell’artista e un QR code per poter ritrovare il progetto nell’archivio digitale di MoRE. I materiali sono proposti in due diversi allestimenti che si susseguono tra marzo e luglio.
Contenitore fluido e scientifico, mobile e in costante definizione e ampliamento, MoRE valorizza e approfondisce, attraverso ricerche, articoli, seminari e pubblicazioni, i progetti conservati, sfruttando appieno le potenzialità del web, dialogando con istituzioni e realtà differenti anche attraverso progetti espositivi sperimentali e site-specific e proponendo sempre uno scambio attivo
MoRE spaces. Percorsi nell'archivio del non realizzato
Get PDFDopo aver vinto il Premio Mercanteinfiera 2014, MoRE allestisce a Palazzo Pigorini (Parma) una mostra con oltre 30 progetti “mai realizzati” da parte di artisti che nel tempo si sono affermati nel panorama culturale nazionale e internazionale. La mostra è curata da Elisabetta Modena, Marco Scotti, Valentina Rossi e Anna Zinelli che, attraverso leopere in esposizione, hanno voluto interrogarsi sul significato e sulle potenzialità dell’esporre progetti mai portatia termine, composti di materiali eterogenei, presentati in forme differenti.
Sono esposti progetti non realizzati di Valerio Berruti, Davide Bertocchi, David Casini, CRASH! (ScottKing & Matthew Worley), Matthew Darbyshire, Flavio Favelli, Regina José Galindo, Goldschmied& Chiari, Franco Guerzoni & Luigi Ghirri, Ugo La Pietra, Claudia Losi, Eva Marisaldi, JonathanMonk, Liliana Moro, Giovanni Ozzola, Cesare Pietroiusti, Luigi Presicce, Paolo Scheggi, LorenzoScotto di Luzio, Sissi, Luca Trevisani, Massimo Uberti, Luca Vitone, Erwin Wurm & CoopHimmelb(l)au.
Parallelamente alla mostra sono in programma nella stessa sede una serie di talk relativi alle categorie del nonrealizzato che interessino altri ambiti rispetto a quello strettamente artistico, quali la musica, la cucina, laletteratura e l’architettura
Going Beyond Counting First Authors in Author Co-citation Analysis
Get PDFThe present study examines one of the fundamental aspects of author co-citation analysis (ACA) - the way co-citation
counts are defined. Co-citation counting provides the data on which all subsequent statistical analyses and mappings
are based, and we compare ACA results based on two different types of co-citation counting - the traditional type that
only counts the first one among a cited work's authors on the one hand and a non-traditional type that takes into
account the first 5 authors of a cited work on the other hand. Results indicate that the picture produced through this non-traditional author co-citation counting contains more coherent author groups and is therefore considerably clearer. However, this picture represents fewer specialties in the research field being studied than that produced through the traditional first-author co-citation counting when the same number of top-ranked authors is selected and analyzed. Reasons for these effects are discussed
Variations on the Author
Get PDF“Variations on the Author” discusses two of Eduardo Coutinho’s recent films (Um Dia na Vida, from 2010, and Últimas Conversas, posthumously released in 2015) and their contribution to the general question of documentary authorship. The director’s filmography is characterized by a consistent yet self-effacing form of authorial self-inscription: Coutinho often features as an interviewer that rather than express opinions propels discourses; an interviewer that is good at listening. This mode of self-inscription characterizes him as an author who is not expressive but who is nonetheless markedly present on the screen. In Um Dia na Vida, however, Coutinho is completely absent form the image, while Últimas Conversas, on the contrary, includes a confessional prologue that moves the director from the margins to the center of his films. This article examines the ways in which these works stand out in the filmography of a director who offers new insights into the notion of cinematic authorship
Appropriate Similarity Measures for Author Cocitation Analysis
Get PDFWe provide a number of new insights into the methodological discussion about author cocitation analysis. We first argue that the use of the Pearson correlation for measuring the similarity between authors’ cocitation profiles is not very satisfactory. We then discuss what kind of similarity measures may be used as an alternative to the Pearson correlation. We consider three similarity measures in particular. One is the well-known cosine. The other two similarity measures have not been used before in the bibliometric literature. Finally, we show by means of an example that our findings have a high practical relevance.information science;Pearson correlation;cosine;similarity measure;author cocitation analysis
Proposals, dreams and utopias from Zagreb. A selection of unrealised and refused art projects by MoRE Museum
Get PDFThe exhibition, both online and at the MSU in Zagreb (November 9-December 8 2018) was conceived starting from the residency held last spring, when the curators of MoRE a Museum of refused and unrealized art project - were invited by the MSU to explore the city contemporary art scene.
During the residency, many unrealized projects, from the 1950's to the present day were discovered in the archives and the artists’ studios.
During the residency, many unrealized projects from the 1950s to the present day were discovered in the archives and artists’ studios. Thanks to the interactivity of the physical and digital exhibitions, it will be possible to discover works like Total Portrait of the City of Zagreb (1979) by Tomislav Gotovac (Sombor 1937 - Zagreb 2010), a draft of a documentary screenplay about the city of Zagreb, The lost pavillion, an unbuilt pavillion by David Maljković (Rijeka, 1973) for the city of Lyon, and a proposal by Petar Dabac (Zagreb, 1942) for an unbuilt museum in Zagreb dedicated to photography (Muzej za fotografiju - Museum of Photography 1986). There will also be several conceptual projects by Vlado Martek (Zagreb, 1951) which stand halfway between linguistic and visual research, such as Ambivalentna tautologija (2013-2014) and Ništa (2015), two unrealized videos - The Moons (2011), in which the artist intended to document the existence of a second moon, and The Room (2009), a stop-motion video on a spritualist séance by Marko Tadić (Sisak, 1979) and Lithopuncture (2004), a project for a series of urban sculptures by Marko Pogačnik. The last was part of "Urban Intervention", a project organised by the Sirius Centre and promoted by the MSU, partially conserved in Lake Jarun Park in Zagreb, while some elements in the city centre were removed or relocated several years later.
Two well-known historical projects are also exhibited: the Yugoslavian Pavilion designed but not realized for the Paris Exposition in 1950, the result of a collective design process by Ivan Picelj (Okučani, 1924 - Zagreb, 2011), Zvonimir Radić (Zagreb 1921 - 1985), Vjenceslav Richter (Drenova, 1917 - Zagreb, 2002) and Aleksandar Srnec (Zagreb, 1924 - 2010) and Synthurbanism, Richter's visionary project of the '50s and '60s
Dispelling the Myths Behind First-author Citation Counts
Get PDFWe conducted a full-scale evaluative citation analysis study of scholars in the XML research field to explore just how different from each other author rankings resulting from different citation counting methods actually are, and to demonstrate the capability of emerging data and tools on the Web in supporting more realistic citation counting methods. Our results contest some common arguments for the continued
use of first-author citation counts in the evaluation of scholars, such as high correlations between author rankings by first-author citation counts and other citation
counting methods, and high costs of using more realistic citation counting methods that are not well-supported by the ISI databases. It is argued that increasingly available digital full text research papers make it possible for citation analysis studies to go beyond what the ISI databases have directly supported and to employ more
sophisticated methods
koamabayili/VECTRON-author-checklist: VECTRON author checklist
No full textWe have done our best to complete the author checklist relating to the use of animals in the hut study. Note that the objective for the hut study was to evaluate the IRS treatment applications for residual efficacy against Anopheles mosquitoes, including the local An. coluzzii mosquito population. Cows were only used to attract mosquitoes into the huts and no tests were carried out directly on the cows. The author checklist is intended for use with studies where experiments are carried out on animals, which is why we have had such difficulty in completing this for the hut study, as many of the questions do not relate to how the cows were used
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